Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media. Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves. Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER

A wide variety of texts (from chronicles to Chaucer) studied for evidence of medieval attitudes towards the processes of change as they affected individuals at all points of their lives. Rites of passage is a term and concept more used than considered. Here, for the first time, its implications are applied and tested in the field of medieval studies: medievalists from a range of disciplines consider the varioustheoretical models - folklorist, anthropological, psychoanalytical - that can be used to analyse cultures of transition in the history and literature of fourteenth-century Europe. Ranging over a wide variety of texts, from chronicles to romances, from priests' manuals to courtesy books, from state records to the writings of Chaucer, Gower and Froissart, the contributors identify and analyse medieval attitudes to the process of change in lifecycle, status,gender and power. A substantive introduction by Miri Rubin draws together the ideas and materials discussed in the book to illustrate the relevance and importance of anthropology to the study of medieval culture. Contributors: JOEL BURDEN, PATRICIA CULLUM, ISABEL DAVIS, JANE GILBERT, SARAH KAY, MARK ORMROD, HELEN PHILLIPS, MIRI RUBIN, SHARON WELLS. NICOLA F. McDONALD is Lecturer in Medieval Literature, the late W.M ORMROD was Professor of Medieval History, University of York.