Initially coined by art historians in the second half of the nineteenth century to denote an ambivalent artistic style and period, 'Orientalizing' has been invariably used to describe a phenomenon, a revolution, or a movement. Regional developments and innovations in the ancient Mediterranean have been explained by reference to an Orient, the metaphorical bazaar containing the artistic opulence and social sophistication that spread to the West and changed it. "Debating Ancient Orietalization" brings together papers presented at a symposium held in Oxford in 2002 to debate the theme of ancient Orientalization. The volume reassesses the concept of Orientalizing, questioning whether it is valid to interpret Mediterranean-wide processes of change in the Late Bronze and Early Iron Ages by the term Orientalization. Like the ancient Mediterranean itself, the list of contributors is multicultural, and their contributions multidisciplinary, combining various strands of archaeological and textual evidence with different methodological approaches.

Initially coined by art historians in the second half of the nineteenth century to denote an ambivalent artistic style and period, 'Orientalizing' has been invariably used to describe a phenomenon, a revolution, or a movement. Regional developments and innovations in the ancient Mediterranean have been explained by reference to an Orient, the metaphorical bazaar containing the artistic opulence and social sophistication that spread to the West and changed it. "Debating Orientalization" brings together papers presented at a symposium held in Oxford in 2002 to debate the theme of ancient Orientalization. The volume reassesses the concept of Orientalizing, questioning whether it is valid to interpret Mediterranean-wide processes of change in the Late Bronze and Early Iron Ages by the term Orientalization. Like the ancient Mediterranean itself, the list of contributors is multicultural, and their contributions multidisciplinary, combining various strands of archaeological and textual evidence with different methodological approaches.

The role of the Phoenicians in the economy, culture and politics of the ancient Mediterranean was as large as that of the Greeks and Romans, and deeply interconnected with that 'Classical' world, but their lack of literature and their Oriental associations mean that they are much less well-known. This book brings the state of the art in international scholarship on Phoenician and Punic studies to an English-speaking audience, collecting new papers from fifteen leading voices in the field from Europe and North Africa, with a bias towards the younger generation. Focusing on a series of case-studies from the colonial world of the western Mediterranean, it is the first volume in any language to address the questions of what 'Phoenician' and 'Punic' actually mean, how 'Punic' or western Phoenician identity has been constructed by ancients and moderns, the coherency of Punic culture, and whether there was in fact a 'Punic world'.

Borg in-Nadur, on the south-east coast of the island of Malta, is a major multi-period site, with archaeological remains that span several thousand years. In the course of the Late Neolithic, the steep-sided ridge was occupied by a large megalithic temple complex that was re-occupied in the succeeding Bronze Age. In the course of the second millennium BC, the ridge was heavily fortified by a massive wall to protect a settlement of huts. Excavations were carried out here in 1881 and again in 1959. This volume brings together a number of contributions that report on those excavations, providing an exhaustive account of the stratigraphy, the pottery, the lithic assemblages, the bones, and the molluscs. Additional studies look at other sites in Malta and in neighbouring Sicily in an effort to throw light on the late prehistory of the south-central Mediterranean at a period when connections with regions near and far were increasing. The volume forms a companion to another monograph which concentrated on the temple remains at Borg in-Nadur (D. Tanasi and N. C. Vella (eds), Site, artefacts and landscape: prehistoric Borg in-Nadur, Malta. Praehistorica Mediterranea 3. Monza: Polimetrica, 2011). About the Editors: Davide Tanasi (Ph.D.) is Professor of Archaeology at Arcadia University, The College of Global Studies - Arcadia Sicily Center. His research interests include Mediterranean prehistory, island archaeology, archaeometry of ancient ceramics, computer graphics in archaeology, and digital communication of cultural heritage. He has authored a hundred scientific papers in these fields and produced 3D documentaries about Sicilian archaeology and cultural heritage. His publications include La Sicilia e l'arcipelago maltese nell'eta del Bronzo Medio (Palermo, 2008) and Site, Artefacts and Landscape: Prehistoric Borg in-Nadur, Malta with Nicholas C. Vella (Monza, 2011). He is editor of the international scientific journal Open Archaeology (De Gruyter) and since 2012, he has been directing the Field School in Archaeology of Arcadia University in Sicily. Nicholas C. Vella is Senior Lecturer and Head of the Department of Classics and Archaeology at the University of Malta, and works on Mediterranean history and archaeology. He has co-edited another volume of essays on Malta's late prehistory called Site, Artefacts and Landscape: Prehistoric Borg in- Nadur, Malta with Davide Tanasi (Monza, 2011) and contributed, with him, to the Cambridge Prehistory of the Bronze and Iron Age Mediterranean edited by P. van Dommelen and B. Knapp (Cambridge, 2014). He edits the Malta Archaeological Review, and co-directs excavations at the Zejtun Roman Villa (Malta). He is also co-investigator of the FRAGSUS project, funded by the European Research Council, that is examining the environmental and cultural background of prehistoric Malta.

The role of the Phoenicians in the economy, culture and politics of the ancient Mediterranean was as large as that of the Greeks and Romans, and deeply interconnected with that 'Classical' world, but their lack of literature and their Oriental associations mean that they are much less well-known. This book brings the state of the art in international scholarship on Phoenician and Punic studies to an English-speaking audience, collecting new papers from fifteen leading voices in the field from Europe and North Africa, with a bias towards the younger generation. Focusing on a series of case-studies from the colonial world of the western Mediterranean, it is the first volume in any language to address the questions of what 'Phoenician' and 'Punic' actually mean, how 'Punic' or western Phoenician identity has been constructed by ancients and moderns, the coherency of Punic culture, and whether there was in fact a 'Punic world'.