September, 1939, and the worries of war follow Josephine Tey to Hollywood, where a different sort of battle is raging on the set of Hitchcock's Rebecca. Then a shocking act of violence reawakens the shadows of the past, with consequences on both sides of the Atlantic, and Josephine and DCI Archie Penrose find themselves on a trail leading back to the house that inspired a young Daphne du Maurier - a trail that echoes Rebecca's timeless themes of obsession, jealousy and murder.

Summer 1936. Mystery writer Josephine Tey joins her friends in the resort village of Portmeirion, Wales, to celebrate her fortieth birthday. Alfred Hitchcock and his wife, Alma Reville, are there to sign a deal to film Josephine's novel, A Shilling for Candles. But things get out of hand when one of Hollywood's leading actresses is brutally slashed to death in a cemetery near the village. The following day, as fear and suspicion take over in a setting where nothing--and no one--is quite what it seems, Chief Inspector Archie Penrose becomes increasingly unsatisfied with the way the investigation is ultimately resolved. Several years later, another horrif ic murder, again linked to a Hitchcock movie, drives Penrose back to the scene of the original crime to uncover the shocking truth.

An unexpected inheritance plunges beloved British mystery author Josephine Tey into a disturbing puzzle of dark secrets connecting the present and the past in this intriguing historical mystery brimming with psychological tension.

When Josephine Tey unexpectedly inherits Red Barn Cottage from a godmother she barely knows, the will stipulates that she must personally claim the house in the Suffolk countryside. But Josephine is not the only benefactor--a woman named Lucy Kyte is also in Hester's will. Sorting through the artifacts of her godmother's life, Josephine is intrigued by an infamous murder committed on the cottage's grounds a century before. This old crime--dubbed the Red Barn murder--still haunts the tight-knit village and its remote inhabitants. Is it superstition, or is there a very real threat that is frightening the locals? And is the truth related to the mysterious Lucy Kyte, whom no one in the village admits to knowing? Surrounded by the shadows of obsession, abuse, and deceit, with a palpable sense of evil thickening around her, Josephine must untangle historic tragedy from present danger to prevent a deadly cycle from beginning once again.

It takes a village to bury a child . . .

1 September 1939. As the mass evacuation takes place across Britain, thousands of children leave London for the safety of the countryside. But when a little girl vanishes, it's clear that danger can lurk in the quietest village.

In the chaos of war, crime novelist Josephine Tey arrives to help her friend DCI Penrose to investigate the girl's disappearance. When a cloud of mistrust falls across the small community she has come to love, events take a sinister turn.

An Expert in Murder is the first in a new series that features Golden Age crime writer Josephine Tey as its lead character, placing her in the richly-peopled world of 1930s theatre which formed the other half of her writing life. It's March 1934, and Tey is travelling from Scotland to London to celebrate what should be the triumphant final week of her celebrated play, Richard of Bordeaux. However, a seemingly senseless murder puts her reputation, and even her life, under threat. An Expert in Murder is both a tribute to one of the most enduringly popular writers of crime and an atmospheric detective novel in its own right.

Summer, 1936. The writer, Josephine Tey, joins her friends in the holiday village of Portmeirion to celebrate her fortieth birthday. Alfred Hitchcock and his wife, Alma Reville, are there to sign a deal to film Josephine's novel, A Shilling for Candles, and Hitchcock has one or two tricks up his sleeve to keep the holiday party entertained - and expose their deepest fears. But things get out of hand when one of Hollywood's leading actresses is brutally slashed to death in a cemetery near the village. The following day, as fear and suspicion take over in a setting where nothing - and no one - is quite what it seems, Chief Inspector Archie Penrose becomes increasingly unsatisfied with the way the investigation is ultimately resolved. Several years later, another horrific murder, again linked to a Hitchcock movie, drives Penrose back to the scene of the original crime to uncover the shocking truth.

Summer, 1915: a young woman falls to her death at Charleston Farmhouse on the Sussex Downs. But was it an accident?

