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Neil Hurley demonstrates Hitchcock's covert preoccupation with
spiritual themes conscience, guilt, false accusation, crises as
catalysts of character development, personal romance, the salvation
of nations, and the "unjustly accused." This last theme is linked
in profound ways to Hitchcock's secular Christ types, who find
purpose and undiscovered courage and companionship in having to
disprove falsely imputed guilt in I Confess, The Wrong Man,
Veritgo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy.
(The last three also feature feminine Christ parallels who undergo
Passion/Resurrection experiences marked with visual religious
clues.)
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