New approaches to a range of Old English texts. Throughout her career, Professor Katherine O'Brien O'Keeffe has focused on the often-overlooked details of early medieval textual life, moving from the smallest punctum to a complete reframing of the humanities' biggest questions. In her hands, the traditional tools of medieval studies -- philology, paleography, and close reading - become a fulcrum to reveal the unspoken worldviews animating early medieval textual production. The essays collected here both honour and reflect her influence as a scholar and teacher. They cover Latin works, such as the writings of Prudentius and Bede, along with vernacular prose texts: the Pastoral Care, the OE Boethius, the law codes, the Anglo-Saxon Chronicle, and AElfric's Lives of Saints. The Old English poetic corpus is also considered, with a focus on less-studied works, including Genesis and Fortunes of Men. This diverse array of texts provides a foundation for the volume's analysis of agency, identity, and subjectivity in early medieval England; united in their methodology, the articles in this collection all question received wisdom and challenge critical consensus on key issues of humanistic inquiry, among them affect and embodied cognition, sovereignty and power, and community formation.

We tend to think of early medieval people as unsophisticated about geography because their understandings of space and place often differed from ours, yet theirs were no less complex. Anglo-Saxons conceived of themselves as living at the centre of a cosmos that combined order and plenitude, two principles in a constant state of tension. In Inhabited Spaces, Nicole Guenther Discenza examines a variety of Anglo-Latin and Old English texts to shed light on Anglo-Saxon understandings of space. Anglo-Saxon models of the universe featured a spherical earth at the centre of a spherical universe ordered by God. They sought to shape the universe into knowable places, from where the earth stood in the cosmos, to the kingdoms of different peoples, and to the intimacy of the hall. Discenza argues that Anglo-Saxon works both construct orderly place and illuminate the limits of human spatial control.