This collection of essays aims to investigate the complex issues surrounding contemporary cultural discourses on land and identity - their production, construction, and reconstruction across a range of different texts and materials. The chapters offer disciplinary and trans-disciplinary approaches opening up discussion and new routes for research in a number of interrelated areas such as Countryside vs. City, Diaspora, Landscapes of Memory and Trauma, Migrational Spaces, and Ecology. They represent a number of innovative contemporary responses to how concepts of land intersect and dialogue with notions of identity across and between regions, nations, races, and cultures. Through employing interdisciplinary methods and theories drawn from diverse sources, such as cultural studies, spatial theory, philosophy and literary theory, the chapters chart varied and complex themes of identity formation in relation to spatiality.

How do mental events such as choices and decisions lead to physical action? The problem of mental causation is one of the most important and intriguing philosophical issues of our time and has been at the centre of debates in the philosophy of mind for the past fifty years. In opposition to the recent wave of reductionist theories, this book argues that it is possible to account for mental causation within a nonreductive framework as it adopts a broadly Davidsonian approach to mental causation: reasons cause actions because they are identical to physical events. This work then defends this approach from the frequently raised criticism that it entails epiphenomenalism - the inefficacy of the mental. Moreover, Mental Causation moves beyond Davidson's views by reconsidering the question of whether reasons causally explain actions, arguing in opposition to Davidson, that explanations appealing to reasons represent a distinct category of explanation from causal explanation. Essential reading for anyone interested in debates about mental causation, this is an excellent text for senior undergraduates, graduate students, and professional philosophers.

Energy security, rising energy prices (oil, gas, electricity), 'peak oil', environmental pollution, nuclear energy, climate change and sustainable living are hot topics across the globe. Meanwhile, abundant and perpetual wind resources offer opportunities, via recent technological developments, to provide part of the solution to address these key issues. The rapid growth of large-scale wind farm installations has now led to the generation of clean electricity for tens of millions of homes around the world. However, despite the potential to reduce the losses and costs associated with transmission and to use local wind acceleration techniques to improve energy yields, the potential for urban wind energy has yet to be realised. Although there is increasing public interest, the uptake of urban wind energy in suitable areas has been slow. This is in part due to a lack of understanding of key issues such as: available wind resources; technology integration; planning processes (include assessment of environmental impacts and public safety due to close proximity to people and property); energy consumption in buildings versus energy production from turbines; economics (including grants, subsidies, maintenance); and the effect of complex urban windscapes on performance. Urban Wind Energy attempts to illuminate these areas, addressing common concerns highlighting pitfalls, offering real world examples and providing a framework to assess viability in energy, environmental and economic terms. It is a comprehensive guide to urban wind energy for architects, engineers, planners, developers, investors, policy-makers, manufacturers and students as well as community organisations and home-owners interested in generating their own clean electricity.

Get a true understanding of the essential concepts in Biology with trusted content that sets the standards for excellence, accuracy, and innovation. Biology: A Global Approach, Global Edition, 12th Edition is the latest version of the ultimate text in the field coming from a leading team of authors, advancing Neil Campbell's vision of delivering an accurate and pedagogically innovative experience. This latest version reflects the most recent developments in the field, with hallmark and new features that introduce content, interactive tools, and activities aiming to help you organise a vast amount of information and make complex concepts more accessible, engaging, and exciting. Well-known for strategically integrating text and artwork, the textbook encourages you to build your individual learning skills and the confidence to participate in group discussions and assignments, inviting you to an active process of inquiry and learning. Hallmark and new features include: Chapter Openers: A question answered with a clear, simple image to help you visualise and remember concepts as you move through the chapter. Evolution sections: A focus on the evolutionary aspects of the chapter material, ending with questions and writing assignments. Key Concepts: Provide anorganisation of the framework for each chapter, reinforcing your understanding of the topics. Science in the Classroom: Annotated journal articles from the American Association for the Advancement of Science (AAAS). With engaging content and a plethora of digital and interactive tools, this leading textbook is the trusted course solution in the field, ensuring you get a pedagogical yet enjoyable learning experience. You can now review sample pages from the text here. Personalise your learning experience and improve results with Mastering (R) Biology. Mastering provides access to trusted content using customisable tools, features, and assessments built for today's digital learners. Pearson Mastering (R) Biology is not included. If you would like to purchase both the physical text and Mastering Biology, search for: 9781292345864 Biology: A Global Approach, Global Edition, 12th Edition with Mastering Biology The bundle consists of: 9781292341637 Biology: A Global Approach, Global Edition, 12th Edition 9781292341736 Pearson Modified Mastering Biology - Instant Access - for Biology: A Global Approach, Global Edition 9781292341750 Biology: A Global Approach, Global Edition, 12th Edition, Mastering and eText

