This book explores the different ways women have been liberating themselves from the shackles of patriarchy and cultural laws that inhibit their independence and freedom to show that women are also contributing meaningfully to society. Women have worked to attain freedom through speaking out, writing memoirs, fiction, plays, poetry, and essays. The creative experiences of women are captured in this book, thus fulfilling the book's aim to give women voices to air their views and show that they are effectual members of society. The book examines the roles played by patriarchy, religion, and socioeconomic and political systems that keep women to the background. It also examines the issue of education, otherhood, marginalization, cultural imposition, and the diverse positions of women in local and international affairs. The book testifies that women's literature, and the stories of women all over the world, can be appreciated and viewed from different perspectives because of the diverse cultural environment in which women find themselves. This confirms that the issue of marginalization, suppression, and oppression of women are on-going problems in different societies around the world.

Well beyond the Arab world, El Saadawi's fiction and non-fiction work, from Woman at Point Zero to The Fall of the Imam to her prison memoirs, have earned her a reputation as a refreshing voice of feminism in the Arab World. This series of essays form a selection of El Saadawi's most recent musings, memories and reflections, considering the role of women in Egyptian and wider Islamic society, the inextricability of imperialism from the patriarchy, the meeting point of East and West, and the image and body politic of the woman in the intersections of those cultures. These musings leave no stone unturned and no view unchallenged, and offer the interested reader new insight into El Saadawi's thoughts and reflections.

Diary of a Child Called Souad is Nawal El Saadawi's first autobiography, written at the age of ten in the form of fiction as she explores her early awakening to the world around her. Now known for her bold spirit and probing mind, El Saadawi in this novel uncovers through a child's eyes the hypocritical values and traditions carried on by family, education, religion, and society. With amazing courage she weaves a tale of the fear, guilt, and repressive compliance forced upon her as a woman and upon her generation as the price to be paid for leading a civilized existence. Struggling to come to terms with taboos concerning her maturing body, the young Nawal's writing reveals the makings of a revolutionary spirit and relentlessly analytical mind. A must read for devotees of El Saadawi's writing to witness an early record of the maturing of her thoughts and the shaping of her ideas.

The Plays Libration by Lluisa Cunill (Spain): A mysterious, intense and comic two-hander about two women who meet in a city park at night. The End Of The Dream Season by Miriam Kainy (Israel): A woman doctor outwits her friends and relations to retain her inheritance. Harsh Angel by Maria Avraamidou (Cyprus): A gentle Chekhovian tale of a family torn by the partition of their native land. Mephisto adapted from the novel by Klaus Mann/ Ariane Mnouchkine (France/Germany): The story of a German actor who sells his soul to Nazi ideology. Also a feature film.

Bint Allah knows herself only as the Daughter of God. Born in a stifling male-dominated state, ruled by the Imam and his coterie of ministers, she dreams of one day reaching the top of a distant hill visible through the bars of the orphanage window. But Bint Allah's ambitions do not escape the attention of the Imam, who never feels secure no matter how well he protects himself. When the Imam falsely accuses Bint Allah of adultery and sentences her to death by stoning, he is not prepared for what happens next. A postmodern fantasia, this powerful and poetic novel is a call to arms against those who use religion as a weapon against women.

Pars Pro Toto III is the result of a close dialog between Egyptian-German artist Susan Hefuna and curator Hans Ulrich Obrist. The focus in this book is on Hefuna's complex work groups on site-specific and architectural installations, video works and choreographies. Hefuna uses urban spaces and cities like Cairo, London, Istanbul, Sharjah, Sydney, New York, and Vienna as her laboratory. The artist interacts with dancers, communities, urban and human structures in both personal and political ways. Pars Pro Toto III also features a foreword by Hans Ulrich Obrist, an interview with the Egyptian writer Nawal El Saadawi, as well as texts by the Lebanese-American artist and poet Etel Adnan, by Negar Azimi, Senior Editor of BidounMagazine, and by Brett Littman, director of the Drawing
Center, NYC

Bahiah Shaheen, an eighteen-year-old medical student and the daughter of a prominent Egyptian public official, finds the male students in her class coarse and alien. Her father, too, seems to belong to a race apart. Frustrated by her hard-working, well-behaved, middle-class public persona, her meeting with a stranger at a gallery one day proves to be the beginning of her road to self-discovery and the start of her realisation that fulfilment in life is indeed possible.

