Most Australians are familiar with the concept of land ownership and understand the meaning of native title, which recognises Indigenous peoples' rights to land to which they are spiritually or culturally connected. The ownership of areas of the sea and its resources is often overlooked however, despite Aboriginal and Torres Strait Islander connections with the sea being just as important as those with the land. The papers in this volume demonstrate how the concept of customary marine tenure has developed in various communities and look at some of its implications. Originating in a session of papers at a conference in 1996, the papers in this volume were originally published as Oceania Monograph 48 in 1998.

I had lived and hunted with these people, accompanied them on their nomadic wanderings and learned their customs and their languages with the result that I understood and believed in them and resented the injustices under which they had suffered for so long at the hands of the white man and other invaders of their territory.' In 1932 33, Yolngu people living in the Caledon Bay area of north-east Arnhem Land were involved in the killing of five Japanese fishermen and three Europeans. A punitive expedition was proposed to teach the Aborigines a lesson'. In response, Donald Thomson, a Melbourne-born anthropologist, offered to investigate the causes of the conflict. After seven months of investigation he persuaded the Federal Government to free the three men convicted of the killings and returned with them to their own country, subsequently spending fifteen months documenting the culture of the region. Whilst in Arnhem Land, Thomson, a superb and enthusiastic photographer, made the most comprehensive photographic record of any fully functioning, self-supporting Aboriginal society that we will ever have. The one hundred and thirty images included in this book cover domestic life, su

Moving the critical debate about photography away from its current Euro-American center of gravity, "Photography's Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a radically different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice--in the actual making of pictures--suggest the extraordinary diversity of nonwestern photography.

Richly illustrated with over 100 images, "Photography's Other Histories" explores from a variety of regional, cultural, and historical perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Dine' artist. Some of the essays analyze representations of colonial subjects--from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria to the changing "contract" between Aboriginal subjects and photographers. Other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography's Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
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Contributors. "Michael Aird, Heike Behrend, Jo-Anne Driessens, James Faris, Morris Low, Nicolas Peterson, Christopher Pinney, Roslyn Poignant, Deborah Poole, Stephen Sprague, Hulleah Tsinhnahjinnie, Christopher Wright

For most of Australia's colonial history its indigenous people have been denied full membership in Australian society. This book examines the history of their citizenship status and asks whether it is possible for indigenous Australians to be members of a common society on equal terms with others. Leading commentators from a range of disciplines examine historical conceptions of indigenous civil rights, consider issues arising from recent struggles for equality and consider possibilities for multicultural citizenship that recognize difference.