Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics--the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

In 1941, after discovering tuberculosis, Liese, is taken to a sanatorium in Davos, Switzerland by her aunt. The book traces Liese's incarceration in the sanatorium where she meets various characters, including her Greek-Jewish friend, Antigone. Upon Nazi orders in 1942 the sanatorium expels all the Jewish patients including Liese and Antigone under the pretext to have their papers checked. However, once they arrive at a small train station in Italy, they are surrounded by German SS troops with whips and vicious dogs. An old family friend from Vienna rescues Liese by pushing her under a train. He finds shelter for Liese in an Italian village church where she encounters a dangerous sexton. She is quickly transported to a forest underground bunker where she meets a number of compelling characters and remains there until liberation by a friendly U.S. Army.