An epic narrative of the Old West told through the vivid, outsized life of cowboy, detective, and chronicler Charlie Siringo No figure in the Old West lived or shaped its history more fully than Charlie Siringo, as Nathan Ward reveals in his colorful portrait of this epic era and one of its primary protagonists. Born in Matagorda, Texas in 1855, Charlie went on his first cattle drive at age twelve and spent two decades living his boyhood dream as a cowboy. As the dangerous, lucrative "beeves" business boomed, Siringo drove longhorn steers north to the burgeoning Midwest Plains states' cattle and railroad towns, inevitably crossing paths with such legendary figures as Billy the Kid, Bat Masterson, and Shanghai Pierce. In his early thirties he joined the Pinkerton Detective Agency's Denver office, using a variety of aliases to investigate violent labor disputes and infiltrate outlaw gangs such as Butch Cassidy's train robbing Wild Bunch. As brave as he was clever, he was often saved by his cowboy training as he traveled to places the law had not yet reached. Siringo's bestselling, landmark 1885 autobiography, A Texas Cowboy, helped make the lowly cowboy a heroic symbol of the American West. His later memoir, A Cowboy Detective, influenced early hard-boiled crime novelists for whom the detective story was really the cowboy story in an urban setting. Sadly sued into debt by the Pinkertons determined to prevent their sources and methods from being revealed, Siringo eventually sold his beloved New Mexico ranch and moved to Los Angeles, where he advised Hollywood filmmakers, and especially actor William S. Hart, on their early 1920s Westerns, watching the frontier history he had known first-hand turned into romantic legend on the screen. In old age, Charlie Siringo was called "Ulysses of the Wild West" for the long journey he took across the western frontier. Son of the Old West brings him and his legendary world vividly to life.

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"Sometimes the sun is more than just the sun and night is more than just night." The sun rose on Jacob after his wrestling match with God. A new day dawned and he had a new name to match his new life. A similar call for daybreak is made for Christians today: come out of the darkness and into God's marvelous light (1 Pet 2.9). As Christians, we must not live in the night. We have experienced our own daybreak and should walk in the light-but far too often, we find the darkness alluring. DAYBREAK examines the call to overcome temptation, a closer look at the enemy, and some practical principles for winning the battle with sin.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

They'd never kill a reporter.... On the morning of April 29, 1948, a West Side pier hiring boss was shot on his way to work. The murder reminded the New York Sun's city editor of a similar docks killing from the year before, and so he called over his best general assignment man, Malcolm Mike Johnson, telling him, Lots of unrest down there. Maybe you can get a story out of it. Johnson certainly did, discovering the greatest story of his long career, and a waterfront jungle with rich pickings for criminal gangs. His crime series ran on the Sun's front page for twenty-four days in the fall of 1948, raising a national scandal and bringing death threats on him and his family. Johnson alleged the existence of an international crime syndicate, at a time when J. Edgar Hoover would not admit that such a syndicate, let alone a Mafia, existed. Herein, Nathan Ward tells the original Mob story, revealing a spiderweb of union corruption and outright gangsterism....His story has everything (New York Sun), making Dark Harbor a modern true crime classic.