The Benedictine monk John Lydgate was the most admired poet of the fifteenth century. He received commissions from some of the most powerful men in the land (including Henry V); he is spoken of with constant admiration; manuscripts of his work are abundant; many of his poems were put into print by England's earliest printers, ensuring that his influence extended well into the sixteenth century. The Fall of Princes, probably the longest poem in the language, is arguably Lydgate's masterwork; yet, until now, it has received only cursory critical attention. This book offers the first extended discussion of the poem.
The Fall of Princes accumulates accounts of nearly 500 figures from mythology and history (biblical, classical, and medieval) who have fallen from their positions of fame and power into obscurity, adversity, or poverty. In presenting these tragedies Lydgate probes the causes of the reversal of their fortunes; how far can the caprice of a blind Lady Fortune be blamed? How far are the protagonists themselves responsible for their undoing? Most pressingly of all, why is it that bad things happen to seemingly innocent people? In drawing its conclusions about the downfalls of powerful men and women, Lydgate's poem operates within the popular medieval genre of "advice to princes" literature.
This book locates Lydgate's work within its contexts, exploring the nature of his relationship with the uneasy Lancastrian dynasty during the minority of Henry VI as well as his response to contemporary conflicts between ecclesiastical and secular authority. In particular, this book closely analyses Lydgate's manipulations of his French source text, allowing readers to see in detail forthe first time what it is that Lydgate was setting out to achieve. Finally, the book identifies the readership of Lydgate's poem in the fifteenth and sixteenth centuries, discussing its influence on the evolution of narrative tragedy in English.

Julius Caesar, ancient Rome's most colourful leader, has been a subject of controversy for more than two thousand years. In the classical world he was celebrated as an inspired military commander, as a law-giver and orator possessed of outstanding drive and intellect. He was also denounced for his ambition, cruelty, concupiscence, and for his overthrow of a noble republic. Over the centuries almost every conceivable characteristic has been attributed to him. His murder-the world's most famous political assassination-began a process which led to the inauguration of the imperial rule that would last for the rest of Roman time. Throughout the medieval and early modern periods Caesar was central to narratives of conquest and resistance, of kingship and subjecthood, of liberty and despotism. There was a time, however, when he was not the most storied figure from classical antiquity. The post-classical phenomenon of a chimerical and ambiguous Caesar is born in thirteenth-century France when the author of the Li Fet des Romains, a monumental prose life of Caesar, chose to complicate the influential view of a monstrous Caesar found in Lucan's epic poem Bellum civile: this decision gave birth to the complex figure that has fascinated ever since. This book offers original translations of texts written between 1170 and 1574 in French, Latin, Italian, and Middle English, accompanied by commentaries which enable the reader to chart the evolution of the Caesar phenomenon throughout the medieval period right up to his first appearances on the early modern stage.