As a leading thinker of the European Enlightenment, Voltaire is a central figure in France s collective cultural memory. The popularity of Candide has made him perhaps best known as a writer of tales. Yet these represent only a fraction of his entire uvre. Voltaire created a style of authorship which made him the most famous writer in Europe and turned his name into a brand for a certain style of writing and thinking. This Companion covers his plays, fiction, pamphlets, correspondence, biblical criticism, and historical, political and philosophical thought, to give a wide-ranging view of his writings. The most comprehensive book on Voltaire available in English, it makes accessible the most recent research in France as well as the English-speaking world, in a series of original essays and a guide to sources. The essays demonstrate why Voltaire remains an essential point of reference in defining the modern intellectual today.

Tonight When I make my sweeping bow at heaven's gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is ... My panache.'
The first English translation of Cyrano de Bergerac, in 1898, introduced the word panache into the English language. This single word summed up Rostand's rejection of the social realism which dominated late nineteenth-century theatre. He wrote his heroic comedy', unfashionably, in verse, and set it in the reign of Louis XIII and the Three Musketeers. Based on the life of a little known writer, Rostand's hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words. Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal. The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry's acclaimed translation into chiming couplets' represents the homage of one verse dramatist to another.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The novella has never been out of print and has been translated into every conceivable language. The text of this Norton Critical Edition remains that of Robert M. Adams's superlative translation, accompanied by explanatory annotations. This edition also includes: A full introduction by Nicholas Cronk; Five background studies of Enlightenment ideas and themes (by Richard Holmes, Adam Gopnik, W. H. Barber, Haydn Mason and Nicholas Cronk), four of these new to the third edition; Eight critical essays-six of them new to this edition-representing a wide range of approaches to Candide. Contributors include J. G. Weightman, Roger Pearson, Dennis Fletcher, Robin Howells, James J. Lynch, Philip Stewart, Erich Auerbach and Jean Starobinski. A revised and expanded Selected Bibliography is also included.

Inspired by Voltaire's two-year stay in England (1726-8), this is one of the key works of the Enlightment. Exactly contemporary with Gulliver's Travels and The Beggar's Opera, Voltaire's controversial pronouncements on politics, philosophy, religion, and literature have place the Letters among the great Augustan satires. Voltaire wrote most of the book in English, in which he was fluent and witty, and it fast became a bestseller in Britain. He re-wrote it in French as the Lettres philosophiques, and current editions in English translate his French. This edition restores for the modern reader Voltaire's own English text, allowing us to appreciate him as a stylist at first hand. It is the only critical edition of the original text and, as well as providing an introduction and notes, it includes intriguing accounts of Voltaire by contemporary English ovservers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'What can you say to a man who tells you he prefers obeying God rather than men, and that as a result he's certain he'll go to heaven if he cuts your throat?' Voltaire's Pocket Philosophical Dictionary, first published in 1764, is a major work of the European Enlightenment. It is also a highly entertaining book: this is no 'dictionary' in the ordinary sense, nor does it treat 'philosophy' in the modern meaning of the term. It consists of a sequence of short essays or articles, arranged in alphabetical order, and covering everything from Apocalypse and Atheism to Tolerance and Tyranny. The unifying thread of these articles is Voltaire's critique of established religion: ridicule of established dogma, attacks on superstition, and pleas for toleration. Witty and ironic, this is very much a work of combat, part of Voltaire's high-profile political struggle in the 1760s to defend the victims of religious and political intolerance. This new translation is based on the definitive French text, and reprints the edition that provoked widespread controversy and condemnation. In his Introduction Nicholas Cronk considers the work's continuing relevance to modern debates about religious intolerance and its consequences. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Voltaire (1694-1778), best remembered as the author of Candide, is one of the central actors - arguably the defining personality - of the European Enlightenment. In this Very Short Introduction, Nicholas Cronk explores Voltaire's remarkable career and demonstrates how his thinking is pivotal to our notion and understanding of the Enlightenment. In a fresh and modern examination of his writings, Cronk examines the nature of Voltaire's literary celebrity, demonstrating the extent to which his work was reactive and practical, and therefore made sense within the broader context of the debates to which he responded. The most famous living author in Europe in the 18th century, Cronk emphasises Voltaire's skills of 'performance' as a writer and his continued relevance today. He concludes by looking not only at Voltaire's impact in literature and philosophy, but also his influence on French political values and modern French politics. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Voltaire's correspondence has been described as his 'greatest masterpiece' - but if it is, it is also his least studied. One of the most prodigious correspondences in Western literature, it poses significant interpretative challenges to the critic and reader alike. Considered individually, the letters present a series of complex, subtle, and playful literary performances; taken together, they constitute a formidable, and even forbidding, ensemble. How can modern readers even attempt to understand such an imposing work? This Element addresses this question through the use of digital reading methods and resources that enhance our understanding of this complex literary object and its relationship to Voltaire's more canonical literary output, and indeed to the Enlightenment world at large. Nicholas Cronk and Glenn Roe provide scholars and students with new pathways into this particular corpus, using tools and approaches that can then be applied to correspondences and life-writing texts in all languages and periods.

As a leading thinker of the European Enlightenment, Voltaire is a central figure in France s collective cultural memory. The popularity of Candide has made him perhaps best known as a writer of tales. Yet these represent only a fraction of his entire uvre. Voltaire created a style of authorship which made him the most famous writer in Europe and turned his name into a brand for a certain style of writing and thinking. This Companion covers his plays, fiction, pamphlets, correspondence, biblical criticism, and historical, political and philosophical thought, to give a wide-ranging view of his writings. The most comprehensive book on Voltaire available in English, it makes accessible the most recent research in France as well as the English-speaking world, in a series of original essays and a guide to sources. The essays demonstrate why Voltaire remains an essential point of reference in defining the modern intellectual today.

Injustement oublie de la critique, le comte de Caylus (1692-1765) est l'un de ces curieux qui font tout l'attrait du XVIIIe siecle. Graveur industrieux et doue, amateur honoraire de l'Academie de Peinture, inspirateur des artistes, archeologue et critique d'art avant la lettre ; membre de l'Academie des Inscriptions, medieviste et theoricien du conte ; inspirateur de la celebre societe du Bout du Banc, ou il composa avec ses convives l'Histoire de Guillaume, Les Etrennes de la Saint-Jean, Les Ecosseuses et toutes ces autres histoires populaires et joyeuses, reunis apres sa mort dans les OEuvres badines ; Caylus fut, a proprement dire, un " gentilhomme universel " et une celebrite vers le milieu du XVIIIe siecle. Le silence de la critique devant cet original a de quoi nous etonner. Ce volume, qui reunit une quinzaine d'etudes, un inedit et une bibliographie exhaustive de Caylus, vise a interroger cet oubli, et a mettre au jour l'homme et son oeuvre d'amateur et de conteur.