In the early 1930??'s in a small alcove at City College in New York a group of young, passionate, and politically radical students argued for hours about the finer points of Marxist doctrine, the true nature of socialism, and whether or not Stalin or Trotsky was the true heir to Lenin. These young intellectuals went on to write for and found some of the most well known political and literary journals of the 20th century such as The Masses, Politics, Partisan Review, Encounter, Commentary, Dissent and The Public Interest. Figures such as Daniel Bell, Nathan Glazer, Sidney Hook, Susan Sontag, Dwight MacDonald, and Seymour Lipset penned some of the most important books of social science in the mid-twentieth century. They believed, above all else, in the importance of argument and the power of the pen. They were incredibly prolific, and their debates ranged over a wide array of topics everything from McCarthyism and anti-communism to the significance of modernism in art and literature, to mass culture and the role of kitsch. They were a vibrant group of engaged political thinkers and writers, but most importantly they were public intellectuals committed to addressing the most important political, social and cultural questions of the day. They have been the subject of many books and even a widely acclaimed documentary on PBS, but never have their most significant writings been collected in one place.

In the early 1930s in a small alcove at City College in New York a group of young, passionate, and politically radical students argued for hours about the finer points of Marxist doctrine, the true nature of socialism, and whether or not Stalin or Trotsky was the true heir to Lenin. These young intellectuals went on to write for and found some of the most well known political and literary journals of the 20th century such as The Masses, Politics, Partisan Review, Encounter, Commentary, Dissent and The Public Interest. Figures such as Daniel Bell, Nathan Glazer, Sidney Hook, Susan Sontag, Dwight MacDonald, and Seymour Lipset penned some of the most important books of social science in the mid-twentieth century. They believed, above all else, in the importance of argument and the power of the pen. They were incredibly prolific, and their debates ranged over a wide array of topics everything from McCarthyism and anti-communism to the significance of modernism in art and literature, to mass culture and the role of kitsch. They were a vibrant group of engaged political thinkers and writers, but most importantly they were public intellectuals committed to addressing the most important political, social and cultural questions of the day. They have been the subject of many books and even a widely acclaimed documentary on PBS, but never have their most significant writings been collected in one place.

Historian Henry Steele Commager (1902-1998) was one of the leading American intellectuals of the mid-twentieth century. Author or editor of more than forty books, he taught for decades at New York University, Columbia University, and Amherst College and was a pioneer in the field of American studies. But Commager's work was by no means confined to the halls of the university: a popular essayist, lecturer, and political commentator, he earned a reputation as an activist for liberal causes and waged public campaigns against McCarthyism in the 1950s and the Vietnam War in the 1960s. As few have been able to do in the past half-century, Commager united the two worlds of scholarship and public intellectual activity. Through Commager's life and legacy, Neil Jumonville explores a number of questions central to the intellectual history of postwar America. After considering whether Commager and his associates were really the conservative and conformist group that critics have assumed them to be, Jumonville offers a reevaluation of the liberalism of the period. Finally, he uses Commager's example to ask whether intellectual life is truly compatible with scholarly life.

American liberalism today is in a state of confusion and disarray, with the L word widely considered a term of derision. By examining both the historical past and the fractious present, "Liberalism for a New Century" restores a proud political tradition and carves out a formidable defense of its philosophical tenets. This manifesto for a New Liberalism issues an urgent and cogent call for the most important rethinking of its values since the late 1960s, when conservatives reenergized themselves after Barry GoldwaterOCOs infamous loss. The essays in this volume, most of them never before published, are written by a leading group of historians, journalists, and public intellectuals. Some of the nationOCOs most highly respected liberal minds explore such topics as the classical liberal tradition, postmodernismOCOs challenge to the American Enlightenment, the civil rights era, the influence of twentieth-century radicals on American liberalism, the 1950s, tolerance, the cold war, and whether liberalism should have a large and aggressive vision. One essay considers liberalism in Iran and what American liberals might learn from this movement. Fast-paced and encompassing such hot-button issues as the family and religion, here are ringside-seat arguments between people who donOCOt often get to engage with one another: right-leaning liberals like Peter Berkowitz and John Patrick Diggins, and leftier liberals like Michael Tomasky and Mona Harrington. The result is a lively and stimulating collection that articulates a clear-minded alternative to the conservative ascendancy in American history and offers a timely and essential contribution to the growing national debate. "

The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review, Politics, Commentary, and Dissent. In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world. Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review, Politics, Commentary, and Dissent. In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world. Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.