The hilarious true account of an overweight, balding, skeptical guy's unexpected transformation into a healthy, blissful yoga fiend.

Neal Pollack was out of shape. The hair on his head was thinning and the hair on his face was pretentious--traits a New York Times critic gleefully pointed out while panning his second book. Combined with the predestined failure of his punk rock band, it was almost too much for Pollack to bear. He was willing to try anything to get his life back on track . . . even yoga.

While struggling to master difficult poses without kicking other yogis in the face, Pollack actually, remarkably, began to feel better, both in body and mind. Soon he found himself immersed in the "weird and circuslike" world of yoga. He participated in a 24-hour yogathon, attended yoga conferences and Asian retreats, went to yoga rock shows, started getting regular assignments for Yoga Journal magazine, and, finally, began teaching yoga classes himself.

Stretch mercilessly lampoons the bizarre, omnipresent culture of yoga, but it's also a story of profound personal transformation. Pollack started off mocking yoga. Now he's become one of its most enthusiastic proponents.

The most important document in the history of rock 'n' roll since the liner notes to Killroy Was Here.(This paperback includes a new P.S. section with author interviews, insights, features, suggested readings, and more.)

Never Mind the Pollacks, the first novel from acclaimed humorist Neal Pollack, is an epic history of rock-and-roll told through the eyes of two rival rock critics. The novel spans the decades from the 1940s to the present day, and includes such real-life characters as Elvis Presley, Bob Dylan, Joan Baez, Lou Reed, Iggy Pop, Bruce Springsteen, Joey Ramone, Patti Smith, Kurt Cobain, and many more. Pollack deploys his trademark roasting of literary pomposity, but his narrative transcends mere parody to become full-fledged social satire. He takes on the icons of popular music and their biographers, true-life rock books and historical fiction. There has never been a book quite like this one, particularly since it contains more than two-dozen original songs written by the author.

The life story of the book's main character, "Neal Pollack," is uniquely American. The only son of Jewish immigrant parents, he shows an aptitude early in life for rock criticism. Prodded by the legendary Sam Phillips and haunted by a ghostly, mysterious blues man, deeply disturbed by his mother's illegitimate marriage to Jerry Lee Lewis, he leaves his Memphis boyhood behind to become a folk troubadour in Greenwich Village. Six broken hearts, two liver transplants, and a lot of cocaine orgies later, he meets his ultimate destiny in a surprise ending that will shock anyone who wasn't paying attention to the early chapters. With Never Mind the Pollacks, Neal Pollack establishes himself as oneof the most important novelists of his generation who isn't named Jonathan.

Neal Pollack has been the Greatest Living American Writer across six decades, seven continents, and ten wives. He has won the Pulitzer Prize, the Booker Prize, the PEN/Faulkner Award (twice), and the Premio Simon Bolivar for contributions to the people's struggle in Latin America. In 1985, Pollack's writing was declared "beyond our meager standards" by the Swedish Academy

With the publication of The Neal Pollack Anthology of American Literature, the definitive collection of his work in English, a new generation of readers is set to discover nothing less than the ultimate meaning of human existence on earth. This astonishing work of fictitious nonfiction, the funniest and most creatively styled postmodernist confection of its time, has been universally praised as the best book ever written except for maybe Don Quixote and The Shipping News. The Anthology -- now expanded, updated, and thoroughly repaginated -- answers, once and for all, the question that has plagued American society in general, and literary critics in particular, since Neal Pollack was born: "Who is Neal Pollack?" At last, we know.

A poignantly funny account of humorist and ""Greatest Living American Author"" Neal Pollack's years as a marijuana addict. Beginning innocently enough in his 20s when pot made everything-food, music, sex-better. Getting married, having a kid, and enjoying professional success didn't tamp down Pollack's addiction. As cannabis grew stronger and more widely available, Pollack's dependence was shadowed by the expansion and acceptance of the marijuana Big Business. By 2014, Neal was a correspondent for a national marijuana newspaper, mostly because it meant free pot. Diving into the wild, wicked world of weed with both lungs, Pollack proceeds to smoke, vape, and eat his way to oblivion, leading to terrible public meltdowns and other embarrassing behavior. After his mother dies in 2017, he spirals out of control, finally hitting bottom during a reckless two-day gambling and drug-filled binge, culminating in a public crack-up at the World Series in Dodger Stadium. Three weeks later, he quit. Sober after joining a 12-step program, Neal outed himself publicly as a marijuana addict in a 2018 New York Times op-ed piece, leading to his decision to document his addiction experience as a cautionary tale for the millions of recreational users in the hazy age of legalized marijuana. Often hilarious and equally self-deprecating, Neal continues his insightful probing of his life with Alternadad (Pantheon, 2007) through Stretch: The Unlikely Making of a Yoga Due (Harper Perennial, 2010).

Fiction. Mystery. CHICAGO NOIR is populated by hired killers and jazzmen, drunks and dreamers, corrupt cops and ticket scalpers and junkies. It's the Chicago that the Department of Tourism doesn't want you to see, a place where hard cases face their sad fates, and pay for their sins in blood. These are stories about blocks that visitors are afraid to walk. They tell of a Chicago beyond Oprah, Michael Jordan, and deep-dish pizza. This isn't someone's dream of Chicago. It's not even a nightmare. It's just the real city, unfiltered. New stories by: Neal Pollack, Achy Obejas, Joe Meno, M.K. Meyers and others.

Following in the footsteps of the late great Lester Bangs -- the most revered and irreverent of rock 'n' roll critics -- twenty-four celebrated writers have penned stories inspired by great songs. Just as Bangs cast new light on a Rod Stewart classic with his story "Maggie May," about a wholly unexpected connection between an impressionable young man and an aging, alcoholic hooker, the diverse, electrifying stories here use songs as a springboard for a form dubbed the lit riff.

Alongside Bangs's classic work, you'll find stories by J.T. LeRoy, who puts a recovering teenage drug abuser in a dentist's chair with nothing but the Foo Fighters's "Everlong" -- blaring through the P.A. -- to fight the pain; Jonathan Lethem, whose narrator looks back on his lost innocence just as an extramarital affair careens to an end -- this to the tune "Speeding Motorcycle" as recorded by Yo La Tengo; and Jennifer Belle, who envisions a prequel to Paul Simon's "Graceland" -- one that takes place at a children's birthday party replete with a real live kangaroo.

With original contributions from Tom Perrotta, Nelson George, Amanda Davis, Lisa Tucker, Aimee Bender, Darin Strauss, and many more -- riffing on everyone from Tom Waits and Bruce Springsteen to the White Stripes, Cat Power, and Bob Marley -- this is both an astounding collection of short stories and an extraordinary experiment in words and music.

Soundtrack available from Saturation Acres Music & Recording Co.