Examines early practices of staged photography in visualizing queer forms of relation.   Body Language is the first in-depth study of the extraordinary interplay between George Platt Lynes and PaJaMa (Paul Cadmus, Jared French, and Margaret Hoening French). Nick Mauss and Angela Miller offer timely readings of how their practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. Using the camera not to capture, but to actively perform, they renounced photography’s conventional role as mirror of the real, energizing forms of world-making via a new social framing of the self.

Examines early practices of staged photography in visualizing queer forms of relation.   Body Language is the first in-depth study of the extraordinary interplay between George Platt Lynes and PaJaMa (Paul Cadmus, Jared French, and Margaret Hoening French). Nick Mauss and Angela Miller offer timely readings of how their practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. Using the camera not to capture, but to actively perform, they renounced photography’s conventional role as mirror of the real, energizing forms of world-making via a new social framing of the self.

Over a brief, twelve-year career, the Iranian director and playwright Reza Abdoh broke all of the conventions of American theater, pushing actors and audiences past their limits to create hallucinatory, at times nightmarish, dreamscapes shot through with humor, song, and an unlikely spirituality. His productions addressed the bitter political realities of his time- the systemic devaluation of black life, governmental indifference to the AIDS crisis, sexual repression, genocide in Europe, and war in the Middle East-with harrowing eloquence. Just before his death he ordered that his plays should never be performed again. Profusely illustrated, the catalogue contains new essays on the influence and reception of Abdoh's works in theater, film, and video, published and unpublished interviews with the director, and conversations with his friends and colleagues, as well as scripts of his plays and contemporary reviews.

An aesthetic and social history of art and dance in mid-20th-century New York interpreted by contemporary artist Nick Mauss Over the past decade, Nick Mauss (b. 1980) has pursued a hybrid mode of working that melds the roles of curator, artist, and scholar. Following his highly acclaimed 2018 Whitney Museum of American Art exhibition Transmissions, this volume elaborates on the artist's complex portrait of mid-century New York as seen through the prism of modernist ballet. By pairing installation views of the exhibition and photographs of its daily performances by Paula Court and Ken Okiishi with reproductions of artworks, ballet programs, and fashion magazines, Transmissions animates the vividly enmeshed social and artistic networks that shaped both modern art and modern ballet. Through his emphasis on the collaborations and intimacies between models, dancers, photographers, choreographers, painters, sculptors, filmmakers, publishers, critics, amateurs, and devotees, Mauss re-calibrates the standard narrative of American modernism to locate performance, spectatorship, and the eroticized body at its center. Transmissions features reproductions of documents and artworks-a number published here for the first time-by Paul Cadmus, George Platt Lynes, Dorothea Tanning, Carl Van Vechten, Isamu Noguchi, Pavel Tchelitchew, Walker Evans, Ilse Bing, PaJaMa, Man Ray, Maya Deren, Marcel Duchamp, Elie Nadelman, Eugene Berman, Peter Hujar, and many more. Additional texts address the subjects of ballet and the body, Mauss's work as an artist and curator, and performance within museum spaces, while an extensive conversation with the sixteen dancers who participated in the Whitney exhibition brings rare insight into the labor of making performance-based work while negotiating diverging legacies of embodiment. Distributed for the Whitney Museum of American Art and Dancing Foxes Press