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This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
Nicolas Chorier: Die Gesprache der Aloisia Sigaea. "(Aloysiae
Sygeae Toletanae satira sotadica de arcanis Amoris et Veneris)"
Edition Holzinger. Taschenbuch
Berliner Ausgabe, 2013
Vollstandiger, durchgesehener Neusatz bearbeitet und
eingerichtet von Michael Holzinger
Erstdruck: Lyon um 1659]. Nicolas Chorier veroffentlichte die
Dialoge unter dem Pseudonym Johannes Meursius. Die erste
franzosische Ubersetzung erschien unter dem Titel L'Academie des
Dames, Venice (P. Aretin) = Grenoble] 1680. Druck der ersten
deutschen Ubersetzung von Heinrich Conrad in Priapische Romane:
Leipzig (Insel) 1903. Das Werk wurde auch bekannt unter dem
abweichenden Titel: Die Akademie der Damen.
Textgrundlage ist die Ausgabe: Meursius: Gesprache der Aloisia
Sigaea. Deutsche Ubertragung von Dr. H. Conradt, Leipzig: Insel,
1903, Limitierter Privatdruck des Verlags, Auflage von 1200
Exemplaren, Ex. Nr. 853].
Herausgeber der Reihe: Michael Holzinger
Reihengestaltung: Viktor Harvion
Umschlaggestaltung unter Verwendung des Bildes: Modigliani,
Amedeo: Junge Frau
Gesetzt aus Minion Pro, 10 pt.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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