She Votes is an intersectional story of the women who won suffrage, and those who have continued to raise their voices for equality ever since. From the first female Principal Chief of the Cherokee Nation to the first woman to wear pants on the Senate floor, author Bridget Quinn shines a spotlight on the women who broke down barriers. This deluxe book also honors the 100th anniversary of the Nineteenth Amendment with illustrations by 100 women artists. * A colorful, intersectional account of the struggle for women's rights in the United States * Features heart-pounding scenes and keenly observed portraits * Includes dynamic women from Elizabeth Cady Stanton to Audre Lorde She Votes is a refreshing and illuminating book for feminists of all kinds. Each artist brings a unique perspective; together, they embody the multiplicity of women in the United States. * From the pen of rockstar author and historian Bridget Quinn, this book tells the story of women's suffrage. * Perfect gift for feminists of all ages and genders who want to learn more about the 19th amendment and the journey to equal representation * A visually gorgeous book that will be at home on the shelf or on the coffee table * Add it to the shelf with books like Notorious RBG: The Life and Times of Ruth Bader Ginsburg by Irin Carmon and Shana Knizhnik; Rad American Women A-Z: Rebels, Trailblazers, and Visionaries who Shaped Our History . . . and Our Future! by Kate Schatz and Miriam Klein Stahl; and Why I March: Images from The Women's March Around the World by Abrams Books.

Telling perhaps the most important forgotten story in American history, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, illuminating not only the invention of race but also the frequent praise of "whiteness" for economic, scientific, and political ends. A story filled with towering historical figures, The History of White People closes a huge gap in literature that has long focused on the non-white and forcefully reminds us that the concept of "race" is an all-too-human invention whose meaning, importance, and reality have changed as it has been driven by a long and rich history of events.

The color line, once all too solid in southern public life, still exists in the study of southern history. As distinguished historian Nell Irvin Painter notes, we often still write about the South as though people of different races occupied entirely different spheres. In truth, although blacks and whites were expected to remain in their assigned places in the southern social hierarchy throughout the nineteenth century and much of the twentieth century, their lives were thoroughly entangled. In this powerful collection of pathbreaking essays, Painter reaches across the color line to examine how race, gender, class, and individual subjectivity shaped the lives of black and white women and men in the nineteenth- and twentieth-century South. She explores such themes as interracial sex, white supremacy, and the physical and psychological violence of slavery, using insights gleaned from psychology and feminist social science as well as social, cultural, and intellectual history. The book illustrates both the breadth of Painter's interests and the originality of her intellectual contributions. This edition features refreshed essays and a new preface that sheds light on the development of Painter's thought and our continued struggles with racism in the twenty-first century.

The color line, once all too solid in southern public life, still exists in the study of southern history. As distinguished historian Nell Irvin Painter notes, we often still write about the South as though people of different races occupied entirely different spheres. In truth, although blacks and whites were expected to remain in their assigned places in the southern social hierarchy throughout the nineteenth century and much of the twentieth century, their lives were thoroughly entangled. In this powerful collection of pathbreaking essays, Painter reaches across the color line to examine how race, gender, class, and individual subjectivity shaped the lives of black and white women and men in the nineteenth- and twentieth-century South. She explores such themes as interracial sex, white supremacy, and the physical and psychological violence of slavery, using insights gleaned from psychology and feminist social science as well as social, cultural, and intellectual history. The book illustrates both the breadth of Painter's interests and the originality of her intellectual contributions. This edition features refreshed essays and a new preface that sheds light on the development of Painter's thought and our continued struggles with racism in the twenty-first century.

The journal of Ella Gertrude Clanton Thomas, spanning the years from 1848 to 1889, is rare for its treatment of both the Civil War and postbellum years and for its candor and detail in treating these eras. Thomas, who was born to wealth and privilege and reared in the tradition of the southern belle, tells of the hard days of war and the poverty brought on by emancipation and Reconstruction. Her entries illuminate experiences shared with thousands of other southern women.

