The 2,500 year old Yi-jing or I Ching, translated as the 'Book of Changes', is an ancient Chinese work of divination and prophesy. Dating from the 4th century BC, it is traditionally consulted by performing complex routines of dropping bundles of dried grass stalks. The particular patterns formed when six stalks are dropped are represented by 64 symbols called hexagrams, which show every possible combination of broken and unbroken stalks. The Book of Changes tells how to interpret the hexagrams to decide which is the best approach or action in a given situation. I Ching: The Ancient Chinese Book of Changes features the 64 hexagrams and their successive interpretations, including the Judgment, written by King Wen in the 12th Century BCE, The Commentary and The Image (both attributed to Confucius, 6-5th Century BCE), and The Lines, written by King Wen's son. Accompanying The Lines are present-day interpretative texts. Beautifully produced in traditional Chinese binding and with a timeless design, this book will allow anyone fascinated by the traditional philosophies of the East to follow in the footsteps of Confucius and use the I Ching to predict their destiny.

Neil Powell fuses a critical look at language with an exploration of the political and existential problems facing humankind... The Storyteller is tired of telling stories about Love, God and Beauty. With the invention of Eric Crawford, an English teacher at Davenport College, he explores what is required to tell new stories. As a result, a tantalising world of freedom beckons. This encompasses Eric's teaching, family and romantic life, the explosive relationship he has with troubled student, David Spurling, a protest movement about the role of Art, and a violent crime on college grounds. The Storyteller's control of Eric's life conversely makes the Storyteller realise the power language has over him. Reminding him that language is a public medium, not the exclusive tool of an authority or author. A stylistically innovative novel, at turns both a philosophy and black comedy, The Office of Future Storytelling, examines the relationship of language to individual identity and freedom. It argues that the stories we need are those which demonstrate our unequivocal connection to the world.

Winner of the 2017 East Anglian Book Award for Poetry. Winner of the 2017 East Anglian Writers 'Book by the Cover' Award. There are two kinds of Collected Poems, one of which presents an author's work exactly as it first appeared volume-by-volume. This is the other sort. Neil Powell has re-examined his poems of the past fifty years, arranging them as nearly as possible in chronological order of completion while adding a rather larger handful of hitherto uncollected work. The resulting book is, on one level, the narrative of a lifetime in which certain themes, seen in changing lights, recur: landscape and seascape, music and poetry, friendship and the deaths of friends. Ranging from the playful to the elegiac, these poems are now able to resonate with each other in new and unexpected ways.

We need a bigger vision for the city. It's not enough to plant individual churches in isolation from each other. The spiritual need and opportunity of our cities is too big for any one church to meet alone. Pastors Neil Powell and John James contend that to truly transform a city, the gospel compels us to create localized, collaborative church planting movements. They share lessons learned and principles discovered from their experiences leading a successful citywide movement. The more willing we are to collaborate across denominations and networks, the more effectively we will reach our communities-whatever their size-for Jesus. Come discover what God can do in our cities when we work together.

Benjamin Britten was the greatest English composer of the twentieth century and one of the outstanding musicians of his age. Born in Lowestoft, Suffolk, in 1913, Britten was the youngest child of a dentist father and amateur musician mother. After studying at the Royal College of Music, he became a vital part of London's creative and intellectual life during the 1930s, collaborating with W. H. Auden and meeting his lifelong partner, the tenor Peter Pears. At the outbreak of the Second World War, Britten and Pears were already in America, earning a precarious living as freelance musicians before re-crossing the Atlantic by ship in the perilous days of 1942. But the east coast of England was where Britten, as he himself said, belonged: this was where he returned to write his most famous opera, Peter Grimes, and - with Pears and Eric Crozier - to found the Aldeburgh Festival in 1948. In the years that followed, his worldwide reputation grew steadily, helped by a busy schedule of international tours and, for many, crowned by the extraordinary success of his War Requiem. Meanwhile, his festival went from strength to strength, its progress symbolised by the opening of Snape Maltings Concert Hall in 1967. Britten was a mass of paradoxes: a solitary, introspective thinker who came to ebullient life in the company of young people, for whom he composed some of his most memorable works; a man of the political left who was on the friendliest terms with members of the royal family; a composer inspired by some of the twentieth century's deepest preoccupations who combined innovation with a profound understanding of musical tradition. Devoted to his friends, proteges and fellow musicians, he was, above all, someone who lived for music. Neil Powell's book is the landmark biography for Britten's centenary year: a subtle and moving portrait of a brilliant, complex and ultimately loveable man.