Can politics be studied scientifically, and if so, how? Assuming it is impossible to justify values by human reason alone, social science has come to consider an unreflective relativism the only viable basis, not only for its own operations, but for liberal societies more generally. Although the experience of the sixties has made social scientists more sensitive to the importance of values, it has not led to a fundamental reexamination of value relativism, which remains the basis of contemporary social science. Almost three decades after Leo Strauss's death, Nasser Behnegar offers the first sustained exposition of what Strauss was best known for: his radical critique of contemporary social science, and particularly of political science.
Behnegar's impressive book argues that Strauss was not against the scientific study of politics, but he did reject the idea that it could be built upon political science's unexamined assumption of the distinction between facts and values. Max Weber was, for Strauss, the most profound exponent of values relativism in social science, and Behnegar's explication artfully illuminates Strauss's critique of Weber's belief in the ultimate insolubility of all value conflicts.
Strauss's polemic against contemporary political science was meant to make clear the contradiction between its claim of value-free premises and its commitment to democratic principles. As Behnegar ultimately shows, values--the ethical component lacking in a contemporary social science--are essential to Strauss's project of constructing a genuinely scientific study of politics.

Enlightenment and Secularism is a collection of twenty eight essays that seek to understand the connection between the European Enlightenment and the emergence of secular societies, as well as the character or nature of those societies. The contributors are drawn from a variety of disciplines including History, Sociology, Political Science, and Literature. Most of the essays focus on a single text from the Enlightenment, borrowing or secularizing the format of a sermon on a text, and are designed to be of particular use to those teaching and studying the history of the Enlightenment within a liberal arts curriculum.

Metaphors animate Shakespeare's corpus, and one of the most prominent is the image of the body. Sketched out in the eternal lines of his plays and poetry, and often drawn in exquisite detail, variations on the body metaphor abound in the works of Shakespeare. Attention to the political dimensions of this metaphor in Shakespeare and the Body Politic permits readers to examine the sentiments of romantic love and family life, the enjoyment of peace, prosperity and justice, and the spirited pursuit of honor and glory as they inevitably emerge within the social, moral, and religious limits of particular political communities. The lessons to be learned from such an examination are both timely and timeless. For the tensions between the desires and pursuits of individuals and the health of the community forge the sinews of every body politic, regardless of the form it may take or even where and when one might encounter it. In his plays and poetry Shakespeare illuminates these tensions within the body politic, which itself constitutes the framework for a flourishing community of human beings and citizens-from the ancient city-states of Greece and Rome to the Christian cities and kingdoms of early modern Europe. The contributors to this volume attend to the political context and role of political actors within the diverse works of Shakespeare that they explore. Their arguments thus exhibit together Shakespeare's political thought. By examining his plays and poetry with the seriousness they deserve, Shakespeare's audiences and readers not only discover an education in human and political virtue, but also find themselves written into his lines. Shakespeare's body of work is indeed politic, and the whole that it forms incorporates us all.

Metaphors animate Shakespeare's corpus, and one of the most prominent is the image of the body. Sketched out in the eternal lines of his plays and poetry, and often drawn in exquisite detail, variations on the body metaphor abound in the works of Shakespeare. Attention to the political dimensions of this metaphor in Shakespeare and the Body Politic permits readers to examine the sentiments of romantic love and family life, the enjoyment of peace, prosperity and justice, and the spirited pursuit of honor and glory as they inevitably emerge within the social, moral, and religious limits of particular political communities. The lessons to be learned from such an examination are both timely and timeless. For the tensions between the desires and pursuits of individuals and the health of the community forge the sinews of every body politic, regardless of the form it may take or even where and when one might encounter it. In his plays and poetry Shakespeare illuminates these tensions within the body politic, which itself constitutes the framework for a flourishing community of human beings and citizens-from the ancient city-states of Greece and Rome to the Christian cities and kingdoms of early modern Europe. The contributors to this volume attend to the political context and role of political actors within the diverse works of Shakespeare that they explore. Their arguments thus exhibit together Shakespeare's political thought. By examining his plays and poetry with the seriousness they deserve, Shakespeare's audiences and readers not only discover an education in human and political virtue, but also find themselves written into his lines. Shakespeare's body of work is indeed politic, and the whole that it forms incorporates us all.

Enlightenment and Secularism is a collection of twenty eight essays that seek to understand the connection between the European Enlightenment and the emergence of secular societies, as well as the character or nature of those societies. The contributors are drawn from a variety of disciplines including History, Sociology, Political Science, and Literature. Most of the essays focus on a single text from the Enlightenment, borrowing or secularizing the format of a sermon on a text, and are designed to be of particular use to those teaching and studying the history of the Enlightenment within a liberal arts curriculum.