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This book offers, in one volume, a modern English translation of all 17 books of Silius Italicus' Punica. Composed in the first century CE, this epic tells the story of the Second Punic War between Rome and Hannibal's Carthage (218-202 BCE). It is not only a crucial text for students of Flavian literature, but also an important source for anyone studying early Imperial perspectives on the Roman Republic. The translation is clear and comprehensible, while also offering an accurate representation of the Latin text. Augmented by a scholarly introduction, extensive notes, glossary and a comprehensive bibliography (included in the introduction), this volume makes the text accessible and relevant for students and scholars alike.
Rhetorical training was the central component of an elite Roman
man's education, and declamations--imaginary courtroom speeches in
the character of a fictional or historical individual--were the
most advanced exercises in the standard rhetorical curriculum. The
Major Declamations is a collection of nineteen full-length Latin
speeches attributed in antiquity to Quintilian but most likely
composed by a group of authors in the second and third centuries
CE. Though there has been a recent revival of interest in
Greco-Roman declamation, the Major Declamations has generally been
neglected.
Silius Italicus' Punica, a Latin epic poem on the second Punic war written at the end of the first century CE, is one of the few Roman historical epics to survive from antiquity. This volume represents the first full-length scholarly commentary in any language on Book 2 of the seventeen-book epic and accompanies a recent resurgence in scholarly interest in the Punica. It includes an extensive introduction to the poem's historical and literary contexts, along with the full Latin text and apparatus criticus, English translation, and detailed line-by-line commentary. The introduction situates Silius in historiographical and literary tradition, while the commentary addresses a broad range of textual, linguistic, literary, and cultural topics. Discussion of intertextuality focuses especially on the poem's adaptation of earlier epic tradition, including the poems of Homer, Virgil, Ovid, Lucan, Valerius Flaccus, and Statius. The text and apparatus criticus have been updated since the publication of Josef Delz's Teubner edition of the Punica in 1987 to include a much more comprehensive account of emendation history. The result is a keenly focused and cutting-edge critical edition that will be an invaluable resource for scholars and students of Silius Italicus and the Punica for years to come.
Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno's request to devastate the Roman ranks. After the gods have departed, Hannibal's elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield. This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book's use of diction and metre.
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