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Before #MeToo, before Riot Grrl, there was Lydia Lunch. A central
figure in the No Wave scene of the seventies as founder of the
seminal Teenage Jesus and The Jerks Lunch has pursued a four decade
long career turning the substance of her life into unapologetic,
stark, and beautiful art. From the eighties onward, Lunch became a
lone voice publicly calling out the patriarchal aggressions and
day-to-day violence enacted by the powerful and never gave a good
goddamn whether you wanted to hear it or not. Refusing to be
silenced, she took to stages the world over, fearlessly speaking
the truth, whether of her own life with its legacy of parental
abuse, of her wild times owning the streets of New York City, or of
the world she saw around her. Seeing no boundaries between creative
mediums, Lydia has enacted her vision through music, spoken word,
film, theatre, and more. Released as an accompaniment to Beth B s
new documentary The War Is Never Over, this book is the first
comprehensive overview of Lunch s creative campaign of resistance,
a celebration of pleasure as the ultimate act of rebellion. Across
these pages, Lunch and her numerous collaborators including
Thurston Moore, Jim Sclavunos, Kid Congo Powers, Bob Bert, Richard
Kern, Nick Zedd, and Vivienne Dick recount life at the frontline of
the musical extremes of the seventies and eighties underground, the
wild times, the disciplined productivity, life lived as a defender
of the voiceless, and an unapologetic force of righteous fury.
'I'm no stranger to failure, and I'm aware it can arrive at any
minute--as it often has. You have to keep things close to your
chest and be aware of what's really important: the work, not
everything around it. If you have faith in the work, then the
people will come ... it's an artistic imperative, it has nothing to
do with public perception or career or any of that crap. The name,
Swans, it's synonymous with who I am, but it's how it's achieved
and it's achieved by people--those people need to have total
commitment to making this sound and to making it utterly incisive
and uncompromising. The work is everything and it has to--at least
at the time--appear, to me, to be stellar. That's the prerequisite.
It's an intangible thing where it really speaks and has some truth
within it.' - Michael Gira Over a span of some three and a half
decades, Michael Gira's Swans have risen from chaotic origins in
the aftermath of New York's No Wave scene to become one of the most
acclaimed rock-orientated acts of recent years. The 1980s' infamous
'loudest band on the planet' morphed repeatedly until collapsing
exhausted, broken, and dispirited in the late 1990s. Swans returned
triumphantly in 2010 to top end-of-year polls and achieve feted
status among fans and critics alike as the great survivors and
latter-day statesmen of the underground scene. Throughout, Gira's
desire has remained to create music of such intensity that the
listener might forget flesh, get rid of the body, exist as pure
energy--transcendent--inside of the sound. Through these pages, the
musicians responsible tell the tale of one of the most significant
bands of the US post-punk era. Drawing on more than 125 original
interviews, Swans: Sacrifice And Transcendence is the ultimate
companion to Swans and their work from the 1980s to the present
day.
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