With more than two million copies in print, "Manchild in the Promised Land" is one of the most remarkable autobiographies of our time--the definitive account of African-American youth in Harlem of the 1940s and 1950s, and a seminal work of modern literature.
Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown's childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.
When the book was first published in 1965, it was praised for its realistic portrayal of Harlem--the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.
The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown's time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who "made it," the boy who kept landing on his feet and grew up to become a man.

Raising Black Teen Boys in Turbulent Times "It is always heartening to see women step up to the writer's table. When the results are as adroit and affecting as Marita Golden's work, it is more than satisfying; it is a cause for celebration."-Toni Morrison, Nobel Laureate Two decades ago, Marita was the first Black writer to address the horrifying statistic that haunts all Black mothers: the leading cause of death among Black males under twenty-one is homicide. Today, police brutality rages on as millions call for the reformation of our broken law enforcement in the wake of the traumatic murders of Black teen boys like Trayvon Martin, Michael Brown and Daunte Wright. Read an intimate account of a mother's efforts to save her son. Writing her son's story against the backdrop of a society plagued by systemic racism, economic inequality, and mass incarceration, Golden offers a form of witness and testimony in a time of crisis for Black Americans. Learn how to grapple with the realities of Black America. Join Golden as she confronts the root causes of violence inflicted upon Black teen boys and reassesses the legacy of her own generation's struggle for civil rights. Explore Black boys' difficult road to adulthood in the U.S. and learn why single Black mothers are often wrongly blamed for their sons' actions. Gain invaluable advice and knowledge from trustworthy sources. In Saving Our Sons, Golden documents her conversations with psychologists, writers, and young Black males themselves. This book is designed to help you: Discuss and unpack generational trauma with loved ones Gain deeper insight into the injustices Black children face in the U.S. Recognize the importance of community for the success of Black teen boys If you liked Decoding Boys, Mother & Son: Our Back & Forth Journal, The Boy Crisis or Boy Mom, you'll love Saving Our Sons.

In this "honest and searching look at the perils of growing up a black male in urban America" ("San Francisco Chronicle"), "Washington Post" reporter Nathan McCall tells the story of his passage from the street and the prison yard to the newsroom of one of America's most prestigious papers. "A stirring tale of transformation".--Henry Louis Gates, Jr., "The New Yorker".

The author of the bestselling memoir Makes Me Wanna Holler presents a profound debut novel -- in the tradition of Tom Wolfe's "Bonfire of the Vanities" and Zadie Smith's "White Teeth" -- that captures the dynamics of class and race in today's urban integrated communities.
Nathan McCall's novel, "Them," tells a compelling story set in a downtown Atlanta neighborhood known for its main street, Auburn Avenue, which once was regarded as the "richest Negro street in the world."
The story centers around Barlowe Reed, a single, forty-something African American who rents a ramshackle house on Randolph Street, just a stone's throw from the historic birth home of Dr. Martin Luther King, Jr. Barlowe, who works as a printer, otherwise passes the time reading and hanging out with other men at the corner store. He shares his home and loner existence with a streetwise, twentysomething nephew who is struggling to get his troubled life back on track.
When Sean and Sandy Gilmore, a young white couple, move in next door, Barlowe and Sandy develop a reluctant, complex friendship as they hold probing -- often frustrating -- conversations over the backyard fence.
Members of both households, and their neighbors as well, try to go about their business, tending to their homes and jobs. However, fear and suspicion build -- and clashes ensue -- with each passing day, as more and more new whites move in and make changes and once familiar people and places disappear.
Using a blend of superbly developed characters in a story that captures the essence of this country's struggles with the unsettling realities of gentrification, McCall has produced a truly great American novel.

Current Affairs / African American Studies

"Filled with essays that challenge America's myths.... His easy reading style unsuspectingly pricks the conscience."   --USA Today

ith the same personal authority and exhilarating directness he brought to his account of his passage from a prison cell to the newsroom of The Washington Post, Nathan McCall delivers a series of front-line reports on the state of the races in today's America. The resulting volume is guaranteed to shake the assumptions of readers of every pigmentation and political allegiance.
In What's Going On, McCall adds up the hidden costs of the stereotype of black athletic prowess, which tells African American teenagers that they can only succeed on the white man's terms. He introduces a fresh perspective to the debates on gangsta rap and sexual violence. He indicts the bigotry of white churches and the complacency of the black suburban middle class, celebrates the heroism of Muhammad Ali, and defends the truth-telling of Alice Walker. Engaging, provocative, and utterly fearless, here is a commentator to reckon with, addressing our most persistent divisions in a voice of stinging immediacy.

"[These essays] reinforce the moral authority McCall [brings]
to the issue of America's racial schisms."
--The New York Times Book Review

"Straightforward, quick-moving [and] erudite."
--Philadelphia Inquirer