This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Nicolas Chorier: Die Gesprache der Aloisia Sigaea. "(Aloysiae Sygeae Toletanae satira sotadica de arcanis Amoris et Veneris)"

Edition Holzinger. Taschenbuch

Berliner Ausgabe, 2013

Vollstandiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger

Erstdruck: Lyon um 1659]. Nicolas Chorier veroffentlichte die Dialoge unter dem Pseudonym Johannes Meursius. Die erste franzosische Ubersetzung erschien unter dem Titel L'Academie des Dames, Venice (P. Aretin) = Grenoble] 1680. Druck der ersten deutschen Ubersetzung von Heinrich Conrad in Priapische Romane: Leipzig (Insel) 1903. Das Werk wurde auch bekannt unter dem abweichenden Titel: Die Akademie der Damen.

Textgrundlage ist die Ausgabe: Meursius: Gesprache der Aloisia Sigaea. Deutsche Ubertragung von Dr. H. Conradt, Leipzig: Insel, 1903, Limitierter Privatdruck des Verlags, Auflage von 1200 Exemplaren, Ex. Nr. 853].

Herausgeber der Reihe: Michael Holzinger

Reihengestaltung: Viktor Harvion

Umschlaggestaltung unter Verwendung des Bildes: Modigliani, Amedeo: Junge Frau

Gesetzt aus Minion Pro, 10 pt.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.