Twenty years later, Josephine Tey is faced with the accusation that it was murder, and that she was complicit in the crime. Can she clear her name and uncover the truth, exposing the darkest secrets of that apparently idyllic summer?

December 1938, and storm clouds hover once again over Europe. Josephine Tey and Archie Penrose gather with friends for a Cornish Christmas, but two strange and brutal deaths on St Michael's Mount - and the unexpected arrival of a world famous film star, in need of sanctuary - interrupt the festivities. Cut off by the sea and a relentless blizzard, the hunt for a murderer begins. Pivoting on a real moment in history, the ninth novel in the 'Josephine Tey' series draws on all the much-loved conventions of the Golden Age Christmas mystery, whilst giving them a thrilling contemporary twist.

May, 1937. Josephine Tey is in London to oversee a BBC radio production of her play, Queen of Scots. Meanwhile, the country is preparing to crown a new king. At the height of the Coronation celebrations, Detective Chief Inspector Archie Penrose is called in to investigate the murder of one of the BBC's best-known broadcasters. A second victim - his mistress, and the play's leading actress - suggests that the motive lies close to home, but Josephine suspects that the killings are linked to a decade-old scandal. With Archie's hands tied by politics, and his attention taken by another, seemingly unrelated death, it is left to Josephine to get to the truth - and to confront at first-hand the deadly consequences of love, deceit and betrayal.

The fifth novel in the enthralling series starring Golden Age crime writer Josephine Tey A house that can't rest A crime that won't fade... When Josephine inherited a remote Suffolk cottage from her godmother, it came full of secrets. Sorting through the artefacts of her godmother's life, Josephine is intrigued by an infamous murder committed near the cottage a century before. Yet this old crime - dubbed the Red barn murder - still seems to haunt the tight-knit village and its remote inhabitants. As Josephine settles into the house, she knows that something dark has a tight hold on the heart of this small community. Is it just the ghosts of the Red Barn murder, or is there something very much alive that she needs to fear? Trapped in this isolated community and surrounded by shadows of obsession, abuse and deceit, can Josephine untangle history from present danger and prevent a deadly cycle beginning once again?

Exhausted and disillusioned with the world of theater in May 1935, Josephine Tey has traveled to Cornwall to spend the summer with her friends the Motleys at their run-down but beautiful country estate. Ready to begin work on her second mystery novel, Tey finds much to inspire her in the landscape and its legends. Meanwhile, the Motleys have become involved in an amateur production at the nearby Minack Theater.

Detective Inspector Archie Penrose has returned to his roots in Cornwall to attend the funeral of a family friend, a young estate worker who died in a tragic riding accident. Penrose has a few questions about the circumstances surrounding the fatal occurrence. And when the Minack Theater proves to be the stage for a real-life tragedy, Penrose and Tey together must investigate an audacious murder and confront an evil suggesting that there are darker things than death.

Old sins cast long shadows... Thirty years on from a horrific series of child murders in London, Josephine Tey sets out to write a novel about the crimes' perpetrators: Amelia Sach and Annie Walters, the notorious Finchley baby farmers. Meanwhile, her friend, Inspector Archie Penrose is investigating the sadistic murder of a young seamstress, found dead amid preparations for a star-studded charity gala. The girl's death seems to be the result of a long-standing domestic feud, but Archie is unconvinced; and when a second young woman is involved in an horrific accident soon afterwards, the search begins for a vicious killer who will stop at nothing to keep the past where it belongs...

The First World War is over, and in a quiet Hampshire village, artist Stanley Spencer is working on the commission of a lifetime, painting an entire chapel in memory of a life lost in the war to end all wars. Combining his own traumatic experiences with moments of everyday redemption, the chapel will become his masterpiece. When Elsie Munday arrives to take up position as housemaid to the Spencer family, her life quickly becomes entwined with the charming and irascible Stanley, his artist wife Hilda and their tiny daughter Shirin. As the years pass, Elsie does her best to keep the family together even when love, obsession and temptation seem set to tear them apart...

