When Nicholson Baker, one of the most linguistically talented writers in America, set out to write a book about John Updike, the result was no ordinary biography. Instead Baker's account of his relationship with his hero is a hilarious story of ambition, obsession, talent and neurosis, alternately self-deprecating and self-aggrandizing. More memoir than literary criticism, Baker is excruciatingly honest, and U & I reveals at least as much about Baker himself as it does about his idol. Written twenty years before Updike's death in 2009, U & I is a very smart and extremely funny exploration of the debts we owe our heroes.

Vox is the story of two voices, his and hers: two strangers who, having met on a telephone chat-line, switch to a private, one-on-one connection - and find it impossible to hang up. Literate, humorous, erotic, Vox is a classic of bedtime reading.

The Mezzanine is the story of one man's lunch hour. Pondering life's littlest questions - why does one shoelace always wear out before the other? Whatever happened to the paper drinking straw - our narrator interrogates the inner-workings of corporate living as he traipses his way down escalators to the first floor and through the mundaneness of office life. Mixing humour with the existentialism that surrounds all our working lives, The Mezzanine is a classic work of modern American literature.

In his startling, witty, and inexhaustibly inventive first novel--first published in 1986 and now reissued as a Grove Press paperback--the author of Vox and The Fermata uses a one-story escalator ride as the occasion for a dazzling reappraisal of everyday objects and rituals. From the humble milk carton to the act of tying one's shoes, The Mezzanine at once defamiliarizes the familiar world and endows it with loopy and euphoric poetry. Nicholson Baker's accounts of the ordinary become extraordinary through his sharp storytelling and his unconventional, conversational style. At first glance, The Mezzanine appears to be a book about nothing. In reality, it is a brilliant celebration of things, simultaneously demonstrating the value of reflection and the importance of everyday human human experiences.

On an autumn day, at around three-fifteen in the afternoon, Mike sits down in the rocking chair to feed his infant daughter, Bug. The novel that unfolds over the next twenty minutes of Mike's life is a warmly comic masterpiece of observation, reflection and digression. Baker brilliantly recreates Mike's roving mind, with its tangential thoughts about peanut butter and its big questions about fatherhood, marriage, and love. The result is surprisingly thrilling to read: funny, linguistically exuberant, tender and alive to the small mysteries and pleasures of everyday life.

The author of the quirky masterpiece The Mezzanine turns a young father's feeding-time reverie into a dazzling catalog of the minutiae of domestic love. "A delightful book, homey and comfortable as a slipper. . . . Every page provokes the shock, or at least the smile, of recognition".--Washington Post.

Shandee finds a friendly arm at a granite quarry. Ned drops down a hole in a golf course. So begins Nicholson Baker's fuse-blowing sexual escapade--a modern-day Hieronymus Boschian bacchanal set in a pleasure resort where normal rules don't apply. "House of Holes, "one of the most talked-about books in recent memory, is a gleefully provocative novel sure to surprise, amuse, and arouse.

Baker muses on the creative process via his obsession with John Updike.

Nicholson Baker's new novel is the story of Arno Strine, a modest temporary typist, who has perfected the knack of stopping time in its tracks and taking women's clothes off. He is hard at work on his autobiography, THE FERMATA, which proves in the telling to be a very provocative, very funny and altogether morally confused piece of work. Hilarious and totally original, Nicholson Baker's new novel is a triumphant comedy about sexual fantasy and fantastic sexuality.

**A New York Times Bestseller** "May be the most revealing depiction of the American contemporary classroom that we have to date." -Garret Keizer, The New York Times Book Review Bestselling author Nicholson Baker, in pursuit of the realities of American public education, signed up as a substitute teacher in a Maine public school district. In 2014, after a brief orientation course and a few fingerprinting sessions, Nicholson Baker became an on-call substitute teacher in a Maine public school district. He awoke to the dispatcher's five-forty a.m. phone call and headed to one of several nearby schools; when he got there, he did his best to follow lesson plans and help his students get something done. What emerges from Baker's experience is a complex, often touching deconstruction of public schooling in America: children swamped with overdue assignments, over whelmed by the marvels and distractions of social media and educational technology, and staff who weary themselves trying to teach in step with an often outmoded or overly ambitious standard curriculum. In Baker's hands, the inner life of the classroom is examined anew-mundane work sheets, recess time-outs, surprise nosebleeds, rebellions, griefs, jealousies, minor triumphs, kindergarten show-and-tell, daily lessons on everything from geology to metal tech to the Holocaust-as he and his pupils struggle to find ways to get through the day. Baker is one of the most inventive and remarkable writers of our time, and Substitute, filled with humor, honesty, and empathy, may be his most impressive work of nonfiction yet.

Baker has written a novel that remaps the territory of sex--solitary and telephonic, lyrical and profane, comfortable and dangerous. Written in the form of a phone conversation between two strangers, Vox is an erotic classic that places the author in the first rank of America's major writers. Reading tour.

Emmett has a wife and two children, a cat, and a duck, and he wants to know what life is about. Every day he gets up before dawn, makes a cup of coffee in the dark, lights a fire with one wooden match, and thinks.
What Emmett thinks about is the subject of this wise and closely observed novel, which covers vast distances while moving no further than Emmett's hearth and home. Nicholson Baker's extraordinary ability to describe and celebrate life in all its rich ordinariness has never been so beautifully achieved.

Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying.
Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.

Having turned phone sex into the subject of an astonishing national bestseller in Vox, Baker now outdoes himself with an outrageously arousing, acrobatically stylish "X-rated sci-fi fantasy that leaves Vox seeming more like mere fiber-optic foreplay" (Seattle Times). "Sparkling."--San Francisco Chronicle.