This critical report provides the most up-to-date and detailed guide to the practical, regulatory and ethical considerations that must be reflected in your partnership agreement. Extensively revised, the second edition features new case studies and real-life examples, including a sample agreement precedent and comprehensive updates to reflect how new legal and regulatory developments will affect your deed. Key subjects covered include: *The impact of the Legal Services Act on partnership agreements; *Discrimination in partnerships, in particular, age discrimination; *Outcomes-focused regulation; *New business structures; *Distressed partnerships; *Current trends in mergers; *Profit-sharing arrangements and management structures: *The equality system *Profit share by capital contribution *Seniority (lockstep) *Merit or performance systems *Hybrid profit sharing systems *Retirement annuities *Performance measurement, supervision and disciplinary measures; *De-equitisation: provisions for expulsion from the partnership; *Expulsion, retirement and dissolution; *Good faith, arbitration and mediation; *Drafting for the future, avoiding early revisions and much more - Ensure you understand the necessary considerations of an agreement that not only fulfils legislative requirement, but ensures the attraction, retention and motivation of the best talent for your firm.

With the introduction of Alternative Business Structures fast approaching and more and more partnerships converting to LLP status to meet the new requirements and remain competitive - now may be the time to start considering the benefits of conversion for your own firm. The conversion process can be a challenging one with wide-reaching implications. But a successful LLP conversion can provide the ideal opportunity to review your core business operations, allowing you to plan positive change and growth in an increasingly competitive and changing market. Managing Partner's new report on LLP Conversion for Law Firms provides a highly practical, step-by-step guide specifically taking into account the unique considerations that are raised by today's economy and evolving legal marketplace. It highlights the key questions that need to be asked during the preparation and transition stages, as well as how to deal with the complications that may arise after conversion has taken place. Key topics covered include: + Converting from a partnership to an LLP - key considerations and trends; + Advantages and disadvantages of converting from a partnership to an LLP; + Preparatory work and practical issues involved; + The default provisions and their drawbacks; + Tailoring the LLP agreement to reflect the needs of your firm; + Transferring the existing partnership business into the LLP - key issues and contractual obligations; + The general tax treatment of limited liability partnerships - possible complications that may arise after the conversion and how they might be handled; + Management and technical resources involved in the conversion - Is outsourcing an option? + The implications of the Legal Services Act 2007 and the introduction of Alternative Business Structures. LLP Conversion for Law Firms includes valuable behind-the-scenes access to existing LLPs and the common pitfalls and successes they encountered through the conversion process. In addition, you will also find a precedent for an LLP agreement within the Appendix. Whats more ...this publication comes complete with a complimentary CDRom containing all the required forms for an LLP agreement in an easy to access format. About the author Nicholas Wright is chief executive of Wright Son & Pepper. He has specialised in LLPs and professional regulation for over 15 years and has been a member of the Solicitors' Assistance Scheme for most of that time. He has acted for a number of substantial firms in dealing with regulatory issues, as well as dealing with drafting, restructuring issues and disputes.

A two-play dramatisation of Philip Pullman's extraordinary award-winning fantasy trilogy, first seen at the National Theatre. His Dark Materials takes us on a thrilling journey through worlds familiar and unknown. For Lyra and Will, its two central characters, it's a coming of age and a transforming spiritual experience. Their great quest demands a savage struggle against the most dangerous of enemies. They encounter fantastical creatures in parallel worlds - rebellious angels, soul-eating spectres, child-catching Gobblers and the armoured bears and witch-clans of the Arctic. Finally, before reaching, perhaps, the republic of heaven, they must visit the land of the dead. This adaptation of Philip Pullman's His Dark Materials, by Nicholas Wright, was first performed at the National Theatre in London in 2003.

Dieses Buch untersucht die Auswirkungen der langfristigen außenpolitischen Zusammenarbeit im Rahmen der Gemeinsamen Außen- und Sicherheitspolitik (GASP) der EU auf die Mitgliedstaaten. Es konzentriert sich auf Deutschland und das Vereinigte Königreich und liefert einen aktuellen Bericht darüber, wie sie die Anforderungen, die die Zusammenarbeit an alle Mitgliedstaaten stellt, bewältigt haben und wie sich ihre nationalen Außenpolitiken und politischen Entscheidungsprozesse infolgedessen verändert und angepasst haben. Das Buch untersucht nicht nur die außenpolitischen Traditionen und Institutionen beider Staaten, sondern bietet auch detaillierte Analysen darüber, wie sie zwei wichtige politische Fragen angegangen sind: die iranische Nuklearkrise und die Einrichtung und Entwicklung des Europäischen Auswärtigen Dienstes. Die Synthese von Länder- und Fallstudien in diesem Buch soll dazu beitragen, das Wesen der zwischenstaatlichen Zusammenarbeit im Bereich der Außen- und Sicherheitspolitik und ihre Bedeutung für die beteiligten Staaten besser zu verstehen.

