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My Revolution (Paperback)
Marques Smith Walker; Jacqueline Nicole Harris
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R281
Discovery Miles 2 810
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Ships in 10 - 15 working days
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My Revolution is the second book of poetry from poet and word rebel
Jacqueline Nicole Harris. Moving onward from her first chapbook
Random Acts of Verse, Ms. Harris has gotten older, wiser, and her
wit is as sharp as her tact. With verse that is both frank and
honest, she gives the reader a chance to take a deeper look into
her own mind, and goes to places that she was afraid to go before.
Jacqueline Harris is a "performance poet" from North Chicago, IL.
She has graced stages in Milwaukee, WI and Chicago, IL. After
betrayal by a close "comedic" associate led her to having a nervous
breakdown, the author came to many conclusions about herself and
her place in the world. The result of which is this book. Without a
doubt, this book is a candid look at the thoughts of someone who
went over the brink and survived.
A collection of essays dedicated to the memory of Eleni
Hatzivassiliou (1977-2007). The range of subjects reflects her
broad circle of friends. Many are her contemporaries, but many are
very senior scholars; ages range from 25 to 80. It is truly
remarkable that someone who had not yet reached her thirtieth
birthday could have come to know so many scholars and win their
admiration and affection. Contents: Editorial foreword (Donna
Kurtz); Biography of Eleni Hatzivassiliou (Donna Kurtz); Tribute
(John Boardman); Guide to readers; The origins of Greek myth (John
Boardman); Homer and the Solymians (J.J. Coulton); Sappho's sensual
world (Thomas Brisart); An early archaic sphinx from the Polis
Cave, Ithaka (Stavros 59)(Catherine Morgan); The riddle of the
sphinx: a Protocorinthian vase from Perachora and the sphinx in
Corinthian art (Catherine Cooper); A Middle Corinthian puzzle from
Isthmia (K.W. Arafat); Athens versus Attika: local variations in
funerary practices during the late seventh and early sixth century
BC (Alexandra-Fani Alexandridou); A chorus of women ololyzousai on
an early Attic skyphos (Nassi Malagardis); Dead warriors and their
wounds on Athenian black-figure vases (David Saunders); Towers,
pillars or frames? (Elizabeth Moignard); Nikosthenes looking east?
Phialai in Six's and polychrome Six's technique (Athena
Tsingarida); Some fictile biographies from Naukratis (Alan
Johnston) The painter of Rhodes 13472: observations on a
vase-painter of the Leagros Group (Anna A. Lemos); Kalypso's
conifers? (Elke Br); Attic, Boeotian or Euboean? An orphan skyphos
from Rhitsona revisited (Victoria Sabetai); Bird-women on the Harpy
Monument from Xanthos, Lycia: sirens or harpies? (Catherine M.
Draycott); The asses' lot (Louise Calder); The mounds associated
with the Battle of Marathon in 490BC and the dating of Greek
pottery (Chia-Lin Hsu) A wild goose chase? Geese and goddesses in
classical Greece (Alexandra Villing); Prometheus Bound and Unbound:
between art and drama (Dyfri Williams); Comedies on South Italian
vases (Thomas Mannack); The Derveni Krater (Michalis Tiverios);
Private sentiments in public spaces: two votive groups from
Epidauros (Olympia Bobou); Cretan nymphs: an Attic hypothesis
(Milena Melfi); A banquet relief from Thasos (Konstantina Panousi);
Sosilos' statue and nudity in public honorific portrait statues in
the Hellenistic period (Stella Skaltsa); Ouaphres Horou, an
Egyptian priest of Isis from Demetrias (Maria Stamatopoulou);
Piecing it together: the fragmentary Hellenistic vermiculatum
mosaic from Tel Dor (William Wootton); Designing the landscapes of
the Villa of Livia at Prima Porta (Manta Zarmakoupi); The quality
of virtand Jose Nicolsss de Azara in Rome, 1766-1798 (Alexandra
Sulzer); 'Poor architecture of antiquity, what is it doing in such
a climate as this?' Classical archaeology and its influence on
nineteenth-century London monuments (Kate Nichols); Doing business:
two unpublished letters from Athenasios Rhousopoulos to Arthur
Evans in the Ashmolean Museum, Oxford (Yannis Galanakis); Early
visitors to the site of the Perachoran Heraion (Thomas R. Patrick);
Sappho (and Sophocles) at King's College London (Michael Trapp).
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