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Sketches of poetic and absolute power that are as extraordinary as their creators. This is t he first ‐ ever publication of the entirety of EVA & ADELE’s floral sketchbook. The drawings of flowers, which are uncompromising and executed in a small number of unfalteringly precise graphite lines, surprise the viewer with the radical aesthetics of their abstraction. Accompanied by a Gertrude Stein text, the unique sketches of flowers by EVA & ADELE are reproduced in this book ‐ lover’s treasure trove in close adherence to the original artists’ book. Based on photographs of the flowers in the artists’ studi o, they in turn are the basis of the highest level of the monumental palimpsest compositions of the group of works entitled ADSILA. The lifelong performance of the always smiling, internationally successful artist ‐ duo is one of the most radical pieces of c ontemporary art. Their work has already been exhibited in numerous solo shows from New York to Helsinki, and it has been acquired by the most important collections in the world, including the Tate Gallery in London and the Musée d'Art Moderne de la Ville d e Paris
The paintings and drawings of Michele Melillo (*1977) enchant the viewer with their lightness and harmonious colours. Accompanied by an explanatory essay by Veit Ziegelmaier, this comprehensive artist monograph reproduces for the first time works from all work cycles by the young German painter and graphic artist.Michele Melillo starts with historicalreferences when developing his works, combining in masterly style motifs from the Baroque and Rococo eras with a modern vocabulary of forms, folkloric ornaments and classical architecture. Fauvist orgies of colour and sprawling lines characterise the recurring subjects of his pictures: the barque as a symbol of the Egyptian sun god Ra, fabulous creatures and unusual animal pictures or portraits of people long believed to be dead. After studying painting with Prof. Axel Kasseboehmer at the Academy of Fine Arts, today Melillo lives and works in Munich. As the monograph impressively proves, hisworks instantly fascinate the viewer and surprise repeatedly with their profound wit.
EVA & ADELE’s work finds its raison d’être in their permanent, lifelong performance which takes place worldwide throughout the public space. The work group CUM (lat. WITH) is the essence of the interactive process. It was acknowledged as early as 1997 in the Sprengel Museum with the solo exhibition CUM, and is continued to this day in a variety of media. EVA & ADELE requested one of two Polaroids taken by the public – co-performers – including a signature. Based on this they created a group of important drawings and paintings which they developed in the subsequent artistic process and have continued until today. The publication forms the work complex CUM in its entirety; the volume is completed by valuable text contributions by Robert Fleck, Lisa Schmidt-Herzog and Marcus Steinweg.
Philip Groezinger's art derives from his investigations of future-oriented visions. With his individualistic painterly signature he invites the viewer to join him on a surreal journey through the pictorial traditions of the Pop culture of recent decades. This volume is a retrospective which provides a comprehensive overview of his outstanding oeuvre. If there were such a thing, Groezinger's works could be classified as Virtual Surrealism. Figures in space suits, black manikins and other figures encounter one another in a fictional cosmos. Against a background of abstract worlds they tell stories which follow their own physical laws. In painterly manner, Groezinger combines lurid contrasts with delicate, pastel-like shades. His paint application is based on that of miniature painting and gives the cartoon-like creatures human features as it draws the viewer into the artist's fantasy world.
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