A noctuary is a diary for the late hours. In Niall Campbell's poems, this is a time for reflection, discovering what it means to be a young father, anxious, caring and protective, deeply connected to the new, precious life of another human being. The deftly lyrical poems in his second collection illuminate a night world of disturbed sleep and half dream, midnight feeds, the quiet of snowfall through the hours of dark. At the same time the grown man now living in the city reconnects with his own childhood on South Uist in the Outer Hebrides, the territory of his highly praised first collection, Moontide. Hearing his father's voice in how he calls to his son, other images of the island's seascapes, myths and wildlife return to him in Noctuary. Noctuary was shortlisted for the 2019 Forward Prize for Best Collection.

Niall Campbell grew up on South Uist in Scotland's Outer Hebrides, and his first collection, Moontide, is filled with images of the island's seascapes, its myths, its wildlife, and the long dark of its winters. Quietly reflective and deftly musical, these thoughtful poems resonate with silence and song, mystery and wonder, exploring ideas of companionship and withdrawal, love and the stillness of solitude. After winning an Eric Gregory Award in 2011, Niall Campbell published a widely praised pamphlet, After the Creel Fleet, in 2012, and won the Poetry London Competition in 2013. Now this highly assured debut collection will establish him as one of the most distinctive lyric voices to emerge from Scotland in recent years. Poetry Book Society Recommendation, winner of the Saltire First Book of the Year Award, also shortlisted for the Fenton Aldeburgh First Collection Prize, the Forward Prize for Best First Collection and the Michael Murphy Memorial Prize.

The Scottish poet Niall Campbell's first book, Moontide, won the Edwin Morgan Poetry Prize, the largest such prize in the United Kingdom, was named the Saltire Scottish First Book of the Year, and was shortlisted for both the Fenton Aldeburgh and Forward prizes for best first collection. First Nights--which includes all the poems in Moontide and sixteen new ones--marks the North American debut of an exciting new voice in British poetry. First Nights offers vivid descriptions of the natural world, and the joy found in moments of quiet, alongside intimate depictions of new parenthood. Campbell grew up on the remote, sparsely populated islands of South Uist and Eriskay in Scotland's Outer Hebrides, and First Nights is filled with images of the islands' seascapes, myths, wildlife, and long, dark winters. But the poems widen beyond their immediate locations to include thoughts on sculpture and mythology, Zola and Dostoevsky, and life in English cities and French villages. In the poems on early fatherhood, the geography shifts from coastal stretches to bare, dimly lit rooms. Stripped back, honest, and immediate, these poems capture moments of vulnerability, when the only answer is to love. Combining skilled storytelling, precise language, an allegiance to meter and form, and a quiet musicality, these poems resonate with silence and song, mystery and wonder, exploring ideas of companionship and withdrawal, love, and the stillness of solitude. The result is a collection that promises to be a classic.

The Salt Book of Younger Poets showcases a new generation of British poets born since the mid-80s. Many of these poets embrace new technologies such as blogs, social networking and webzines to meet, mentor, influence and publish their own work and others'. Some poets here were winners of the Foyle young poet awards when at school. Some have published pamphlets in series such as tall-lighthouse Pilot and Faber New Poets. All of them are working away on first collections. This is a chance to encounter the poets who will dominate UK poetry in years to come.