Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie. Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale. Frankenstein, based on the novel by Mary Shelley, premiered at the National Theatre, London, in February 2011.

BBC adaptation of the novel by Jane Austen. Anne Elliot (Amanda Root) has spent years regretting her rejection of Captain Wentworth (Ciarán Hinds)'s marriage proposal. When he returns from sea they meet, but instead of finding romance are kept apart through a series of misunderstandings. Anne is being pursued by her cousin, Mr Elliot (Samuel West), while Wentworth is now regarded as a very eligible bachelor. Will their new circumstances continue to prevent them from reuniting?

The Hogarth Plays catch one of England's most celebrated artists at two crucial points in his career: once at the beginning, and once at the end. In The Art of Success the events of ten tumultuous years are compressed into a single night, as newlywed William Hogarth makes his way through eighteenth-century London's high society and its debauched underworld. The play was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in 1986. A world premiere, The Taste of the Town begins in Chiswick some thirty years later. Hogarth, now a famous artist, is still at odds with the world, and with his wife. Facing public ridicule for what he considers his finest painting, he goes looking for one last fight. Nick Dear's double-bill premiered at the Rose Theatre, Kingston, London in September 2018.

A collection of six BBC dramatisations of Jane Austen classics. Adapted by Andrew Davies after his success with his work on George Elliot's 'Middlemarch' for television, 'Pride and Prejudice' was the BBC's flagship drama in the schedule for autumn 1995. The story revolves around the arrival of the wealthy Mr Darcy (Colin Firth) and party and the excitement he causes amongst the five daughters of the Bennett family. In 'Persuasion' (1995), Anne Elliott (Amanda Root) has spent years regretting her rejection of Captain Wentworth's (Ciaran Hinds) proposal of marriage. When he returns from sea they meet, but instead of finding romance are kept apart through a series of misunderstandings. Anne is being pursued by her cousin, Mr Elliott (Samuel West), while Captain Wentworth is now regarded as a very eligible bachelor. 'Northanger Abbey' (1986) stars Peter Firth and Robert Hardy. The story follows the adventures of Catherine Moorland (Katharine Schlesinger), who is invited by the romantic Henry Tilney to stay at the Abbey - and finds it to be shrouded in mystery and intrigue. In 'Sense and Sensibility' (1980), sisters Elinor and Marianne Dashwood (Irene Richard and Tracey Childs) lose their family fortune to spiteful relatives, and are forced to seek out suitable husbands in order to survive. While Marianne falls for the heartless John Willoughby (Peter Woodward), Elinor finds herself attracted to Edward Ferrars (Bosco Hogan) - who is himself betrothed to Lucy Steele (Julia Chambers). In 'Mansfield Park' (1983), Fanny Price (Sylvestra Le Touzel) struggles to adjust to her new aristrocratic lifestyle when she is sent by her debt-ridden mother to live with her rich aunt and cousins. Her 'superior' relatives constantly ignore her, and only her cousin Edmund (Nicholas Farrell) shows Fanny any interest. However, Fanny's charm and wit eventually win her many potential suitors, and before long she has to decide whether she wishes to wed for love or for status. Doran Godwin stars in 'Emma' (1972), which tells the stroy of the eponymous heroine whose chief joy in life is organising the lives of the friends with whom she surrounds herself. She is soon the apple of Mr Knightly (John Carson)'s eye, an older family friend who has watched her grow and advised her on many things in life.

"Monsieur Jordan is greedy for culture at all costs and aspired to dizzy social heights. Moliere's ferociously funny interchanges between the gullible hero and a succession of dancing masters, philosophy tutors, dubious tailors and penniless aristocrats make this a hugely enjoyable play which exposes the hypocrisy of the connoisseur. This adaptation of Le Bourgeois Gentilhomme was produced at the National Theatre to great acclaim. "