Affective Critical Regionality offers a new approach to developing a sharper, more nuanced understanding of the relations between place, space, memory and affect. It builds on the author's extensive work on the American West, where he developed the idea of 'expanded critical regionalism' to underline the West as multiple, dynamic and relational; engaged in global / local processes, tensions between the rooted and the routed, and increasingly as relevant to debates around the politics of precarity and vulnerability. This book uses affective critical regionality to enable a re-valuing of the local as a powerful means to appreciate the everyday and the over-looked as vital elements within a more inclusive understanding of how we live. Exploring a variety of cultural materials including fiction, memoir, theory, poetry and film it demonstrates how this approach can deepen our understanding of, and simultaneously provoke new relations with, place. Moving beyond the US context through its use of international theoretical voices and texts, it will show how the concept is applicable to other cultural spheres.

Bringing together a diverse group of scholars representing the fields of cultural and literary studies, cultural politics and history, creative writing and photography, this collection examines the different ways in which human beings respond to, debate and interact with landscape. How do we feel, sense, know, cherish, memorise, imagine, dream, desire or even fear landscape? What are the specific qualities of experience that we can locate in the spaces in and through which we live? While the essays most often begin with the broadly literary - the memoir, the travelogue, the novel, poetry - the contributors approach the topic in diverse and innovative ways. The collection is divided into five sections: 'Peripheral Cultures', dealing with dislocation and imagined landscapes'; 'Memory and Mobility', concerning the road as the scene of trauma and movement; 'Suburbs and Estates', contrasting American and English spaces; 'Literature and Place', foregrounding the fluidity of the fictional and the real and the human and nonhuman; and finally, 'Sensescapes', tracing the sensory response to landscape. Taken together, the essays interrogate important issues about how we live now and might live in the future.

Taking as its starting point the notion of photocinema--or the interplay of the still and moving image--the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. The book's innovative approach to film and photography produces what might be termed a hybrid "third space," where the whole becomes much more than the sum of its individual parts, encouraging viewers to expand their perceptions to begin to understand the bigger picture. The latest edition in Intellect's Critical Photography series, "Photocinema" represents a nuanced theoretical and practical exploration of the experimental cinematic techniques exemplified by artists like Wim Wenders and Hollis Frampton. In addition to new critical essays by Victor Burgin and David Campany, the book includes interviews with Martin Parr, Hannah Starkey, and Aaron Schumann, and a portfolio of photographs from various new and established artists.

'Nobody believes what they see on TV, so they want to look for something else, an alternate reality, or a conspiracy theory, and it's interesting to explore it, Twitter is fucking full of it, especially now. It's no wonder people round here are into it, but you don't have to read all that shit, just have some mushrooms and wander round Lidl off your tits.' In these fourteen northern tales, Campbell takes us from the edgelands of Manchester to the cloistered villages of The Peak District, Northumberland and Scotland, and illuminates the lives of outsiders, misfits, loners and malcontents with an eye for the darkly comic. A wild-eyed man disturbs the banter in a genial bookshop. A fraught woman seeks to flee a collapsing reservoir. A failed academic finds solace in a crime writer's favourite pub. A transit van killer stalks a railway footpath. A poet accused of plagiarism finds his life falling apart.

Bringing together a diverse group of scholars representing the fields of cultural and literary studies, cultural politics and history, creative writing and photography, this collection examines the different ways in which human beings respond to, debate and interact with landscape. How do we feel, sense, know, cherish, memorise, imagine, dream, desire or even fear landscape? What are the specific qualities of experience that we can locate in the spaces in and through which we live? While the essays most often begin with the broadly literary - the memoir, the travelogue, the novel, poetry - the contributors approach the topic in diverse and innovative ways. The collection is divided into five sections: 'Peripheral Cultures', dealing with dislocation and imagined landscapes'; 'Memory and Mobility', concerning the road as the scene of trauma and movement; 'Suburbs and Estates', contrasting American and English spaces; 'Literature and Place', foregrounding the fluidity of the fictional and the real and the human and nonhuman; and finally, 'Sensescapes', tracing the sensory response to landscape. Taken together, the essays interrogate important issues about how we live now and might live in the future.

