The legacy of the art and cultural scientist Aby Warburg offers many subjects for reassessment. Almost unknown until now are the artifacts he collected on a journey through the southwest of the US in 1895/96 and donated to the Museum fur Voelkerkunde in Hamburg (today Museum am Rothenbaum). The results first unfolded in Warburg's famous lecture on the "snake ritual" of the Hopi (1923). Following Warburg's transdisciplinary approach, this publication examines his guiding principles in assembling his collection as well as his reading of Pueblo art and culture. It pays tribute to the works and their artistic significance and sheds light on the circumstances of acquisition in the sociopolitical environment of the Pueblo communities of the time. The contemporary fascination with the snake ritual is also a topic. Set against this are the previously neglected perspectives and strategies of Pueblo leaders to regain interpretive sovereignty over culturally sensitive content and imagery.

The writings of the American West have long dealt with masculine ideals. Well into the twentieth century, what little attention was afforded to women typically reflected prescribed or stereotyped roles, and the work of women scholars received less attention than that of men. And yet the early twentieth century saw a host of pioneering scholars who would not be ignored, erased, or marginalized. The ten women intellectuals showcased in this volume were pioneers in the writing of Indian-centered history, ethnology, and folklore that incorporated the insights, voices, and perspectives of American Indians. These authors not only produced significant works that are still useful to modern-day scholars; they also pioneered research methods and theoretical concepts that helped lay the foundation for the new scholarship on western history, American Indian studies, and ethnohistory. Noted scholars have provided individual biographies describing the struggles and contributions these foremothers made to the creation of late twentieth-century scholarship: Annie Heloise Abel, Gertrude Simmons Bonnin (Zitkala-Sa), Angie Debo, Ella Cara Deloria, Isabel T. Kelly, Marjorie Ferguson Lambert, Dorothea Cross Leighton, Alice Marriott, Mari Sandoz, and Ruth Underhill.

World's fairs and industrial expositions constituted a phenomenally successful popular culture movement during the nineteenth and twentieth centuries. In addition to the newest technological innovations, each exposition showcased commercial and cultural exhibits, entertainment concessions, national and corporate displays of wealth, and indigenous peoples from the colonial empires of the host country. As scientists claiming specialized knowledge about indigenous peoples, especially American Indians, anthropologists used expositions to promote their quest for professional status and authority. Anthropology Goes to the Fair takes readers through the 1904 Louisiana Purchase Exposition to see how anthropology, as conceptualized by W J McGee, the first president of the American Anthropological Association, showcased itself through programs, static displays, and living exhibits for millions of people "to show each half of the world how the other half lives." More than two thousand Native peoples negotiated and portrayed their own agendas on this world stage. The reader will see how anthropology itself was changed in the process. Nancy J. Parezo is a professor of American Indian studies and anthropology at the University of Arizona and the curator of ethnology at the Arizona State Museum. She is the editor of Hidden Scholars: Women Anthropologists and the Native American Southwest. Don D. Fowler is a professor of anthropology, emeritus, at the University of Nevada, Reno. He is the author of A Laboratory for Anthropology: Science and Romanticism in the American Southwest, 1846-1930.

World's fairs and industrial expositions constituted a phenomenally successful popular culture movement during the nineteenth and twentieth centuries. In addition to the newest technological innovations, each exposition showcased commercial and cultural exhibits, entertainment concessions, national and corporate displays of wealth, and indigenous peoples from the colonial empires of the host country. As scientists claiming specialized knowledge about indigenous peoples, especially American Indians, anthropologists used expositions to promote their quest for professional status and authority. Anthropology Goes to the Fair takes readers through the 1904 Louisiana Purchase Exposition to see how anthropology, as conceptualized by W J McGee, the first president of the American Anthropological Association, showcased itself through programs, static displays, and living exhibits for millions of people "to show each half of the world how the other half lives." More than two thousand Native peoples negotiated and portrayed their own agendas on this world stage. The reader will see how anthropology itself was changed in the process.