Two can keep a secret - if one of them is dead... Inspector Archie Penrose invites crime writer Josephine Tey down to his family home in Cornwall so she can recover from a recent trauma. Josephine welcomes the opportunity, but her hopes of experiencing a period of rest are dashed when her arrival coincides with the mysterious death of a young man in the village. Soon, more people are going missing or turning up dead, and Josphine and Archie begin to suspect the involvement a cold-blooded murderer. As Josephine and Archie try to unravel the mystery, they begin to see death as an angel with two faces - one gazing at the violence in the present, the other looking back to the crimes hidden in the past.

They were the most horrific crimes of a new century: the murders of newborn innocents for which two British women were hanged at Holloway Prison in1903. Decades later, mystery writer Josephine Tey has decided to write a novel based on Amelia Sach and Annie Walters, the notorious "Finchley baby farmers," unaware that her research will entangle her in the desperate hunt for a modern-day killer.

A young seamstress--an ex-convict determined to reform--has been found brutally slain in the studio of Tey's friends, the Motley sisters, amid preparations for a star-studded charity gala. Despite initial appearances, Inspector Archie Penrose is not convinced this murder is the result of a long-standing domestic feud--and a horrific accident involving a second young woman soon after supports his convictions. Now he and his friend Josephine must unmask a sadistic killer before more blood flows--as the repercussions of unthinkable crimes of the past reach out to destroy those left behind long after justice has been served.

March 1934. Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play "Richard of Bordeaux," the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride--and Tey is plunged into a mystery as puzzling as any in her own works.

Detective Inspector Archie Penrose is convinced that the killing is connected to the play, and that Tey herself is in danger of becoming a victim of her own success. In the aftermath of a second murder, the writer and the policeman must join together to stop a ruthless killer who will apparently stop at nothing.

Chosen by Publishers Weekly as one of the Best Books of 2017

Josephine Tey is in Cambridge, a town gripped by fear and suspicion as a serial rapist stalks the streets, and in the shadow of King's College Chapel, Detective Chief Inspector Archie Penrose faces some of the most horrific and audacious murders of his career.

The seventh novel in Nicola Upson's highly praised series featuring Josephine Tey takes the reader on a journey from 1930s Cambridge to the bleak and desolate Suffolk coast - a journey which will ultimately leave Archie's and Josephine's lives changed forever.

'More than just a brilliant mystery . . . wonderful.' Ian Moore, author of Death and Croissants 'Kept me guessing. Bravo!' Martin Edwards, author of The Lake District Mysteries It takes a village to bury a child. 1 September, 1939. As the mass evacuation takes place across Britain, thousands of children leave London for the countryside, but when a little girl vanishes without trace, the reality of separation becomes more desperate and more deadly for those who love her. In the chaos and uncertainty of war, Josephine struggles with the prospect of change. As a cloud of suspicion falls across the small Suffolk village she has come to love, the conflict becomes personal, and events take a dark and sinister turn. 'A class above the usual crime fiction.' Independent

September, 1939, and the worries of war follow Josephine Tey to Hollywood, where a different sort of battle is raging on the set of Hitchcock's Rebecca. Then a shocking act of violence reawakens the shadows of the past, with consequences on both sides of the Atlantic, and Josephine and DCI Archie Penrose find themselves on a trail leading back to the house that inspired a young Daphne du Maurier - a trail that echoes Rebecca's timeless themes of obsession, jealousy and murder.

Inspector Archie Penrose invites Josephine Tey down to his family home in Cornwall so she can recover from the traumatic events depicted in "An Expert in Murder". Josephine welcomes the opportunity, especially since Archie's home is near the famous Minack open-air theatre perched on the cliffs overlooking the sea. However, Josephine's hopes of experiencing a period of rest are dashed when her arrival coincides with the funeral of a young man from the village who had drowned when his horse inexplicitly leapt into the nearby lake. When another young man disappears and the village's curate falls from the cliffs of the Minack Theatre onto the rocks below, Josphine and Archie begin to suspect the involvement a cold-blooded murderer. As Josephine and Archie try to unravel the mystery, they begin to see death as an angel with two faces - one gazing at the violence in the present, the other looking back to the crimes hidden in the past.