This book provides the first overarching, empirically grounded, critical analysis of child trafficking as an idea, ordering principle, and artefact of politics. It examines (once) hegemonic anti-child trafficking discourse, policy and practice, and does so by placing secondary literature from around the world in conversation the author's paradigmatic case study of the situation in southern Benin. It deconstructs the child trafficking paradigm, contrasts it with 'real' histories of child and youth labour and mobility, and seeks to explain it by going 'inside' the anti-trafficking field. In doing so, Howard tells a gripping story of ideology at work.

This book interrogates the international child protection regime, with a particular focus on its weaknesses and failures. It looks at the lack of accountability, the normativity, and the tendency to recreate patterns of power and exclusion that blight otherwise good intentions. The book assesses why the regime falls short of its ideals and offers ideas for what can be done to improve it. Bringing together influential, established voices, and emerging scholars who work on issues related to childhood, youth, policy, and practice, the book offers a timely intervention that aims to push the world of international child protection in more progressive directions.

EPDF and EPUB available Open Access under CC-BY-NC-ND licence. Millions of children throughout Africa undertake many forms of farm and domestic work. Some of this work is for wages, some is on their family's own small plots and some is forced and/or harmful. This book examines children's involvement in such work. It argues that framing all children's engagement in economic activity as 'child labour', with all the associated negative connotations, is problematic. This is particularly the case in Africa where many rural children must work to survive and where, the contributors argue, much of the work undertaken is not harmful. The conceptual and case-based chapters reframe the debate about children's work and harm in rural Africa with the aim of shifting research, public discourse and policy so that they better serve the interest of rural children and their families.

This book provides the first overarching, empirically grounded, critical analysis of child trafficking as an idea, ordering principle, and artefact of politics. It examines (once) hegemonic anti-child trafficking discourse, policy and practice, and does so by placing secondary literature from around the world in conversation the author's paradigmatic case study of the situation in southern Benin. It deconstructs the child trafficking paradigm, contrasts it with 'real' histories of child and youth labour and mobility, and seeks to explain it by going 'inside' the anti-trafficking field. In doing so, Howard tells a gripping story of ideology at work.

'If the essence of drama is conflict, the crossing of wills, of culture versus barbarism, the Norwegians have a natural spring to tap into - and it is explosive.' - Line Rosvoll, Artistic Director of the Norwegian Centre of New Playwriting, from her Introduction. The Oberon Anthology of Contemporary Norwegian Plays brings together a selection of exciting playwrights reflecting the breadth and vitality of Norwegian theatre's booming new writing scene. Six plays, translated by Neil Howard and published for the first time in English, demonstrate a common willingness to push formal boundaries and to find new ways to tackle the universal experiences of the human condition; grief and loss, violence, manipulation, abuse and despair. Grief Work by Eirik Fauske; Kinder K by Kristofer Gronskag; A Remarkable Person by Pernille Dahl Johnsen; Time Without Books by Lene Therese Teigen; Why Not Before by Liv Heloe; Watching Shadows by Hans Petter Blad

BLOODY MAMA BLUES captures the war behind the war in Vietnam. Corruption, black market dealings, prostitution, drugs, and easy money proved seductive to countless American soldiers. Lieutenant Mike Hardy expects to serve an honorable tour of duty as an infantry officer. Instead, he is thrown into a cauldron of evil. BLOODY MAMA BLUES explores the underside of the Vietnam experience, and the irreparable damage suffered by a generation of young men and women.