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Get a true understanding of the essential concepts in Biology with
trusted content that sets the standards for excellence, accuracy,
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you move through the chapter. Evolution sections: A focus on the
evolutionary aspects of the chapter material, ending with questions
and writing assignments. Key Concepts: Provide anorganisation of
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Energy security, rising energy prices (oil, gas, electricity),
'peak oil', environmental pollution, nuclear energy, climate change
and sustainable living are hot topics across the globe. Meanwhile,
abundant and perpetual wind resources offer opportunities, via
recent technological developments, to provide part of the solution
to address these key issues. The rapid growth of large-scale wind
farm installations has now led to the generation of clean
electricity for tens of millions of homes around the world.
However, despite the potential to reduce the losses and costs
associated with transmission and to use local wind acceleration
techniques to improve energy yields, the potential for urban wind
energy has yet to be realised. Although there is increasing public
interest, the uptake of urban wind energy in suitable areas has
been slow. This is in part due to a lack of understanding of key
issues such as: available wind resources; technology integration;
planning processes (include assessment of environmental impacts and
public safety due to close proximity to people and property);
energy consumption in buildings versus energy production from
turbines; economics (including grants, subsidies, maintenance); and
the effect of complex urban windscapes on performance. Urban Wind
Energy attempts to illuminate these areas, addressing common
concerns highlighting pitfalls, offering real world examples and
providing a framework to assess viability in energy, environmental
and economic terms. It is a comprehensive guide to urban wind
energy for architects, engineers, planners, developers, investors,
policy-makers, manufacturers and students as well as community
organisations and home-owners interested in generating their own
clean electricity.
Affective Critical Regionality offers a new approach to developing
a sharper, more nuanced understanding of the relations between
place, space, memory and affect. It builds on the author's
extensive work on the American West, where he developed the idea of
'expanded critical regionalism' to underline the West as multiple,
dynamic and relational; engaged in global / local processes,
tensions between the rooted and the routed, and increasingly as
relevant to debates around the politics of precarity and
vulnerability. This book uses affective critical regionality to
enable a re-valuing of the local as a powerful means to appreciate
the everyday and the over-looked as vital elements within a more
inclusive understanding of how we live. Exploring a variety of
cultural materials including fiction, memoir, theory, poetry and
film it demonstrates how this approach can deepen our understanding
of, and simultaneously provoke new relations with, place. Moving
beyond the US context through its use of international theoretical
voices and texts, it will show how the concept is applicable to
other cultural spheres.
Affective Critical Regionality offers a new approach to developing
a sharper, more nuanced understanding of the relations between
place, space, memory and affect. It builds on the author's
extensive work on the American West, where he developed the idea of
'expanded critical regionalism' to underline the West as multiple,
dynamic and relational; engaged in global / local processes,
tensions between the rooted and the routed, and increasingly as
relevant to debates around the politics of precarity and
vulnerability. This book uses affective critical regionality to
enable a re-valuing of the local as a powerful means to appreciate
the everyday and the over-looked as vital elements within a more
inclusive understanding of how we live. Exploring a variety of
cultural materials including fiction, memoir, theory, poetry and
film it demonstrates how this approach can deepen our understanding
of, and simultaneously provoke new relations with, place. Moving
beyond the US context through its use of international theoretical
voices and texts, it will show how the concept is applicable to
other cultural spheres.
Exploring the central themes in modern American cultural studies
and discussing how these themes can be interpreted, American
Cultural Studies offers a wide-ranging overview of different
aspects of American cultural life such as religion, gender and
sexuality, regionalism, and ethnicity and immigration. The fourth
edition has been revised throughout to take into account the
developments of the last four years. Updates and revisions include:
discussion of Barack Obama's time in the White House consideration
of 'Hemispheric American Studies' and the increasing debates about
globalisation and the international role of the USA long-form
television and American Studies up-to-date case studies, such as
Girls, The Wire and Orange is the New Black more material on
Detroit, the Mexican border, same-sex relationships and Islam in
America updated further reading lists and new follow-up work.
Illustrated throughout, containing follow-up questions and further
reading at the end of each chapter, and accompanied by a companion
website (www.routledge.com/cw/campbell) providing further study
resources, American Cultural Studies is a core text and an
accessible guide to the interdisciplinary study of American
culture.
