Alex and Freddy face their greatest danger yet! The return of their most terrifying enemy, a robotic malware virus causing robots to rebel against humanity, and a growing anti-robot protest movement - it's a lot for two robot brothers to cope with. But when the robot malware strikes during the carnival, the danger dial shoots up to the max! Will Alex and Freddy be able to resist - and save the day?!

Alex and Freddy's powers are growing, as is their fame. But with fame comes danger, intrigue and evil robot doppelgangers! Can Alex and Freddy save London - and themselves - from disaster? It'll test their bravery and brotherhood like nothing before . . .

BROTHERS. ROBOTS. SUPERHEROES. ALEX AND FREDDY are super-powered robots, juggling school with saving the day. But being robot SUPERHEROES isn't easy, especially when there's a new enemy in town. Team Robotix, GENIUS INVENTORS, are determined to take down the Mega Robo Bros with one of their TERRIFYING giant robots! Will the boys be able to stop them?

Previously published as Mega Robo Revenge but now reformatted in a longer, chunkier package with brand new content, Robot Revenge is an unmissable adventure for graphic novel fans. BROTHERS. ROBOTS. SUPERHEROES. The Mega Robo Bros have a new and deadly threat to deal with - a half-destroyed robot called Wolfram, who is out for revenge! He's lured Alex and Freddy into a trap - so he can attack London! Will they be able to escape and save the day? And why is Wolfram so determined to get to their mum?

BROTHERS. ROBOTS. SUPERHEROES. ALEX AND FREDDY are two normal bickering brothers - who also happen to be SUPER-POWERED ROBOTS! They're off on school trips, going to the theme park, and annoying each other in the playground. But when ROBOT ATTACKS take place over London, it's time for the boys to step up! Will they be able to foil the plans of the EVIL ROBOT 23?

Alex and Freddy are just like any other brothers. They squabble and drive their parents mad. BUT . . . they're also the most powerful robots on earth! The Mega Robo bros face their most dangerous threat yet: the evil robot Wolfram is trying to bring about the end of the world by melting all the ice in the Arctic. Only Alex and Freddy can stop him! Alex Rider meets Ready Player One in these high-octane adventures with heart and humour. These comics were previously published in Mega Robo Revenge but now contain new content! A sensational new addition to the adored Mega Robo Bros series.

Hey! I'm FREDDY. And I'm a super-powered ROBOT! There's a new kid at school. She's called AOIFE and she's SUPER annoying. The worst thing is . . . she thinks HUMANS are better than ROBOTS! There's only one way to prove her WRONG. A CONTEST! Which I'm definitely going to WIN . . .

Okay humans, listen up! My name is FREDDY. I live with my Mum and Dad. I go to school. Oh yeah, the MAIN thing: I am an AWESOME ROBOT! With awesome robotic SUPERPOWERS! But I'm hardly ever allowed to USE them, and definitely not at SCHOOL. Which is going to be a PROBLEM . . . A hilarious first novel from author/illustrator/comics creator Neill Cameron.

Freddy's life is . . . mixed. He's a superpowered robot (YAY!) . . . Who also has to go to school (BOO!). But when Freddy and his pals gets involved in the school science fair, his robot abilities mean he's suddenly the centre of attention! Which Freddy 100% loves. Will Freddy let this brush with fame go to his head? Of course he will! But that might not go down so well with his friends . . .

A non-Eurocentric portrait of the major developments and integrations of social and cultural movements.

The magnificent collection of "Shelley and His Circle" manuscripts in the Carl H. Pforzheimer Library is one of our finest sources for the English Romantic movement. This edition presents the more than 450 manuscripts from 1772 to 1822, over half of them by Percy Bysshe Shelley. Volumes I and II include a first accurate printing of Shelley's letters to Thomas Hogg during a crucial period of his life; another series of letters records a struggle between Forman and Silsbee for acquisition of Shelley's papers that was the background for Henry James's Aspern Papers; Thomas Love Peacock, William Godwin, Leigh Hunt, Mary Wollstonecraft, and others are represented by materials (most of them previously unpublished) that throw much new light on their lives and times. The Peacock and part of the Wollstonecraft manuscripts were edited by Eleanor L. Nicholes, and The Diary of Harriet Grove (Shelley's boyhood sweetheart) by Frederick L. Jones. New and effective editorial, bibliographical and typographical methods were devised to deal with special problems.

The publication of Volumes III and IV of Shelley and His Circle under the editorial auspices of Kenneth Neill Cameron makes available a further portion of the Shelley manuscript materials in the Carl H. Pforzheimer Library. These two volumes continue in the format and style of Volumes I and II, which received the critical acclaim of, among others, John Ciardi, who lauded Cameron and his contributing editors for rescuing "the material from felonious footnotery primarily by enclosing it in a continuous narrative that contains detailed introductions to each of the characters of the circle, and a general background of their relationships and of the times." Volumes III and IV progress chronologically through Shelley's life, beginning with the early years of Shelley's marriage to Harriet Westbrook, where Volume II ended, and concluding with her suicide. Among the manuscripts are twelve letters and literary pieces by Byron including the first of his "separation" poem "Fare Thee Well," the expanded 1814 journal of Claire Clairmont, the curious triangular correspondence of Shelley, Mary Godwin, and Thomas Jefferson Hogg, Shelley's annotated copy of Queen Mab, and the suicide letter Harriet Shelley wrote a few hours before she drowned in the Serpentine. A number of maps especially prepared for this edition and other supplementary illustrations enhance the impeccable scholarship of these volumes which, with the projected publication of the remaining materials, will present a half century of interconnected biographies and will suggest the literary and intellectual tenor of the Romantic era. The Pforzheimer collection, exceeded only by that at the Bodleian in the number of Shelley and Shelleyana manuscripts, reflects the personal interests of Carl H. Pforzheimer, who put together one of the notable private libraries of modern times. Before his death in 1957, he planned the form of publication for his collection, designing it not only for the academic use of scholars but also as a stimulating and readable set for the enthusiastic layman.