Craiglockhart, Scotland, 1917. In a hospital for shell-shocked officers, a brilliant doctor provides the cures required to send his patients back to War. Under his tolerant reign, two young officers form a passionate comradeship. Each is a poet, one unknown, the other privileged and successful. Mentored by the older man, the younger falls in love; his genius flowers and he becomes the greater writer. But as his health is restored, he must face a return to battle. ** "Nicholas Wright's deeply moving play stays true to Barker's vision while highlighting its own chosen themes of companionship, guilt and inequality" Michael Billington, Guardian "I was raptly absorbed throughout by this superb stage version of Pat Barker's award-winning First World War novel...gutting and unmissable" Paul Taylor, The Independent

'Iago only suspected it. I know.' Celebrated actor, singer and political campaigner Paul Robeson is touring the United States of America as Othello. His Desdemona is the brilliant young actress Uta Hagen. Her husband, the Broadway star Jose Ferrer, plays Iago. The actors are all friends, but they are not all equals. As the tour progresses, onstage passions and offstage lives begin to blur. Revenge takes many forms and in post-war America it isn't always purely personal - it can be disturbingly political too. Based on true events, Nicholas Wright's play 8 Hotels was first staged at the Minerva Theatre, Chichester, in 2019, in a production directed by Richard Eyre.

Eugene de Kock was a paid white political assassin nick-named "Prime Evil" for his crimes against anti-apartheid activists. While serving his two life sentences, black psychologist Pumla Gobodo-Madikizela went to interview him hoping to seek humanity and forgiveness within the government-sanctioned monster. The thought-provoking interogation moves from clinical to intimate in a cell where fear and compassion coexist.

A moving portrait of the young Vincent van Gogh - a hit in the West End and on Broadway. Winner of the 2003 Olivier Award for Best New Play. Brixton, 1873. A brash young Dutchman rents a room in the house of an English widow. Three years later he returns to Europe on the first step of a journey which will end in breakdown, death and immortality. Nicholas Wright's play Vincent in Brixton was first performed at the National Theatre, London, in the Cottesloe auditorium, in April 2002, directed by Richard Eyre. The production transferred to Wyndhams Theatre in the West End in August 2002.

Nicholas Wright's play about the controversial psychoanalyst Melanie Klein is a haunting and poignant study of mother-daughter relationships. In 1934 the son of Melanie Klein, Britain's most admired psychoanalyst, was reported killed in a climbing accident. There were no witnesses. Nicholas Wright's play shows the effect of this shattering and unexpected death on Mrs Klein, on her daughter and on her new assistant Paula, a young refugee from Hitler's Berlin. Melanie Klein had herself come to Britain from Berlin with a controversial mission to extend psychoanalysis to infants. But her analysis of her own children has damaged her relationship with them almost beyond repair, and the news of her son's death provokes a bitter confrontation with her daughter. Nicholas Wright's Mrs Klein was first performed at the National Theatre, London, in 1988. This edition was published alongside the revival at the Almeida Theatre in 2009.

Nicholas Wright's version of Wedekind's celebrated erotic masterpiece is the first to be based on the author's original text, restoring the clarity, the daring and the sexual explicitness of a modern masterpiece written a hundred years before its time. Lulu is the story of the decline and fall of a young woman possessed of a fatal combination of sexuality and innocence. She passes from German and Parisian high society to the streets of Jack the Ripper's London - destroying, and ultimately destroyed by, her lovers. Wedekind originally wrote his extraordinary 'monster tragedy' a full twenty years before the First World War. Finding no-one prepared to stage it on account of its sexual candour, he toned it down and rewrote it as two full-length dramas, which is how The Lulu Plays were published and produced throughout most of the twentieth century. Nicholas Wright's version, based on Wedekind's original text, reveals the author's original conception for the play. It was premiered at the Almeida Theatre, London, in 2001.