Taking as its starting point the notion of photocinema--or the
interplay of the still and moving image--the photographs,
interviews, and critical essays in this volume explore the ways in
which the two media converge and diverge, expanding the boundaries
of each in interesting and unexpected ways. The book's innovative
approach to film and photography produces what might be termed a
hybrid "third space," where the whole becomes much more than the
sum of its individual parts, encouraging viewers to expand their
perceptions to begin to understand the bigger picture. The latest
edition in Intellect's Critical Photography series, "Photocinema"
represents a nuanced theoretical and practical exploration of the
experimental cinematic techniques exemplified by artists like Wim
Wenders and Hollis Frampton. In addition to new critical essays by
Victor Burgin and David Campany, the book includes interviews with
Martin Parr, Hannah Starkey, and Aaron Schumann, and a portfolio of
photographs from various new and established artists.
Bringing together a diverse group of scholars representing the
fields of cultural and literary studies, cultural politics and
history, creative writing and photography, this collection examines
the different ways in which human beings respond to, debate and
interact with landscape. How do we feel, sense, know, cherish,
memorise, imagine, dream, desire or even fear landscape? What are
the specific qualities of experience that we can locate in the
spaces in and through which we live? While the essays most often
begin with the broadly literary - the memoir, the travelogue, the
novel, poetry - the contributors approach the topic in diverse and
innovative ways. The collection is divided into five sections:
'Peripheral Cultures', dealing with dislocation and imagined
landscapes'; 'Memory and Mobility', concerning the road as the
scene of trauma and movement; 'Suburbs and Estates', contrasting
American and English spaces; 'Literature and Place', foregrounding
the fluidity of the fictional and the real and the human and
nonhuman; and finally, 'Sensescapes', tracing the sensory response
to landscape. Taken together, the essays interrogate important
issues about how we live now and might live in the future.
Bringing together a diverse group of scholars representing the
fields of cultural and literary studies, cultural politics and
history, creative writing and photography, this collection examines
the different ways in which human beings respond to, debate and
interact with landscape. How do we feel, sense, know, cherish,
memorise, imagine, dream, desire or even fear landscape? What are
the specific qualities of experience that we can locate in the
spaces in and through which we live? While the essays most often
begin with the broadly literary - the memoir, the travelogue, the
novel, poetry - the contributors approach the topic in diverse and
innovative ways. The collection is divided into five sections:
'Peripheral Cultures', dealing with dislocation and imagined
landscapes'; 'Memory and Mobility', concerning the road as the
scene of trauma and movement; 'Suburbs and Estates', contrasting
American and English spaces; 'Literature and Place', foregrounding
the fluidity of the fictional and the real and the human and
nonhuman; and finally, 'Sensescapes', tracing the sensory response
to landscape. Taken together, the essays interrogate important
issues about how we live now and might live in the future.
Exploring the central themes in modern American cultural studies
and discussing how these themes can be interpreted, American
Cultural Studies offers a wide-ranging overview of different
aspects of American cultural life such as religion, gender and
sexuality, regionalism, and ethnicity and immigration. The fourth
edition has been revised throughout to take into account the
developments of the last four years. Updates and revisions include:
discussion of Barack Obama's time in the White House consideration
of 'Hemispheric American Studies' and the increasing debates about
globalisation and the international role of the USA long-form
television and American Studies up-to-date case studies, such as
Girls, The Wire and Orange is the New Black more material on
Detroit, the Mexican border, same-sex relationships and Islam in
America updated further reading lists and new follow-up work.
Illustrated throughout, containing follow-up questions and further
reading at the end of each chapter, and accompanied by a companion
website (www.routledge.com/cw/campbell) providing further study
resources, American Cultural Studies is a core text and an
accessible guide to the interdisciplinary study of American
culture.
'Nobody believes what they see on TV, so they want to look for
something else, an alternate reality, or a conspiracy theory, and
it's interesting to explore it, Twitter is fucking full of it,
especially now. It's no wonder people round here are into it, but
you don't have to read all that shit, just have some mushrooms and
wander round Lidl off your tits.' In these fourteen northern tales,
Campbell takes us from the edgelands of Manchester to the
cloistered villages of The Peak District, Northumberland and
Scotland, and illuminates the lives of outsiders, misfits, loners
and malcontents with an eye for the darkly comic. A wild-eyed man
disturbs the banter in a genial bookshop. A fraught woman seeks to
flee a collapsing reservoir. A failed academic finds solace in a
crime writer's favourite pub. A transit van killer stalks a railway
footpath. A poet accused of plagiarism finds his life falling
apart.
