Researchers in the new field of literary-and-cultural studies look at social issues - especially issues of change and mobility - through the lens of literary thinking. The essays range from cultural memory and migration to electronic textuality and biopolitics.

This collection looks from a variety of angles at the human body as it resists the determinations of gender, sexuality, socialization, and history. Ranging from classical hermaphrodites, Bruegel's blind faces and Weimar transgender surgery, via Gentlemen Prefer Blondes, state-socialist sport and Proust, to Barbie, Lari Pittman, American Psycho, IVF, and video dance, the 16 essays question the relationship between politics, culture, and desire.

This book is an interdisciplinary study of the human drama of replacement. Is one's irreplaceability dependent on surrounding oneself by a replication of others? Is love intrinsically repetitious or built on a fantasy of uniqueness? The sense that a person's value is blotted out if someone takes their place can be seen in the serial monogamy of our age and in the lives of 'replacement children' - children born into a family that has recently lost a child, whom they may even be named after. The book investigates various forms of replacement, including AI and doubling, incest and bedtricks, imposters and revenants, human rights and 'surrogacy', and intertextuality and adaptation. The authors highlight the emotions of betrayal, jealousy and desire both within and across generations. On Replacement consists of 24 essays divided into seven sections: What is replacement?, Law & society, Wayward women, Lost children, Replacement films, The Holocaust and Psychoanalysis. The book will appeal to anyone engaged in reading cultural and social representations of replacement.

In June 1938 Sigmund Freud and his family arrived in London, exiles from Nazi-occupied Austria. Now, seventy years later, Freud's exile, together with the general exodus of psychoanalysts from the German-speaking world, can be seen as a turning-point in modern cultural history. The displacement of the centre of gravity of the psychoanalytic movement from Vienna to London (and thence - via English translations - to the United States and the wider world) helped make Freud's theories into one of the most influential intellectual systems of the twentieth century. This book, with contributions from some of the world's most eminent Freud scholars, marks the fiftieth anniversary of Freud's exile and discusses its impact on the development of psychoanalysis. The first section examines the specifically Viennese-Jewish origins of Freudian theory and the nature and effects of the psychoanalytic exodus. One chapter considers Freud's library and his private reading, a study facilitated by the Freud Museum in London. Section two considers the English reception of psychoanalysis.The role of Ernest Jones in transmitting Freud's ideas is examined, and there are chapters on Adrian Stokes, Wilhelm Stekel and the fate of Freudian analysts in exile, particularly in the United States. Closely linked to the cultural displacement of psychoanalysis is the issue of the translation of Freud's writing. Section three considers problems involved in such translation and retranslation - and the question of revising the Standard Edition of Freud. The final section identifies perspectives for the future which derive from the continuing psychoanalytic debate. It includes chapters on changing theories of childhood since Freud, Freud and the question of women and feminism, psychoanalysis and anthropology, and Freud's influence on other forms of psychotherapy. With full scholarly references, documents and illustrations from the Freud archives, many of them reproduced here, this volume demonstrates how Freud's exile (fulfilment of his wish 'to die in freedom') stimulated the growth of psychoanalysis in the English-speaking world. It provides an important reassessment of Freud's contribution to twentieth-century thought.

This book is an interdisciplinary study of the human drama of replacement. Is one's irreplaceability dependent on surrounding oneself by a replication of others? Is love intrinsically repetitious or built on a fantasy of uniqueness? The sense that a person's value is blotted out if someone takes their place can be seen in the serial monogamy of our age and in the lives of 'replacement children' - children born into a family that has recently lost a child, whom they may even be named after. The book investigates various forms of replacement, including AI and doubling, incest and bedtricks, imposters and revenants, human rights and 'surrogacy', and intertextuality and adaptation. The authors highlight the emotions of betrayal, jealousy and desire both within and across generations. On Replacement consists of 24 essays divided into seven sections: What is replacement?, Law & society, Wayward women, Lost children, Replacement films, The Holocaust and Psychoanalysis. The book will appeal to anyone engaged in reading cultural and social representations of replacement.

Researchers in the new field of literary-and-cultural studies look at social issues - especially issues of change and mobility - through the lens of literary thinking. The essays range from cultural memory and migration to electronic textuality and biopolitics.

This 1986 study of Manon Lescaut draws on various debates in the fields of psychoanalysis, feminism and literary criticism. It has two principal aims: to analyse this story of a young man's passion for a femme fatale as it is presented by the narrator; and to suggest ways in which feminist criticism can help explain how the text operates. The volume is in three parts. In Part I, Dr Segal offers a close reading of Manon Lescaut in which the narrator's relationship with language is the key issue. Part II considers four central themes which are present in the text's language and structure: money, the image of the woman, the concept of the double, and fatality. In the final part the author presents a feminist critique of Freud and Lacan, and develops thereby a fascinating version of the Oedipus Complex which is brought to bear on Manon Lescaut.

Scarlet Letters explores the fascination exerted by adultery throughout the long history of western cultures. Critics from the UK, USA and Australia, working in a variety of specialisms, have contributed to this substantial new collection of close readings and wider contextualisations. As well as focusing on the bourgeois nineteenth century as the high age of representations of adultery, the book offers historicist and psychoanalytic analyses of texts ranging from the Amphitryon myth to Fatal Attraction and The Piano .

This book makes a powerful and somtimes contentious contribution to current debates in gender, feminist, and queer theory. Tracing the hydraulic image in a range of theoretical texts on pedagogy, pederasty, reproductive fantasy, and the anthropology of body fluids, Naomi Segal goes on to examine this imagery in the writings of Andre Gide. Gide's sexuality was explicitly central to everything he wrote, but it was complex and diverse, motivated as much by undesire as by curiosity and the chase. The ventriloquism of the female voice, versions of triangularity, the potentially endless male chain, the desire of sun on skin, a sideways genealogy, and the gratuity of crime, education, virtue, or playthese mobile patterns are found throughout his fiction and non-fiction. In Gide's polemic, it is always better to be loved by an uncle than an aunt; but all love is motivated by the fluidity of the swerve.

This collection looks from a variety of angles at the human body as it resists the determinations of gender, sexuality, socialisation and history. Ranging from classical hermaphrodites, Bruegel's blind faces and Weimar transgender surgery, via Gentlemen Prefer Blondes , state-socialist sport and Proust, to Barbie, Lari Pittman, American Psycho , IVF and video dance, the sixteen essays question the relationship between politics, culture and desire. This richly illustrated book also features the original work of two young photographers and a theatre director.