This book investigates a new form of fiction that is currently emerging in contemporary literature across the globe. 'Novels of the extreme' - from North and South America, from Europe, the Middle East and Asia - are set in a world both similar to and different from our own: a hyper-real, often apocalyptic world progressively invaded by popular culture, permeated with technology and dominated by destruction. While their writing is commonly classified as 'hip' or 'underground' literature, authors of contemporary extreme novels have often been the center of public controversy and scandal; they, and their work, become international bestsellers. This collection of essays indentifies and describes this international phenomenon, investigating the appeal of these novels' styles and themes, the reason behind their success, and the fierce debates they provoked. Alain-Philippe Durand is Associate Professor of French, Film Studies and Comparative Literature at the University of Rhode Island. Naomi Mandel is Assistant Professor in the Department of English, University of Rhode Island.

This collection of critical essays on the American novelist Bret Easton Ellis examines the novels of his mature period: American Psycho (1991), Glamorama (1999), and Lunar Park (2005). Taking as its starting-point American Psycho's seismic impact on contemporary literature and culture, the volume establishes Ellis' centrality to the scholarship and teaching of contemporary American literature in the U.S. and in Europe. Contributors examine the alchemy of acclaim and disdain that accrues to this controversial writer, provide an overview of growing critical material on Ellis and review the literary and artistic significance of his recent work. Exploring key issues including violence, literature, reality, reading, identity, genre, and gender, the contributors together provide a critical re-evaluation of Ellis, exploring how he has impacted, challenged, and transformed contemporary literature in the U.S. and abroad.

This collection of critical essays on the American novelist Bret Easton Ellis examines the novels of his mature period: "American Psycho" (1991), "Glamorama" (1999), and "Lunar Park" (2005). Taking as its starting-point "American Psycho"'s seismic impact on contemporary literature and culture, the volume establishes Ellis' centrality to the scholarship and teaching of contemporary American literature in the U.S. and in Europe. Contributors examine the alchemy of acclaim and disdain that accrues to this controversial writer, provide an overview of growing critical material on Ellis and review the literary and artistic significance of his recent work. Exploring key issues including violence, literature, reality, reading, identity, genre, and gender, the contributors together provide a critical re-evaluation of Ellis, exploring how he has impacted, challenged, and transformed contemporary literature in the U.S. and abroad. This series offers up-to-date guides to the recent work of major contemporary North American authors. Written by leading scholars in the field, each book presents a range of original interpretations of three key texts published since 1990, showing how the same novel may be interpreted in a number of different ways. These informative, accessible volumes will appeal to advance undergraduate and postgraduate students, facilitating discussion and supporting close analysis of the most important contemporary American and Canadian fiction.

This book investigates a new form of fiction that is currently emerging in contemporary literature across the globe. 'Novels of the contemporary extreme' - from North and South America, from Europe, and the Middle East - are set in a world both similar to and different from our own: a hyper real, often apocalyptic world progressively invaded by popular culture, permeated with technology and dominated by destruction. While their writing is commonly classified as 'hip' or 'underground' literature, authors of contemporary extreme novels have often been the center of public controversy and scandal; they, and their work, become international bestsellers. This collection of essays identifies and describes this international phenomenon, investigating the appeal of these novels' styles and themes, the reasons behind their success, and the fierce debates they provoked.>

In the wake of World War II, the Nazi genocide of European Jews has come to stand for ""the unspeakable,"" posing crucial challenges to the representation of suffering, the articulation of identity, and the practice of ethics in an increasingly multinational and multicultural world. In this book, Naomi Mandel argues against the ""unspeakable"" as any kind of inherent quality of such an event, insisting that the term is a rhetorical tactic strategically employed to further specific cultural and political agendas. While claiming to preserve the uniqueness, sanctity, and inviolability of human suffering, the author writes, the assumption that suffering is unspeakable works to silence and negate the suffering human body and finally enables us to forget our own vulnerability to suffering. Discussing a variety of texts such as Toni Morrison's ""Beloved"", Steven Spielberg's ""Schindler's List"", and William Styron's ""Confessions of Nat Turner"", Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do? With the goal of reconciling language and corporeality and integrating experience into the economy of language, community, identity, and ethics, she shows how, when, and why the term ""unspeakable"" is used. Mandel draws on critical theory, literary analysis, and film studies to offer a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of ""unspeakability."" Her book will appeal to scholars in the study of trauma and genocide, anti-Semitism and racism, as well as in literary, cultural, and comparative ethnic studies.

In the wake of World War II, the Nazi genocide of European Jews has come to stand for ""the unspeakable,"" posing crucial challenges to the representation of suffering, the articulation of identity, and the practice of ethics in an increasingly multinational and multicultural world. In this book, Naomi Mandel argues against the ""unspeakable"" as any kind of inherent quality of such an event, insisting that the term is a rhetorical tactic strategically employed to further specific cultural and political agendas. While claiming to preserve the uniqueness, sanctity, and inviolability of human suffering, the author writes, the assumption that suffering is unspeakable works to silence and negate the suffering human body and finally enables us to forget our own vulnerability to suffering. Discussing a variety of texts such as Toni Morrison's ""Beloved"", Steven Spielberg's ""Schindler's List"", and William Styron's ""Confessions of Nat Turner"", Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do? With the goal of reconciling language and corporeality and integrating experience into the economy of language, community, identity, and ethics, she shows how, when, and why the term ""unspeakable"" is used. Mandel draws on critical theory, literary analysis, and film studies to offer a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of ""unspeakability."" Her book will appeal to scholars in the study of trauma and genocide, anti-Semitism and racism, as well as in literary, cultural, and comparative ethnic studies.