Since Descartes's division of the human subject into mental and
physical components in the seventeenth century, there has been a
great deal of discussion about how--"indeed, whether or not--"our
mental states bring about our physical behaviour. Through
historical and contemporary readings, this text explores the key
figures and ideas that constitute this lively and influential
issue. Part one introduces the problem of mental causation through
selected writings by Rene Descartes, Thomas Henry Huxley, and
William James. Part two explores the debate sparked by Donald
Davidson's
How do mental events such as choices and decisions lead to physical
action? The problem of mental causation is one of the most
important and intriguing philosophical issues of our time and has
been at the centre of debates in the philosophy of mind for the
past fifty years. In opposition to the recent wave of reductionist
theories, this book argues that it is possible to account for
mental causation within a nonreductive framework as it adopts a
broadly Davidsonian approach to mental causation: reasons cause
actions because they are identical to physical events. This work
then defends this approach from the frequently raised criticism
that it entails epiphenomenalism - the inefficacy of the mental.
Moreover, Mental Causation moves beyond Davidson's views by
reconsidering the question of whether reasons causally explain
actions, arguing in opposition to Davidson, that explanations
appealing to reasons represent a distinct category of explanation
from causal explanation. Essential reading for anyone interested in
debates about mental causation, this is an excellent text for
senior undergraduates, graduate students, and professional
philosophers.
Worlding the Westerntakes the fiction of the Western United States
as a focal point for a re-examination of the consequences of
exceptionalism and closed borders in the Trump Era. At a time of
bounded individualism, new nativism, climate emergency, and
migration crises, author Neil Campbell argues that fiction offers
opportunities to put the world back in ways that challenge the dark
side of globalization and proposes worlding as a different and more
open form of politics. A driving force in the book is a comment
from the philosopher Jean-Luc Nancy, who wrote "the unity of the
world is not one: it is made of a diversity, including disparity
and opposition. It is made of it, which is to say that it is not
added to it and does not reduce it. The unity of the world is
nothing other than its diversity, and its diversity is, in turn, a
diversity of worlds" (The Creation of the World or Globalization,
2007, p. 109). Diversity, disparity, and opposition are central to
the dynamic frictional fiction I consider in this book. The
American West provides a powerful test case (a laboratory of the
future in Charles Bowden's term), in which these features -
diversity, disparity, and opposition - are present and yet
historically have often been so masked or denied in the rush
towards unanimity and nation-building. In this book, the past is
never lost or irrelevant, but rather circles around, re-emerging in
lives as echoes and hauntings. Worlding is, therefore, a positive,
critical concept through which to put the notion of a single world
under pressure.
During the post-World War II period, the Western, like America's
other great film genres, appeared to collapse as a result of
revisionism and the emergence of new forms. Perhaps, however, as
theorists like Gilles Deleuze suggest, it remains, simply
"maintaining its empty frame." Yet this frame is far from empty, as
"Post-Westerns" shows us: rather than collapse, the Western instead
found a new form through which to scrutinize and question the very
assumptions on which the genre was based. Employing the ideas of
critics such as Deleuze, Jacques Derrida, and Jacques Ranciere,
Neil Campbell examines the haunted inheritance of the Western in
contemporary U.S. culture. His book reveals how close examination
of certain postwar films--including "Bad Day at Black Rock," "The
Misfits," "Lone Star," "Easy Rider," "Gas Food Lodging," "Down in
the Valley," and "No Country for Old Men"--reconfigures our notions
of region and nation, the Western, and indeed the West
itself.
Campbell suggests that post-Westerns are in fact
"ghost-Westerns," haunted by the earlier form's devices and styles
in ways that at once acknowledge and call into question the West,
both as such and in its persistent ideological framing of the
national identity and values.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Napoleon At Fontainebleau And Elba, A Journal By The Late Sir
N. Campbell, With A Memoir Of The Life Of That Officer By A.N.
Campbell-Maclachlan Neil Campbell (sir.) Archibald Neil Campbell-
Maclachlan
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