A young Egyptian woman clashes with her traditional family when she chooses a career in medicine. Rather than submit to an arranged marriage and motherhood, she cuts her hair short and works fiercely to realise her dreams. At medical school, she begins to understand the mysteries of the human body. After years of denying her own desires, the doctor begins a series of love affairs that allow her to explore her sexuality - on her own terms.

In 1981, the celebrated author and activist Nawal el Saadawi was imprisoned by the Sadat regime in her native Egypt, for 'crimes against the state'. Through haunting and evocative prose, Saadawi here recounts how she and her fellow prisoners continued to resist even in captivity, and to form a community which transcended divisions between secular and religious activists. She reveals both the harrowing detail and the everyday mundanity of prison life, as well as the bravery and resolve of all women resisting oppression - and of political prisoners around the world. Memoirs from the Women's Prison is an unforgettable, landmark work of prison writing that offers a rare insight into the indomitable, soaring literary mind of the Arab world's leading feminist.

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women's oppression without exploring Eastern women's sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women's liberation is truly global.

Rebelling against the contraints of family and society, a young Egyptian woman decides to study medicine, becoming the only woman in a class of men. Her encounters with the other students mdash; as well as the male and female corpses in the autopsy room intensify her dissatisfaction with and search for identity. She realizes men are not gods as her mother had taught her, that science cannot explain everything, and that she cannot be satisfied by living a life purely of the mind. After a brief and unhappy marriage, she throws herself into her work, becoming a successful physician, but at the same time, she becomes aware of injustice and hypocrisy in society. Fulfillment and love come to her at last in a wholly unexpected way. ". . . Memoirs of a Woman Doctor by Nawal el Saadawi, one of the leading Egyptian feminist writers, reveals the contradictions embedded in women's self-oppressive struggle against patriarchy." Khadidiatau Gueye, Research in African Literatures (Indiana University Press) Nawal el Saadawi, born in 1931 in Kafr Tahla, Egypt, is an Egyptian physician, psychiatrist, author, and activist. She is the founder and president of the Arab Women's Solidarity Association and co-founder of the Arab Association for Human Rights. In 2004 she won the North-South Prize from the Council of Europe. In 2005 she won the inana International Prize in Belgium. In 2010 she won the Sean MacBride Peace Prize from the International Peace Bureau. She has written and published other novels, memoirs, plays, non-fiction, and short stories including Woman at Point Zero , The Hidden Face of Eve, and The Fall of the Imam.

Distinguished literary critic Bodour is trapped in a loveless marriage and carries with her a dark secret. She fell in love in her youth and gave birth to an illegitimate daughter, Zeina, whom she abandoned on the streets of Cairo. Bodour doesn't know that Zeina has blossomed into one of Egypt's most beloved entertainers. Pining for her estranged daughter, she writes a fictional account of her life in an attempt to find solace. But as the revolution in Cairo begins to gain fire, the novel goes missing and Bodour must find who has stolen it. Will her hunt for the thief bring mother and daughter together? Or is Bodour destined to lose her daughter to Cairo forever?

A woman disappears without trace. Nobody, including the police commissioner investigating the case, can understand how a woman could simply walk away, leaving husband and home behind. After all, in the Kingdom of Oil where His Majesty reigns supreme, no woman has ever dared disobey the command of men. When the woman finally reappears, there is a blurring between the men in her life, as she leaves one to join another, then returns to her first husband who has since taken a new wife. She is trapped in a man-made web, unable to escape from a male figure who continually fills urns that she must carry. Surreal and satirical, Love in the Kingdom of Oil is a startling reflection on the limits of female freedom in a patriarchal society.

God Dies by the Nile is Saadawi's attempt to square religion with a society in which women are respected as equals; Searching expresses the poignancy of loss and doubt with the hypnotic intensity of a remembered dream; while in The Circling Song, Saadawi pursues the conflicts of sex, class, gender and military violence deep into the psyche.