Ever since the Enlightenment, race theory and its inevitable partner, racism, have followed a crooked road, constructed by dominant peoples to justify their domination of others. Filling a huge gap in historical literature that long focused on the non-white, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, tracing not only the invention of the idea of race but also the frequent worship of "whiteness" for economic, social, scientific, and political ends. Our story begins in Greek and Roman antiquity, where the concept of race did not exist, only geography and the opportunity to conquer and enslave others. Not until the eighteenth century did an obsession with whiteness flourish, with the German invention of the notion of Caucasian beauty. This theory made northern Europeans into "Saxons," "Anglo-Saxons," and "Teutons," envisioned as uniquely handsome natural rulers. Here was a worldview congenial to northern Europeans bent on empire. There followed an explosion of theories of race, now focusing on racial temperament as well as skin color. Spread by such intellectuals as Madame de Stael and Thomas Carlyle, white race theory soon reached North America with a vengeance. Its chief spokesman, Ralph Waldo Emerson, did the most to label Anglo-Saxons-icons of beauty and virtue-as the only true Americans. It was an ideal that excluded not only blacks but also all ethnic groups not of Protestant, northern European background. The Irish and Native Americans were out and, later, so were the Chinese, Jews, Italians, Slavs, and Greeks-all deemed racially alien. Did immigrations threaten the very existence of America? Americans were assumed to be white, but who among poor immigrants could become truly American? A tortured and convoluted series of scientific explorations developed-theories intended to keep Anglo-Saxons at the top: the ever-popular measurement of skulls, the powerful eugenics movement, and highly biased intelligence tests-all designed to keep working people out and down. As Painter reveals, power-supported by economics, science, and politics-continued to drive exclusionary notions of whiteness until, deep into the twentieth century, political realities enlarged the category of truly American. A story filled with towering historical figures, The History of White People forcefully reminds us that the concept of one white race is a recent invention. The meaning, importance, and realty of this all-too-human thesis of race have buckled under the weight of a long and rich unfolding of events.

Born into a Georgia sharecropper family in 1898, Hosea Hudson moved to Birmingham, Alabama, to work in the steel mills in the turbulent 1930s and 1940s and became a member of the Communist Party as well as president of a CIO union local. It was a hard, dangerous life, to be black and communist and pro-union, and Hudson talked about that life to Nell painter, who brilliantly recreates it in this collaborative oral autobiography.

The first major migration to the North of ex-slaves.

"In 1879, fourteen years after the Emancipation Proclamation, thousands of blacks fled the South. They were headed for the homesteading lands of Kansas, the 'Garden Spot of the Earth' and the 'quintessential Free State, the land of John Brown'. . . . Painter examines their exodus in fascinating detail. In the process, she offers a compelling portrait of the post-Reconstruction South and the desperate efforts by blacks and whites in that chaotic period to 'solve the race problem' once and for all." —Newsweek

"What makes this book so important is . . . [that it] is the first full-length scholarly study of this migration and of the forces that produced it. . . . Most previous students have focused on nationally recognized black leaders; [Painter] calls for attention to the black masses." —David H. Donald, New York Times Book Review

"A genuine folk movement, the Exoduster migration has . . . been undeservedly ignored. Nell Irvin Painter has produced a book which rescues the Exodusters from obscurity and demonstrates her considerable talents as a researcher and writer." —American Historical Review

A rich and rewarding collection that will repay many reading by students of Afro-American, social, and political history.

Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight talking and unsentimental, Truth became a national symbol for strong black women - indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as a radical of immense and enduring influence; yet unlike them, what is remembered of her consists more of myth than of historical fact. Now, in a masterful blend of scholarship and sympathetic understanding, eminent historian Nell Irvin Painter goes beyond the myths, words, and photographs to uncover the life of a complex woman who was born into slavery and died a legend. Inspired by religion, Truth transformed herself from a domestic servant named Isabella into an itinerant Pentecostal preacher; her words of empowerment have inspired black women and poor people the world over to this day. As an abolitionist and a feminist, Truth defied the stereotype of "the slave" as male and "the woman" as white - expounding a fact that still bears repeating: among blacks there are women; among women, there are blacks.