Exciting and provocative... Overall, this courageous, well-written book provides us with a ground-breaking survey. It brings out a story of the Hundred Years War that has long needed to be told, and will deservedly form an essential addition to reading on the subject. HISTORY TODAY

This alternative account of peasant life during crisis is a welcome addition to the historiography of late-medieval France... a useful corrective to most standard interpretations of warfare and peasantry. SPECULUM

This study of the soldier-peasant relationship in the context of the Hundred Years War (1337-1453) aims to bring out the realities of the situation. It seeks an understanding of different attitudes: how aristocratic soldiers reconciled the ideals of chivalry with exploitation of non-combatants, and how French peasants reacted to the soldiery, drawing on the late-medieval literature of chivalry and political commentary in England and (especially) in France. Employing additional documentary material, including the largely unpublished records of the French royal chancery, the book also describes the ways in which individual peasants and village communities were exploited by soldiers, and how, in order to survive, they adjusted to and reacted against their treatment.

This book examines the impact on member states of long-term foreign policy co-operation through the EU's Common Foreign and Security Policy (CFSP). Focusing on Germany and the UK, it provides an up-to-date account of how they have navigated and responded to the demands co-operation places on all member states and how their national foreign policies and policy-making processes have changed and adapted as a consequence. As well as exploring in depth the foreign policy traditions and institutions in both states, the book also offers detailed analyses of how they addressed two major policy questions: the Iranian nuclear crisis; and the establishment and development of the European External Action Service. The book's synthesis of country and case studies seeks to add to our understanding of the nature of inter-state co-operation in the area of foreign and security policy and what it means for the states involved.

Recent discoveries in psychology and neuroscience have improved our understanding of why our decision making processes fail to match standard social science assumptions about rationality. As researchers such as Daniel Kahneman, Amos Tversky, and Richard Thaler have shown, people often depart in systematic ways from the predictions of the rational actor model of classic economic thought because of the influence of emotions, cognitive biases, an aversion to loss, and other strong motivations and values. These findings about the limits of rationality have formed the basis of behavioral economics, an approach that has attracted enormous attention in recent years. This collection of essays applies the insights of behavioral economics to the study of nuclear weapons policy. Behavioral economics gives us a more accurate picture of how people think and, as a consequence, of how they make decisions about whether to acquire or use nuclear arms. Such decisions are made in real-world circumstances in which rational calculations about cost and benefit are intertwined with complicated emotions and subject to human limitations. Strategies for pursuing nuclear deterrence and nonproliferation should therefore, argue the contributors, account for these dynamics in a systematic way. The contributors to this collection examine how a behavioral approach might inform our understanding of topics such as deterrence, economic sanctions, the nuclear nonproliferation regime, and U.S. domestic debates about ballistic missile defense. The essays also take note of the limitations of a behavioral approach for dealing with situations in which even a single deviation from the predictions of any model can have dire consequences.

An enthralling detective story based on the true life story of BBC reporter James Mossman. A brilliant man kills himself mid-career, leaving behind a cryptic suicide note. Based on the remarkable life of the star BBC correspondent James Mossman during his last years, 1963 to 1971, Nicholas Wright's play The Reporter searches for the truth behind his bewildering suicide. What lies beneath the surface? Or is the surface ultimately all there is? The Reporter was first staged at the National Theatre, London, in 2007.

Song of Shadows and Dust is a standalone miniatures wargame based on the award winning Song of Blades and Heroes rules engine. The rules reflect the gritty reality of urban violence while preserving the keep-it-simple, play-as-you-want, no-book-keeping-required spirit of the Ganesha Games family. Easy to learn: The elegant core rules are easy to learn in just one game. Fast to play: Games are designed to be finished in under an hour allowing small campaigns to be completed in a single sitting. Flexible: Inspired by the break down in civil order which plagued the great cities of the Mediterranean in the first century BC, these rules are suitable for any pre-modern setting from Babylon to Bruges. Expansive: Includes 57 unique character profiles with whom to populate your faction or guild - from henchmen, assassins and punch-drunk boxers, to street urchins, elder statesmen and courtesans. Players are also free to create their own custom characters choosing from among 46 defining special rules. Variable: Eleven different faction objectives allow for 121 different tabletop scenarios. Expandable: Easily supplemented by special rules and scenarios drawn from the other rule books produced by Ganesha Games.

This is a Cookbook with interesting, hands-on recipes, giving detailed descriptions and lots of practical walkthroughs for boosting the performance of your Oracle SOA Suite.This book is for Oracle SOA Suite 11g administrators, developers, and architects who want to understand how they can maximise the performance of their SOA Suite infrastructure. The recipes contain easy to follow step-by-step instructions and include many helpful and practical tips. It is suitable for anyone with basic operating system and application server administration experience.

Marivaux's light-hearted comedies of love and intrigue are enjoying a vigorous revival One of the most original of French eighteenth century dramatists, Marivaux wrote over thirty comedies of love and intrigue. This, the only major single-volume selection of Marivaux's plays in English, brings together five full-length and five shorter pieces in lively translations by John Bowen, Michael Sadler, John Walters, Donald Watson and Nicholas Wright.

