Arab women poets work within one of the oldest literary traditions in the world, yet they are virtually unknown in the West. Uniting Arab women poets from the all over the Arab World anti abroad, Nathalie Handal has put together an outstanding collection that introduces poets who write in Arabic, French, English, and Swedish, among them some of the twentieth century's most accomplished poets and today's most exciting new voices.

Translated by distinguished translators and poets from around the world, The Poetry of Arab Women showcases the work of 82 poets, among them: Etel Adnan, Andre Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan.

Language for a New Century celebrates the artistic and cultural forces flourishing today in the East, bringing together an unprecedented selection of works by South Asian, East Asian, Middle Eastern, and Central Asian poets as well as poets living in the Diaspora. Some poets, such as Bei Dao and Mahmoud Darwish, are acclaimed worldwide, but many more will be new to the reader. The collection includes 400 unique voices political and apolitical, monastic and erotic that represent a wider artistic movement that challenges thousand-year-old traditions, broadening our notion of contemporary literature. Each section of the anthology organized by theme rather than by national affiliation is preceded by a personal essay from the editors that introduces the poetry and exhorts readers to examine their own identities in light of these powerful poems. In an age of violence and terrorism, often predicated by cultural ignorance, this anthology is a bold declaration of shared humanity and devotion to the transformative power of art."

Linguistically fluid and geographically expansive, Nathalie Handal's Life in a Country Album is a haunting hymn of shapeshifting. Intimate and political at once, it is composed from a palette that comprises brief revelations, such as Tendresse: A Testament as well as expansive meditations like American Camino, in which she asks, "So what if some hyphenate, and others don't?" This question of belonging lies at the heart of Life in a Country Album: who gets to decide who belongs? Can you be exiled from your own sense of self, or as Nathalie puts it in Europa Nostra, "Now that we are guests in our bodies, how do we survive?" One of the remarkable things about this collection is how our current global geopolitics can alter how it is read: an ill-reasoned airstrike and the sense of a safe home becomes precarious. If a bed is a city of teeming dreams then this collection is a world of human possibilities. In its clarity, craft and chimeric language, it is a love letter and admonition mailed by the same stamp. In this, her seventh collection, Nathalie reaffirms that she remains an urgent and singular voice in contemporary poetry.

Frederico Garcia lived in Manhattan from 1929 to 1930, and the poetry he wrote about the city, Poet in New York, was posthumously published in 1940. Eighty years after Lorca's sojourn to America, Nathalie Handal, a poet from New York, went to Spain to write Poet in Andalucia. Handal recreated Lorca's journey in reverse.

"Sometimes we have questions that seem to defy answers or even suppositions but then we find Love and Strange Horses to help us map out a course to continue loving life. A really wonderful, thoughtful read by an intriguing new voice." -Nikki Giovanni