Continued geographic expansion of dengue viruses and their mosquito vectors has seen the magnitude and frequency of epidemic dengue/dengue hemorrhagic fever (DF/DHF) increase dramatically. Recent exciting research on dengue has resulted in major advances in our understanding of all aspects of the biology of these viruses, and this updated second edition brings together leading research and clinical scientists to review dengue virus biology, epidemiology, entomology, therapeutics, vaccinology and clinical management.

This book takes advantage of new and often surprising biographical research on the Loder family as a whole and its four main figures, using them to illustrate aspects of music history in the 19th century. Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family illuminates three areas that have recently attracted much interest: the musical profession, music in the British provinces and colonies, and English Romantic opera. The Loder family was pre-eminent in Bath's musical world in the early nineteenth century. John David Loder (1788-1846) led the theatre orchestra there from 1807, and later the Philharmonic orchestra and Ancient Concerts in London; he also wrote the leading instruction manual on violin playing and taught violin at the Royal Academy of Music. His son Edward James (1809-65) was a brilliant but underrated composer of opera, songs, and piano music. George Loder (1816-68) was a well-known flautist and conductor who made a name in New York and eventually settled in Adelaide, where he conducted the Australian premieres of Les Huguenots, Faust, and other important operas. Kate Fanny Loder (1825-1904) became a successful pianist and teacher in early Victorian London, and she is only now getting her due as a composer. This book takes advantage of new and often surprising biographical research on the Loder family as a whole and its four main figures. It uses them to illustrate several aspects of music history: the position of professional musicians in Victorian society; music in the provinces, especiallyBath and Manchester; the Victorian opera libretto; orchestra direction; violin teaching; travelling musicians in the US and Australasia; opera singers and companies; and media responses to English opera. The concluding section isan intense analysis and reassessment of Edward Loder's music, with special emphasis on his greatest work, the opera Raymond and Agnes. NICHOLAS TEMPERLEY is Professor Emeritus of Musicology at the University ofIllinois at Urbana-Champaign and is a leading authority on Victorian music. CONTRIBUTORS: Stephen Banfield, David Chandler, Andrew Clarke, Liz Cooper, Therese Ellsworth, David J. Golby, Andrew Lamb, Valerie Langfield, Alison Mero, Paul Rodmell, Matthew Spring, Julja Szuster, Nicholas Temperley

Continued geographic expansion of dengue viruses and their mosquito vectors has seen the magnitude and frequency of epidemic dengue/dengue hemorrhagic fever (DF/DHF) increase dramatically. Recent exciting research on dengue has resulted in major advances in our understanding of all aspects of the biology of these viruses, and this updated second edition brings together leading research and clinical scientists to review dengue virus biology, epidemiology, entomology, therapeutics, vaccinology and clinical management.

Lectures by leading Victorian conductor and composer reveal much about musical life at the time. An annotated critical edition of twelve lectures by William Sterndale Bennett [1816-75], the foremost English musician of the mid-Victorian period, principal of the Royal Academy, and conductor of the Philharmonic Society. Delivered at the London Institution and Cambridge University between 1858 and 1871, they are valuable both as representative of the Victorian understanding of musical history, and for Bennett's astute comments on the state of music andmusical life at the time. They include admonishments to the British government for failing to offer adequate financial support to the art; interesting and often surprising views on many contemporary composers; and discourses on his own experiences as a professional musician. The lectures are presented with annotations which identify the persons, institutions and compositions referred to in the text. An extensive introduction sets the lectures in context and reflects on their significance to English musical history and to Bennett's personal career. NICHOLAS TEMPERLEY is Professor of Music Emeritus at the University of Illinois.

In his new collection of poetry, Requiem for a Snappy Dresser: Poems of Expiation and Conceit, author Nicholas Nicholas shares his attempt to reconcile his own life in terms of family, sex, love, loneliness, illness, death, and aging. This compilation of his work offers autobiographical, adult-themed poems, many of them explicit and on the subject of being gay. He presented some of these verses during his ongoing psychotherapy sessions in a Los Angeles, California Veteran's Administration medical center, writing them as he fought paranoia, fear, disease, depression, and enormous self-doubt.

Nicholas considers these and other issues with often brutal candor, shocking irreverence, sensitivity, defiance, and surprising humor. He writes with honesty about the danger, loneliness, and pain of self-isolation. With this collection of poems, he hopes to provide others with insight, understanding, and maybe some compassion for all people--male or female, gay or straight--as they approach and experience their own inevitable final years of life.

One More Poem

One more poem to writeAbout the old man and the little boyBut the poem will write and right itselfMy hand the aging instrument joining the twoIt isn't time quite yetBut soon the two must meetEmbraceMergeAnd move to life's next placeA young boy's resolutionOn an old man's wrinkled face

In his new collection of poetry, Requiem for a Snappy Dresser: Poems of Expiation and Conceit, author Nicholas Nicholas shares his attempt to reconcile his own life in terms of family, sex, love, loneliness, illness, death, and aging. This compilation of his work offers autobiographical, adult-themed poems, many of them explicit and on the subject of being gay. He presented some of these verses during his ongoing psychotherapy sessions in a Los Angeles, California Veteran's Administration medical center, writing them as he fought paranoia, fear, disease, depression, and enormous self-doubt.

Nicholas considers these and other issues with often brutal candor, shocking irreverence, sensitivity, defiance, and surprising humor. He writes with honesty about the danger, loneliness, and pain of self-isolation. With this collection of poems, he hopes to provide others with insight, understanding, and maybe some compassion for all people--male or female, gay or straight--as they approach and experience their own inevitable final years of life.

One More Poem

One more poem to writeAbout the old man and the little boyBut the poem will write and right itselfMy hand the aging instrument joining the twoIt isn't time quite yetBut soon the two must meetEmbraceMergeAnd move to life's next placeA young boy's resolutionOn an old man's wrinkled face

Among the features of this guide to La Cenerentola, Philip Gossett throws new light on the remarkable story of the opera's composition, while Colin Graham, ENO producer, argues that it is the most sympathetic of all Rossini's comic masterpieces, and Mark Elder, ENO Music Director, shows how Rossini's musical style is exceptionally well suited to this enchanting story. Contents: Fairy tale and opera buffa: the genre of Rossini's 'La Cenerentola', Philip Gossett; 'La Cenerentola' - a musical commentary, Arthur Jacobs; 'Cinderella' in performance: I: A conversation with Mark Elder, II: A conversation with Colin Graham; La cenerentola: Libretto by Giacomo Ferretti; Ciderella: English translation by Arthur Jacobs