'I don't know how I became so filled with hate. I find it shocking that I did. Somebody said to me that war affects us in all kinds of ways, and that drinking is only one of them. Perhaps hating people is another. Perhaps sex is too.' 1943, Henley-on-Thames. Miss Roach is forced by the war to flee London for the Rosamund Tea Rooms boarding house, a place as grey and lonely as its residents. From the safety of these new quarters, her war effort now consists of a thousand petty humiliations, of which the most burdensome is sharing her daily life with the unbearable Mr Thwaites. But a breath of fresh air arrives in the form of a handsome American lieutenant and things start to look distinctly brighter. Until a new boarder moves into the room next to Miss Roach's - outwardly friendly, she soon starts upsetting the precarious balance in the house. Nicholas Wright's play The Slaves of Solitude weaves a fascinating blend of dark hilarity and melancholy from Patrick Hamilton's much-loved story about an improbable heroine in wartime Britain. The play premiered at Hampstead Theatre, London, in October 2017.

Recent discoveries in psychology and neuroscience have improved our understanding of why our decision making processes fail to match standard social science assumptions about rationality. As researchers such as Daniel Kahneman, Amos Tversky, and Richard Thaler have shown, people often depart in systematic ways from the predictions of the rational actor model of classic economic thought because of the influence of emotions, cognitive biases, an aversion to loss, and other strong motivations and values. These findings about the limits of rationality have formed the basis of behavioral economics, an approach that has attracted enormous attention in recent years. This collection of essays applies the insights of behavioral economics to the study of nuclear weapons policy. Behavioral economics gives us a more accurate picture of how people think and, as a consequence, of how they make decisions about whether to acquire or use nuclear arms. Such decisions are made in real-world circumstances in which rational calculations about cost and benefit are intertwined with complicated emotions and subject to human limitations. Strategies for pursuing nuclear deterrence and nonproliferation should therefore, argue the contributors, account for these dynamics in a systematic way. The contributors to this collection examine how a behavioral approach might inform our understanding of topics such as deterrence, economic sanctions, the nuclear nonproliferation regime, and U.S. domestic debates about ballistic missile defense. The essays also take note of the limitations of a behavioral approach for dealing with situations in which even a single deviation from the predictions of any model can have dire consequences.

The extraordinary story of the relationship between the famous dancer Vaslav Nijinsky and the impresario Sergei Diaghilev, drawing on an unproduced screenplay by Terence Rattigan. In a hotel room a once-lauded playwright meets Nijinsky's elderly widow, Romola, to fight over his latest play. Meanwhile, in the same room, Diaghilev and the young Romola fight over the tormented Nijinsky. In 1974, Terence Rattigan wrote a television script for the BBC about the relationship between Diaghilev, the impresario behind the Ballets Russes, and Nijinsky, the most renowned dancer of all time, which Rattigan described as 'the greatest love story since Romeo and Juliet'. But the playwright withdrew the play and it was never produced. Now in this bold re-imagining of events, Nicholas Wright investigates why. Nicholas Wright's play Rattigan's Nijinsky was first staged at Chichester Festival Theatre in 2011.

A gripping psychological thriller adapted for the stage by Emile Zola himself from his own notorious novel, in a version by Nicholas Wright. Stifled by an oppressive mother-in-law and a sickly husband, Therese Raquin falls passionately for another man. Their feverish affair drives the lovers to an act of terrible desperation, which catapults them headlong into a world more claustrophobic than the one they sought to destroy. This English version of Therese Raquin was first staged at the National Theatre, London, in 2006.

Few scientists have made lasting contributions to as many fields as Francis Galton. He was an important African explorer, travel writer, and geographer. He was the meteorologist who discovered the anticyclone, a pioneer in using fingerprints to identify individuals, the inventor of regression and correlation analysis in statistics, and the founder of the eugenics movement. Now, Nicholas Gillham paints an engaging portrait of this Victorian polymath.

A comedy drama set in the seedily glamorous world of 17th-century London theatre. John Shank is an actor, talent-scout and trainer of boy players in the 1630s, when women's roles are still played by precocious boys. Up to his eyes in debt, Shank's only hope of escaping destitution is an unpromising 14-year-old would-be, Stephen Hammerton. Can he train up Stephen to be the new star of the London stage? Nicholas Wright's play Cressida was first performed at the Albery Theatre, London, in 2000, in a production by the Almeida Theatre.