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This book presents chapters that have been brought together to
consider the multitude of ways that post-2000 popular music impacts
on our cultures and experiences. The focus is on misogyny, toxic
masculinity, and heteronormativity. The authors of the chapters
consider these three concepts in a wide range of popular music
styles and genres; they analyse and evaluate how the concepts are
maintained and normalized, challenged, and rejected. The
interconnected nature of these concepts is also woven throughout
the book. The book also seeks to expand the idea of popular music
as understood by many in the West to include popular music genres
from outside western Europe and North America that are often
ignored (for example, Bollywood and Italian hip hop), and to bring
in music genres that are inarguably popular, but also sit under
other labels such as rap, metal, and punk.
This book presents chapters that have been brought together to
consider the multitude of ways that post-2000 popular music impacts
on our cultures and experiences. The focus is on misogyny, toxic
masculinity, and heteronormativity. The authors of the chapters
consider these three concepts in a wide range of popular music
styles and genres; they analyse and evaluate how the concepts are
maintained and normalized, challenged, and rejected. The
interconnected nature of these concepts is also woven throughout
the book. The book also seeks to expand the idea of popular music
as understood by many in the West to include popular music genres
from outside western Europe and North America that are often
ignored (for example, Bollywood and Italian hip hop), and to bring
in music genres that are inarguably popular, but also sit under
other labels such as rap, metal, and punk.
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