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The medieval court, whether that of a king, prince or bishop, and
the monastery are focal points for the production of vernacular
literature in the period 800-1500. The studies collected here
discuss a wide range of topics, drawing also on Latin literature
and the history of art, and present a conspectus of the most
influential approaches to the study of medieval literature in
German.
The studies and selected texts in this volume focus on literary and
cultural life in Strasbourg during the late middle ages. The
compendium might be regarded as a cultural topography of the
southwestern portion of the German-speaking realm during this
period. It explores the connections between book production, urban
culture and lives of religious devotion."
Jim Reed has taught German language and literature at the
University of Oxford since 1961 and retires on 30 September 2004.
This collection of essays in his honour consists of contributions
from friends and pupils, and is principally concerned with Goethe,
Heine, Nietzsche, Thomas Mann, and Brecht. The themes and
approaches represented are those with which Reed himself has
engaged in many of his own publications, beginning with Thomas
Mann: The Uses of Tradition (1974) and The Classical Centre: Goethe
and Weimar (1980), and which is summed up in the title given to his
recent collection of essays -Humanpraxis Literatur-."
The German bible codes in the library of the Franciscan monastery
in Freiburg im Aoeechtland represent the end point of a series of
compilation processes that span a time period from the year 1300 up
to the middle of the fifteenth century. The monograph examines the
bible translations of the "Freibuger pericopes" within the context
of the text and image tradition of some of the first German bible
prints (plenaria) in connection with the German-language literature
of the city of Freiburg. The work thus presents an important
contribution to the literary history of liturgy, as well as to the
history of devoutness and cultural history.
The articles in this volume take their bearings from an approach to
historical communication theory based on linguistics and literary
studies. They examine communicative aspects of medieval literature
in the following fields: texts as a dialogic medium
(author-audience, text-user), dialogic speech (dialogue proper),
conversational conventions in dialogue (address, politeness,
language regulation) or monologue as dialogue, "dialogue" between
texts (intertextuality, e.g. adoption of linguistic patterns,
motifs, formulaic expressions, scene types, etc.), and dialogic
principles effective in the transmission of texts (mobility of
texts, image and text).
This volume is the fruit of a symposium held in Roscrea (Ireland)
in 1994 and concentrates on literature in praise of the Virgin
Mary, chronicles, manuscripts, illustration and editing procedures.
Also dealt with are Yiddish Bible translations, religious plays and
various literary forms of veneration of the saints. The authors
referred to range from famous names such as Mechthild von
Magdeburg, Der Stricker and Priester Wernher to less familiar
figures like Wilhelm MA1/4nchner (cleric in Engelmairszell near
Pfaffenhausen on the Ilm). The collection also includes an edition
of the text "Von der seligen Schererin" (early 15th century), which
relates the visions and aural visitations experienced by a married
woman in her normal family surroundings.
Paradisus anime intelligentis is the Latin name of one of the most
important late medieval collections of German sermons, about half
of which comprises sermons by Meister Eckhart. The studies deal
with the theological programme of the sermons, the manuscripts,
their transmission and processing, together with selected
individual texts. The volume is completed by a study of a
contiguous collection, the KAlner Klosterpredigten [Cologne
Monastic Sermons].
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