In this new volume, Jan Haywood and Naoise Mac Sweeney investigate the position of Homer's Iliad within the wider Trojan War tradition through a series of detailed case studies. From ancient Mesopotamia to twenty-first century America, these examples are drawn from a range of historical and cultural contexts; and from Athenian pot paintings to twelfth-century German scholarship, they engage with a range of different media and genres. Inspired by the dialogues inherent in the process of reception, the book adopts a dialogic structure. In each chapter, paired essays by Haywood and Mac Sweeney offer contrasting authorial voices addressing a single theme, thereby drawing out connections and dissonances between a diverse suite of classical and post-classical Iliadic receptions. The resulting book offers new insights, both into individual instances of Iliadic reception in particular historical contexts, but also into the workings of a complex story tradition. The centrality of the Iliad within the wider Trojan War tradition is shown to be a function of conscious engagement not only with Iliadic content, but also with Iliadic status and the iconic idea of the Homeric.

From the palaces of Homeric epic to the ancestral seat of Roman emperors, Troy in antiquity was a place couched in myth. But for nearly four millennia, Troy was also a living city, inhabited by real people. Troy today is therefore a site of major archaeological and historical significance. In the modern world, however, Troy has become as much a symbol as a site. From movies to computer viruses, from condom branding to reggae records, Troy is a word to conjure with. This book explores the significance of Troy in three areas: the mythic, the archaeological, and the cultural, and highlights the continuing importance of the site today. Including a survey of the archaeological remains of Troy as they are currently understood, the volume presents an all-inclusive overview of the site's history, from the Troy of Homer to Classical Antiquity and beyond. The modern day cultural significance of the Trojan War is also discussed, including re-tellings of the stories or representations of the site and myth, and the more abstract use of Troy as a symbol - as a brand for consumer goods, and as a metaphor for contemporary conflicts.

This book examines foundation myths told about the Ionian cities during the archaic and classical periods. It uses these myths to explore the complex and changing ways in which civic identity was constructed in Ionia, relating this to the wider discourses about ethnicity and cultural difference that were current in the Greek world at this time. The Ionian cities seem to have rejected oppositional models of cultural difference which set in contrast East and West, Europe and Asia, Greek and Barbarian, opting instead for a more fluid and nuanced perspective on ethnic and cultural distinctions. The conclusions of this book have far-reaching implications for our understanding of Ionia, but also challenge current models of Greek ethnicity and identity, suggesting that there was a more diverse conception of Greekness in antiquity than has often been assumed.

Throughout classical antiquity, origin stories were told across the ancient world in many different ways: through poetry, prose, monumental and decorative arts, and performance in civic and religious rituals. Foundation myths, particularly those about the beginnings of cities and societies, played an important role in the dynamics of identity construction and in the negotiation of diplomatic relationships between communities. Yet many ancient communities had not one but several foundation myths, offering alternative visions and interpretations of their collective origins.Seeking to explain this plurality, "Foundation Myths in Ancient Societies" explores origin stories from a range of classical and ancient societies, covering both a broad chronological span (from Greek colonies to the high Roman empire) and a wide geographical area (from the central Mediterranean to central Asia). Contributors explore the reasons why several different, sometimes contradictory myths might coexist or even coevolve. Collectively, the chapters suggest that the ambiguity and dissonance of multiple foundation myths can sometimes be more meaningful than a single coherent origin narrative. "Foundation Myths in Ancient Societies" argues for a both/and approach to foundation myths, laying a framework for understanding them in dialogue with each other and within a wider mythic context, as part of a wider discourse of origins.Contributors Lieve Donnellan, Alfred Hirt, Naoise Mac Sweeney, Rachel Mairs, Irad Malkin, Daniel Ogden, Robin Osborne, Michael Squire, Susanne Turner.

From the palaces of Homeric epic to the ancestral seat of Roman emperors, Troy in antiquity was a place couched in myth. But for nearly four millennia, Troy was also a living city, inhabited by real people. Troy today is therefore a site of major archaeological and historical significance. In the modern world, however, Troy has become as much a symbol as a site. From movies to computer viruses, from condom branding to reggae records, Troy is a word to conjure with. This book explores the significance of Troy in three areas: the mythic, the archaeological, and the cultural, and highlights the continuing importance of the site today. Including a survey of the archaeological remains of Troy as they are currently understood, the volume presents an all-inclusive overview of the site's history, from the Troy of Homer to Classical Antiquity and beyond. The modern day cultural significance of the Trojan War is also discussed, including re-tellings of the stories or representations of the site and myth, and the more abstract use of Troy as a symbol - as a brand for consumer goods, and as a metaphor for contemporary conflicts.

In this new volume, Jan Haywood and Naoise Mac Sweeney investigate the position of Homer's Iliad within the wider Trojan War tradition through a series of detailed case studies. From ancient Mesopotamia to twenty-first century America, these examples are drawn from a range of historical and cultural contexts; and from Athenian pot paintings to twelfth-century German scholarship, they engage with a range of different media and genres. Inspired by the dialogues inherent in the process of reception, the book adopts a dialogic structure. In each chapter, paired essays by Haywood and Mac Sweeney offer contrasting authorial voices addressing a single theme, thereby drawing out connections and dissonances between a diverse suite of classical and post-classical Iliadic receptions. The resulting book offers new insights, both into individual instances of Iliadic reception in particular historical contexts, but also into the workings of a complex story tradition. The centrality of the Iliad within the wider Trojan War tradition is shown to be a function of conscious engagement not only with Iliadic content, but also with Iliadic status and the iconic idea of the Homeric.