The writings of Nawal El Saadawi are essential to anyone wishing to understand the contemporary Arab world. Her dissident voice has stayed as consistent in its critique of neo.imperialist international politics as it has in its denunciation of women's oppression, both in her native Egypt and in the wider world. Saadawi is a figure of international significance, and her work has a central place in Arabic history and culture of the last half century. Featuring work never before translated into English, The Essential Nawal El Saadawi gathers together a wide range of Saadawi's writing. From novellas and short stories to essays on politics, culture, religion and sex; from extensive interviews to her work as a dramatist; from poetry to autobiography, this book is essential for anyone wishing to gain a sense of the breadth of Saadawi's work.

This book in Arabic, available also in French and in English, foreworded by Dr. Nawal El-Saadawi, presents the religious, medical, social and legal debate among Jews, Christians and Muslims around male and female circumcision. If female circumcision today is the subject of a national and international campaign to ban it, male circumcision is accepted and few would dare criticize it. It is estimated wrongly less serious than female circumcision, or with health benefits. The author criticizes this myth maintained by the United Nations and the World Health Organization. He demonstrates that the distinction between male and female circumcision is illusory, both being an unjustifiable flagrant violation of bodily integrity. This distinction is the main reason for the failure of the campaign against female circumcision. We cannot guarantee the right to physical integrity of the girl if we deny this right to his brother. The Author Sami A. Aldeeb Abu-Sahlieh. Christian of Palestinian origin. Swiss citizen. Doctor in law. Habilitated to direct researches. Professor of universities (CNU-France). Responsible for Arab and Islamic Law at the Swiss Institute of Comparative Law (1980-2009). Visiting professor in different French, Italian and Swiss universities. Director of the Centre of Arab and Islamic Law. Author of many books, including a French, English and Italian translation of the Koran.

The writings of Nawal El Saadawi are essential to anyone wishing to understand the contemporary Arab world. Her dissident voice has stayed as consistent in its critique of neo.imperialist international politics as it has in its denunciation of women's oppression, both in her native Egypt and in the wider world. Saadawi is a figure of international significance, and her work has a central place in Arabic history and culture of the last half century. Featuring work never before translated into English, The Essential Nawal El Saadawi gathers together a wide range of Saadawi's writing. From novellas and short stories to essays on politics, culture, religion and sex; from extensive interviews to her work as a dramatist; from poetry to autobiography, this book is essential for anyone wishing to gain a sense of the breadth of Saadawi's work.

Writer, doctor and militant, Nawal el Saadawi has had a major influence on the lives of women and men globally. Author of many books, both fiction and non-fiction, which challenge our thinking about the politics of sex, Third World development, the Arab world and writing itself, she has been a constant thorn in the side of the class and patriarchal systems.
This collection of her non-fiction writing since the publication of her seminal book on Arab women "The Hidden Face of Eve" (Zed Books, 1980) presents the full range of her extraordinary work. She explores a host of topics from women's oppression at the hands of recent interpretations of Islam to the role of women in African literature, from the sexual politics of development initiatives to tourism in a 'post-colonial'age, from the nature of cultural identity to the subversive potential of creativity, from the fight against female genital mutilation to problems facing the internationalization of the women's movement. Throughout her writing, she sheds new light on the power of women in resistance - against poverty, racism, fundamentalism, and inequality of all kinds.
Showing the intellectual and political development of an important thinker for the late twentieth century, this book is essential reading for students and lecturers in women's studies, development studies and social theory. It is also a book anyone who wants to understand current global politics - in their widest sense - can not do without.

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women's oppression without exploring Eastern women's sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women's liberation is truly global.

Fouada meets Farid, her lover, every Tuesday in a restaurant overlooking the Nile. But this week their usual table is deserted. She calls his home, but the shrilling of the telephone echoes in an empty room. Farid has disappeared.

As she searches for him, Fouada becomes tormented by questions. She is a trained research chemist, but works in a dead-end ministry job. Convinced that she has something to give to the world, she cannot find it. What is it? Why does she search?

"Searching" expresses the poignancy of loss and doubt with the hypnotic intensity of a remembered dream.

Hamida and Hamido are twins, grown from a single embryo inside one womb. Violently parted, they search the city in the darkening circles of a dream, only to find, lose and find each other, each time as if it were the first. Their journey -- terrifying and exact -- leads to an unbroken cycle of corruption and brutality. With a precise and hypnotic intensity, "Circling Song" pursues the conflicts of sex, class, gender and military violence deep into the psyche.