The philosophy of mind is one of the most fascinating and important topics discussed by philosophers today. At the heart of the issue is what philosophers call the "mind-body problem," which is generated by a fairly simple observation about our nature: on the one hand, human beings have physical bodies that differ in complexity from other parts of the physical world. On the other hand, however, as human beings we have minds, and an ability to think, to reason, to have experiences, and to feel emotion that distinguishes us from most things in the physical world. The mind-body problem, then, is concerned with explaining the relationship between our physical bodies and our thinking, feeling minds. The purpose of this book is to explain the nature of this philosophical problem and the various solutions philosophers have proposed to it, and to do so in a way that is accessible to those who have never studied philosophy. Starting in the seventeenth century, various philosophical theories are discussed in historical order. Their central claims and motivations are clearly explained and then carefully criticized. The author does not attempt to convince the reader of the truth of any particular theory, but leaves it up to the reader to determine which theory, if any, is most plausible. Along the way, the reader will learn about a number of important philosophical concepts and several related philosophical issues.

The third part of Neil Campbell's Manchester Trilogy, in which our struggling young writer finds love with a girl called Cho. Where a love song to Manchester becomes a love song to Cho. Lanyards explores how the jobs we wear around our necks dictate the ways we are identified. Building on the previous novel in the trilogy, Zero Hours, our protagonist finds himself on universal credit, taking agency jobs, moving from learning support work in schools and colleges to call centre jobs and back again, via a failed attempt at getting a job as a driver on the Metrolink tram network. Lanyards portrays the comic and poignant moments of working life. All the time reflecting back on the football career the narrator might have had were he not injured, his life as a writer, his experiences of being in a mixed race couple with the Hong Kong born Cho, the Manchester Arena bombing, the continuing success of his beloved Manchester City, the child sex abuse scandals in football, the disparities of wealth in contemporary Britain, and the death of a childhood friend that continues to haunt him.

In this, the second volume of a projected Manchester trilogy, the young writer takes a zero-hours job in a mail-sorting depot but struggles to cope with the demands of menial work and the attitudes of his colleagues. Only after rescuing and acquiring a pet tortoise does he realise what is most lacking in his life: intimacy. Embarking on a handful of sexual misadventures, he continues to struggle as a writer. He sees the city in which he was born and brought up changing all around him and, when he gets sacked from the sorting office, some hard choices lie ahead. A powerful indictment of austerity politics and Brexit Britain, the novel never loses sight of its working-class characters' dignity and humanity, and Campbell's mordantly witty dialogue ensures that the next laugh is never far away. Gripping in its fascination with the everyday, Zero Hours is keenly observed, blackly funny and ultimately uplifting.

A young warehouseman, his promising football career cut short by injury, counts flanges, valves and couplings for a living. He longs for the warmth and women of the office, but the prostitutes who hang around the high-rise are easier to deal with. Drink provides relief, if not escape, and probably the last thing he should dream of becoming is a writer, but then he buys himself a note pad and pen. This debut novel by Neil Campbell, author of the short story collections Broken Doll and Pictures From Hopper, is a moving and darkly comic meditation on the challenge of trying to realise dreams in a harsh and unfair world.

Since Descartes's division of the human subject into mental and physical components in the seventeenth century, there has been a great deal of discussion about how--"indeed, whether or not--"our mental states bring about our physical behaviour. Through historical and contemporary readings, this text explores the key figures and ideas that constitute this lively and influential issue. Part one introduces the problem of mental causation through selected writings by Rene Descartes, Thomas Henry Huxley, and William James. Part two explores the debate sparked by Donald Davidson's

During the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply "maintaining its empty frame." Yet this frame is far from empty, as "Post-Westerns" shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Ranciere, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films--including "Bad Day at Black Rock," "The Misfits," "Lone Star," "Easy Rider," "Gas Food Lodging," "Down in the Valley," and "No Country for Old Men"--reconfigures our notions of region and nation, the Western, and indeed the West itself.

Campbell suggests that post-Westerns are in fact "ghost-Westerns," haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.