Jataka stories (stories about the previous births of the Buddha) are very popular in Theravada Buddhist countries, where they are found in both canonical texts and later compositions and collections, and are commonly used in sermons, children's books, plays, poetry, temple illustrations, rituals and festivals. Whilst at first glance many of the stories look like common fables or folktales, Buddhist tradition tells us that the stories illustrate the gradual path to perfection exemplified by the Buddha in his previous births, when he was a bodhisatta (buddha-to-be). Jataka stories have had a long and colourful history, closely intertwined with the development of doctrines about the Buddha, the path to buddhahood, and how Buddhists should behave now the Buddha is no more. This book explores the shifting role of the stories in Buddhist doctrine, practice, and creative expression, finally placing this integral Buddhist genre back in the centre of scholarly understandings of the religion.

This lavishly illustrated book investigates an outstanding eighteenth-century example of a samut khoi, a type of beautiful folding book found in Southeast Asia, which became particularly popular as a repository for the Buddha's teachings. Written in Pali and produced in the Kingdom of Siam, its finely executed pictures, painted on khoi paper, show key incidents from stories of the past lives of the Buddha as he prepares for Buddhahood. These tales, historically one of the principal means whereby Buddhist teachings were communicated, known as Jatakas, are a favourite theme for manuscript art. Uniquely for such manuscripts, however, this samut khoi also offers an extensive series of scenes from the last life of the Buddha, including his final awakening and teaching, which is distinctive to the region. These related narratives all contribute to a superb example of eighteenth-century manuscript and calligraphic art. As well as affording great artistic opportunities for expressing the beauty of the Buddha's words and achievements, samut khois are repositories for popular chants and short distillations of doctrine. This book describes the context to this unusually rich expression of Thai Buddhist creativity and, in retelling the stories depicted, reveals the continued appeal of its closely related art and narrative traditions.

Taking a comparative approach which considers characters that are shared across the narrative traditions of early Indian religions (Brahmanical Hinduism, Jainism and Buddhism) Shared Characters in Jain, Buddhist and Hindu Narrative explores key religious and social ideals, as well as points of contact, dialogue and contention between different worldviews. The book focuses on three types of character - gods, heroes and kings - that are of particular importance to early South Asian narrative traditions because of their relevance to the concerns of the day, such as the role of deities, the qualities of a true hero or good ruler and the tension between worldly responsibilities and the pursuit of liberation. Characters (incuding character roles and lineages of characters) that are shared between traditions reveal both a common narrative heritage and important differences in worldview and ideology that are developed in interaction with other worldviews and ideologies of the day. As such, this study sheds light on an important period of Indian religious history, and will be essential reading for scholars and postgraduate students working on early South Asian religious or narrative traditions (Jain, Buddhist and Hindu) as well as being of interest more widely in the fields of Religious Studies, Classical Indology, Asian Studies and Literary Studies.

Taking a comparative approach which considers characters that are shared across the narrative traditions of early Indian religions (Brahmanical Hinduism, Jainism and Buddhism) Shared Characters in Jain, Buddhist and Hindu Narrative explores key religious and social ideals, as well as points of contact, dialogue and contention between different worldviews. The book focuses on three types of character - gods, heroes and kings - that are of particular importance to early South Asian narrative traditions because of their relevance to the concerns of the day, such as the role of deities, the qualities of a true hero or good ruler and the tension between worldly responsibilities and the pursuit of liberation. Characters (incuding character roles and lineages of characters) that are shared between traditions reveal both a common narrative heritage and important differences in worldview and ideology that are developed in interaction with other worldviews and ideologies of the day. As such, this study sheds light on an important period of Indian religious history, and will be essential reading for scholars and postgraduate students working on early South Asian religious or narrative traditions (Jain, Buddhist and Hindu) as well as being of interest more widely in the fields of Religious Studies, Classical Indology, Asian Studies and Literary Studies.

Jataka stories (stories about the previous births of the Buddha) are very popular in Theravada Buddhist countries, where they are found in both canonical texts and later compositions and collections, and are commonly used in sermons, children's books, plays, poetry, temple illustrations, rituals and festivals. Whilst at first glance many of the stories look like common fables or folktales, Buddhist tradition tells us that the stories illustrate the gradual path to perfection exemplified by the Buddha in his previous births, when he was a bodhisatta (buddha-to-be). Jataka stories have had a long and colourful history, closely intertwined with the development of doctrines about the Buddha, the path to buddhahood, and how Buddhists should behave now the Buddha is no more. This book explores the shifting role of the stories in Buddhist doctrine, practice, and creative expression, finally placing this integral Buddhist genre back in the centre of scholarly understandings of the religion.

