This title was first published in 2001. Focusing attention on the neglected area of relations between brothers and sisters during the early modern period, this volume explores the sibling dynamics that shaped family relations in Italy, England, France, Spain, and Germany. Using an array of feminist and cultural studies approaches, prominent scholars consider sibling ties from a range of interdisciplinary perspectives - including art history, musicology, literary studies, and social history - to articulate underlying paradigms according to which sibling relations were constructed.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

This title was first published in 2000: Care-givers in the early modern period included not only mothers and stepmothers, but also midwives and nurses, tutors and educators, wise women and witches. The contributors to this volume present research and criticism on a wide range of early modern care-giving roles by women in England, Italy, Spain, France, Latin America, Mexico and the New World. The essays are not only cross-cultural but also interdisciplinary, spanning literature, history, music and art history; and they focus on differences of gender, class and race. A wide variety of scholarly and critical approaches are represented. Essays are grouped in categories on conception and lactation; maternal nurture and instruction; domestic production; and social authority.

This is a collection of original essays about how Shakespeare and his plays are increasingly being used as a means of furthering literacy, language arts, creative and dramatic learning for children in and out of the classroom. It is divided into three sections comprising essays by well-known children's book authors, literary scholars and teachers, who approach the subject from a wide range of perspectives.

" Lady Mary Wroth (c. 1587-1653) wrote the first sonnet sequence in English by a woman, one of the first plays by a woman, and the first published work of fiction by an Englishwoman. Yet, despite her status as a member of the distinguished Sidney family, Wroth met with disgrace at court for her authorship of a prose romance, which was adjudged an inappropriate endeavor for a woman and was forcibly withdrawn from publication. Only recently has recognition of Wroth's historical and literary importance been signaled by the publication of the first modern edition of her romance, The Countess of Mountgomeries Urania. Naomi Miller offers an illuminating study of this significant early modern woman writer. Using multiple critical/theoretical perspectives, including French feminism, new historicism, and cultural materialism, she examines gender in Wroth's time. Moving beyond the emphasis on victimization that shaped many previous studies, she considers the range of strategies devised by women writers of the period to establish voices for themselves. Where previous critics have viewed Wroth primarily in relation to her male literary predecessors in the Sidney family, Miller explores Wroth's engagement with a variety of discourses, reading her in relation to a broad range of English and continental authors, both male and female, from Sidney, Spenser, and Shakespeare to Aemilia Lanyar, Elizabeth Cary, and Marguerite de Navarre. She also contextualizes Wroth's writing in relation to a variety of nonliterary texts of the period, both political and domestic. Thanks to Miller's sensitive readings, Wroth's writings provide a lens through which to view gender relations in the early modern period.