The fourteen essays in this volume share new and evolving knowledge, theories, and observations about the city of Athens or the region of Attica. The contents include essays on topography, architecture, religion and cult, sculpture, ceramic studies, iconography, epigraphy, trade, and drama. This volume is dedicated to John McK. Camp II, to acknowledge the extraordinary impact he has had on the field of Greek archaeology through his work in the Athenian Agora, as a scholar of ancient Greece, and as Mellon Professor at the American School of Classical Studies. The contributors' work represents current research by the latest generation of scholars with ties to Athens. All of the contributors were students of Professor Camp in Greece, and their essays are dedicated to him in gratitude for his profound influence on their lives and careers.

The fourteen essays in this volume share new and evolving knowledge, theories, and observations about the city of Athens or the region of Attica. The contents include essays on topography, architecture, religion and cult, sculpture, ceramic studies, iconography, epigraphy, trade, and drama. This volume is dedicated to John McK. Camp II, to acknowledge the extraordinary impact he has had on the field of Greek archaeology through his work in the Athenian Agora, as a scholar of ancient Greece, and as Mellon Professor at the American School of Classical Studies. The contributors' work represents current research by the latest generation of scholars with ties to Athens. All of the contributors were students of Professor Camp in Greece, and their essays are dedicated to him in gratitude for his profound influence on their lives and careers.

When the theatres reopened in 1660, tragedy, the greatest of the Renaissance genres, had vanished. Focusing on the directions taken by tragicomedy and the court masque, this book accounts for the shift in the generic system. After the Restoration a network of Royalist playwrights attempted to redefine their society. Defending the traditional power structure in the new circumstances, they fabricated pious, backward-looking and repetitious myths of monarchy. Carolean tragicomedy reflects the persistent attempt to hold together an uneasily integrated culture, and shows us something of the early Restoration's division and intolerance of ambiguity. In Regicide and Restoration Nancy Klein Maguire accords the long-neglected plays of the 1660s the status of major historical documents.