Buddhism and Jainism share the concepts of karma, rebirth, and the desirability of escaping from rebirth. The literature of both traditions contains many stories about past, and sometimes future, lives which reveal much about these foundational doctrines. Naomi Appleton carefully explores how multi-life stories served to construct, communicate, and challenge ideas about karma and rebirth within early South Asia, examining portrayals of the different realms of rebirth, the potential paths and goals of human beings, and the biographies of ideal religious figures. Appleton also deftly surveys the ability of karma to bind individuals together over multiple lives, and the nature of the supernormal memory that makes multi-life stories available in the first place. This original study not only sheds light on the individual preoccupations of Buddhist and Jain tradition, but contributes to a more complete history of religious thought in South Asia, and brings to the foreground long-neglected narrative sources.

Buddhism and Jainism share the concepts of karma, rebirth, and the desirability of escaping from rebirth. The literature of both traditions contains many stories about past, and sometimes future, lives which reveal much about these foundational doctrines. Naomi Appleton carefully explores how multi-life stories served to construct, communicate, and challenge ideas about karma and rebirth within early South Asia, examining portrayals of the different realms of rebirth, the potential paths and goals of human beings, and the biographies of ideal religious figures. Appleton also deftly surveys the ability of karma to bind individuals together over multiple lives, and the nature of the supernormal memory that makes multi-life stories available in the first place. This original study not only sheds light on the individual preoccupations of Buddhist and Jain tradition, but contributes to a more complete history of religious thought in South Asia, and brings to the foreground long-neglected narrative sources.

This is the first complete English translation in over a century of the ten great jataka tales covering the Bodhisatta's final adventures in the human realm before his ultimate life and enlightenment as the Buddha. Introductory comments to each story provide background and analysis. A general introduction explores themes and the stories' role in Buddhist art and practice. Color images show the stories' centrality in the Buddhist visual landscape of Southeast Asia.These definitive new translations reestablish the stories as ancient literary treasures of South Asia. Readers will be delighted by their magic and intrigue, philosophical insight, and deep roots in the religious and cultural world of the Buddha.

Many Buddhas, One Buddha introduces a significant section of the important early Indian Buddhist text known as the Avadanasataka, or "One Hundred Stories", and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvastivada or Mulasarvastivada, and thus provides important evidence of the ideas and literatures of lost non-Mahayana schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadana texts. The book introduces the first four chapters of the Avadanasataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Sakyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40.

This collection brings together scholarly contributions relating to the research of Lance Cousins (1942-2015), an influential and prolific scholar of early Buddhism. Cousins' interests spanned several related fields from the study of Abhidhamma and early Buddhist schools to Pali literature and meditation traditions. As well as being a scholar, Cousins was a noted meditation teacher and founder of the Samantha Trust. The influence of Cousin's scholarship and teaching is felt strongly not only in the UK but in the worldwide Buddhist Studies community. The volume is introduced by Peter Harvey and the following chapters all speak to the core questions in the field such as the nature of the path, the role of meditation, the formation of early Buddhist schools, scriptures and teachings and the characteristics and contributions of P?li texts. The volume is of interest to students and scholars in Buddhist Studies, Religious Studies and Asian Studies as well as Buddhist practitioners.

This collection brings together scholarly contributions relating to the research of Lance Cousins (1942-2015), an influential and prolific scholar of early Buddhism. Cousins' interests spanned several related fields from the study of Abhidhamma and early Buddhist schools to Pali literature and meditation traditions. As well as being a scholar, Cousins was a noted meditation teacher and founder of the Samantha Trust. The influence of Cousin's scholarship and teaching is felt strongly not only in the UK but in the worldwide Buddhist Studies community. The volume is introduced by Peter Harvey and the following chapters all speak to the core questions in the field such as the nature of the path, the role of meditation, the formation of early Buddhist schools, scriptures and teachings and the characteristics and contributions of P?li texts. The volume is of interest to students and scholars in Buddhist Studies, Religious Studies and Asian Studies as well as Buddhist practitioners.

Many Buddhas, One Buddha introduces a significant section of the important early Indian Buddhist text known as the Avadanasataka, or "One Hundred Stories", and explores some of its perspectives on buddhahood. This text, composed in Sanskrit and dating to perhaps the third to fifth centuries of the Common Era, is affiliated with the Sarvastivada or Mulasarvastivada, and thus provides important evidence of the ideas and literatures of lost non-Mahayana schools of Indian Buddhism. The text is a rich literary composition, in mixed prose and verse, and includes some elaborate devotional passages that illuminate early Indian perspectives on the Buddha and on the role of avadana texts. The book introduces the first four chapters of the Avadanasataka through key themes of these stories, such as predictions and vows, preparations for buddhahood, the relationship between Sakyamuni and other buddhas, and the relationship between full buddhahood and pratyekabuddhahood. The study of these stories closes with an argument about the structural design of the text, and what this tells us about attitudes towards different forms of awakening. The second part of the book then presents a full English translation of stories 1-40.