The Reagan era is usually seen as an era of unheralded prosperity, and as a high-watermark of Republican success. President Ronald Reagan's belief in "Reaganomics", his media-friendly sound-bites and "can do" personality have come to define the era. However, this was also a time of domestic protest and unrest. Under Reagan the US was directly involved in the revolutions which were sweeping the Central Americas- El Salvador, Honduras and Guatemala -and in Nicaragua Reagan armed the Contras who fought the Sandinistas. This book seeks to show how the left within the US reacted and protested against these events. The Nation, Verso Books and the Guardian exploded in popularity, riding high on the back of popular anti-interventionist sentiment in America, while the film-maker Oliver Stone led a group of directors making films with a radical left-wing message. The author shows how the1980s in America were a formative cultural period for the anti-Reaganites as well as the Reaganites, and in doing so charts a new history.

Popularizing the Past tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation’s history.   What’s the matter with history? For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past, Nick Witham challenges this interpretation by telling the stories of five historians—Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner—who, in the decades after World War II, published widely read books of national history.   Witham compellingly argues that we should understand historians’ efforts to engage with the reading public as a vital part of their postwar identity and mission. He shows how the lives and writings of these five authors were fundamentally shaped by their desire to write histories that captivated both scholars and the elusive general reader. He also reveals how these authors’ efforts could not have succeeded without a publishing industry and a reading public hungry to engage with the cutting-edge ideas then emerging from American universities. As Witham’s book makes clear, before we can properly understand the heated controversies about American history so prominent in today’s political culture, we must first understand the postwar effort to popularize the past.

The assassinations of Martin Luther King Jr and Robert Kennedy; gay rights, women's rights and civil rights; the Black Panthers and the Vietnam War; the New Left and the New Right: 1968 was a tumultuous year for US politics. 50 years on, 'Reframing 1968' explores the historical, political and social legacy of 1968 in modern protest movements. The contributors look at how protest has changed in the US, from Students for a Democratic Society and the Civil Rights Movement in the late 1960s, to the Women's Movement in the 1970s, through to the contemporary visibility of the Tea Party and the Occupy movement.

The first 50-year retrospective of the most tumultuous year the 1960s for activism and radical politicsThe assassinations of Martin Luther King Jr and Robert Kennedy. Gay rights, women's rights and civil rights. The Black Panthers and the Vietnam War. The New Left and the New Right. 1968 was a tumultuous year for US politics.50 years on, 'Reframing 1968' explores the historical, political and social legacy of 1968 in modern protest movements. The contributors look at how protest has changed in the US, from Students for a Democratic Society and the Civil Rights Movement in the late 1960s, to the Women's Movement in the 1970s, through to the contemporary visibility of the Tea Party and the Occupy movement.14 new interdisciplinary essays investigate the legacy of modern protest movements in the United StatesGives you a micro-history of 1968, framed within a broader historical and political understanding of modern protestSpans political trends, social movements, public figures, ideologies and cultural channelsContributorsStefan M. Bradley, Saint Louis University, Missouri, USA.Simon Hall, University of Leeds, UK.Martin Halliwell, University of Leicester, UK.Penny Lewis, City University of New York, USA.Daniel Matlin, King's College London, UK.Sharon Monteith, University of Nottingham, UK.Andrew Preston, University of Cambridge, UK.Doug Rossinow, University of Oslo, Norway.Elizabeth Tandy Shermer, Loyola University Chicago, USA.Stephen Tuck, University of Oxford, UK.Anne M. Valk, Williams College, Massachusetts, USA.Stephen J. Whitfield, Brandeis University, Massachusetts, USA.Nick Witham, Institute of the Americas, University College London, UK.

Popularizing the Past tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation's history. What's the matter with history? For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past, Nick Witham challenges this interpretation by telling the stories of five historians-Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner-who, in the decades after World War II, published widely read books of national history. Witham compellingly argues that we should understand historians' efforts to engage with the reading public as a vital part of their postwar identity and mission. He shows how the lives and writings of these five authors were fundamentally shaped by their desire to write histories that captivated both scholars and the elusive general reader. He also reveals how these authors' efforts could not have succeeded without a publishing industry and a reading public hungry to engage with the cutting-edge ideas then emerging from American universities. As Witham's book makes clear, before we can properly understand the heated controversies about American history so prominent in today's political culture, we must first understand the postwar effort to popularize the past.

The country's wars in Iraq and Afghanistan, its interventions around the world, and its global military presence make war, the military, and militarism defining features of contemporary American life. The armed services and the wars they fight shape all aspects of life-from the formation of racial and gendered identities to debates over environmental and immigration policy. Warfare and the military are ubiquitous in popular culture. At War offers short, accessible essays addressing the central issues in the new military history-ranging from diplomacy and the history of imperialism to the environmental issues that war raises and the ways that war shapes and is shaped by discourses of identity, to questions of who serves in the U.S. military and why and how U.S. wars have been represented in the media and in popular culture.