It's Natwest's last day before he leaves for university, and there's only one thing on his mind: the deeply embarrassing package he ordered to his house - which still hasn't arrived. He won't leave town without it. Any alternative is too distressing to consider ... This is the story of twenty-four hours in the life of NATWEST, and his small-town odyssey in pursuit of the missing package. And yet it's also the story of a MIDDLE-AGED DENTIST who dreams of being a respected artist - but the only thing he can seem to paint is the human mouth. And it's the story of a TORTURED IMAM involved in a quasi-romantic entanglement with the local vicar; and an OCTOGENARIAN mourning the death of her secretive husband; and a TROUBLED TEENAGER whose nudes have leaked on the internet. It's the story of Natwest's obnoxious EX-BOYFRIEND, and his CLASS-TRAITOR MOTHER and her CHILDHOOD BOYFRIEND, and the life-changing secrets he knows about Natwest's past. Alternating between Natwest's idiosyncratic inner world and the perspectives of the other characters - and dazzling in its energy, imagination and originality - this is an outrageously funny and tenderly moving story about being connected to everyone and everything at all times; about love, friendship, and the lies we tell ourselves; about unhappy endings, happy endings - and whether anything really is as simple as one or the other.

A formally inventive and wickedly entertaining tale about identity, sex, empathy and connection. The funniest, wildest and most original debut novel of 2024.

It's Natwest's last day before he leaves for university, and there's only one thing on his mind: the deeply embarrassing package he ordered to his house - which still hasn't arrived. He won't leave town without it. Any alternative is too distressing to consider ...

This is the story of twenty-four hours in the life of NATWEST, and his small-town odyssey in pursuit of the missing package. And yet it's also the story of a MIDDLE-AGED DENTIST who dreams of being a respected artist - but the only thing he can seem to paint is the human mouth. And it's the story of a TORTURED IMAM involved in a quasi-romantic entanglement with the local vicar; and an OCTOGENARIAN mourning the death of her secretive husband; and a TROUBLED TEENAGER whose nudes have leaked on the internet. It's the story of Natwest's obnoxious EX-BOYFRIEND, and his CLASS-TRAITOR MOTHER and her CHILDHOOD BOYFRIEND, and the life-changing secrets he knows about Natwest's past.

Alternating between Natwest's idiosyncratic inner world and the perspectives of the other characters - and dazzling in its energy, imagination and originality - this is an outrageously funny and tenderly moving story about being connected to everyone and everything at all times; about love, friendship, and the lies we tell ourselves; about unhappy endings, happy endings - and whether anything really is as simple as one or the other.

How has the Internet been changing our lives, and how did these changes come about? Nathan Newman seeks the answers to these questions by studying the emergence of the Internet economy in Silicon Valley and the transformation of power relations it has brought about in our new information age. Net Loss is his effort to understand why technological innovation and growth have been accompanied by increasing economic inequality and a sense of political powerlessness among large sectors of the population.

Newman first tells the story of the federal government's crucial role in the early development of the Internet, with the promotion of open computer standards and collaborative business practices that became the driving force of the Silicon Valley model. He then examines the complex dynamic of the process whereby regional economies have been changing as business alliances built around industries like the Internet replace the broader public investments that fueled regional growth in the past. A radical restructuring of once regionally focused industries like banking, electric utilities, and telephone companies is under way, with changes in federal regulation helping to undermine regional planning and the power of local community actors.

The rise of global Internet commerce itself contributes to weakening the tax base of local governments, even as these governments increasingly use networked technology to market themselves and their citizens to global business, usually at the expense of all but their most elite residents. More optimistically, Newman sees an emerging countertrend of global use of the Internet by grassroots organizations, such as those in the antiglobalization movements, that may help to transcend this local powerlessness.