Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

This volume examines some of the ways that Brazil has been represented and seeks to represent itself in popular media. It looks at social inequalities, racial divisions, and legacies of political restructuring as it illuminates the challenges and opportunities that the nation faces at present and going into preparations for and recovery from the upcoming mega events, both the 2014 World Cup and 2016 Summer Olympics. Drawing on the expertise of scholars in the fields of film and media studies, political science, social movement analysis, and cultural studies this volume features chapters examining the role of stereotyped Brazilian identity and myths of what it means to be Brazilian, the growing interest in favela-slum-culture, and sites of resistance in contemporary Brazilian society.