No writer has captured the absurdity of the human condition as acutely as Nikolai Gogol. In a lively new translation by Oliver Ready, this collection contains his great classic stories - 'The Overcoat', 'The Nose' and 'Diary of a Madman' - alongside lesser known gems depicting life in the Russian and Ukrainian countryside. Together, they reveal Gogol's marvelously skewed perspective, moving between the urban and the rural with painfully sharp humour and scorching satire. Strikingly modern in his depictions of society's shambolic structures, Gogol plunders the depths of bureaucratic and domestic banalities to unearth moments of dark comedy and outrageous corruption. Defying categorisation, the stories in this collection range from the surreal to the satirical to the grotesque, united in their exquisite psychological acuteness and tender insights into the bizarre irrationalities of the human soul.

Part of the Norton Library series “As Kate Holland notes in her fine introduction to these new translations, Nikolai Gogol is a hybrid: Ukrainian-Russian, Romantic-Realist, equal parts nightmare and satire. Michael Katz hears this hybrid tension. We sense the terror and fantasy of Ukrainian folklore flooding Petersburg space, revealing a Gogol for our haunted times.� —Caryl Emerson (Princeton University) The Norton Library edition of Selected Tales features a collection of Nikolai Gogol’s most regarded short fiction: “Ivan Fyodorovich Shponka and His Auntie,� “Nevsky Prospect,� “Notes of a Madman,� “The Nose,� “The Carriage,� “The Portrait,� and “The Overcoat� newly translated by Michael R. Katz. An introduction by Kate Holland situates the stories in the historical context of imperial St. Petersburg, inviting readers to appreciate Gogol’s incisive social critique and the transformative vision of his writing. The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime. Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence. Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed. An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition. About the Authors: Michael R. Katz is C. V. Starr Professor Emeritus of Russian and East European Studies at Middlebury College. He has published translations of more than fifteen Russian novels, including Crime and Punishment, Notes from Underground, and The Brothers Karamazov. Kate Holland is Associate Professor of Russian Literature in the Department of Slavic Languages and Literatures at the University of Toronto. She is the author of The Novel in the Age of Disintegration: Dostoevsky and the Problem of Genre in the 1870s. She is President of the North American Dostoevsky Society.

With an Introduction by Anthony Briggs. Translated by Isabel F. Hapgood. Russia in the 1840s. There is a stranger in town, and he is behaving oddly. The unctuous Pavel Chichikov goes around the local estates buying up 'dead souls'. These are the papers relating to serfs who have died since the last census, but who remain on the record and still attract a tax demand. Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him? Does this narrative contain a deeper message about Russia itself or the spiritual health of humanity? There is much interest and some suspense in considering these issues, but the real pleasure of this story lies elsewhere. It is an enjoyable comic romp through a retarded part of a backward country, a picaresque series of grotesque portraits, situations and conversations described with Gogolian humour based mainly on hyperbole. This is, quite simply, the funniest book in the Russian language before the twentieth century.

Nikolai Gogol's novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol's peculiar genius comes through most powerfully in his short stories. By turns-or at once-funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol's vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol's characteristic obsessions-city crowds, bureaucratic hierarchy and irrationality, the devil in disguise-and a constant undercurrent of the absurd. Susanne Fusso's translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

This series presents a wide choice of 20th-century drama. The books offer scene-by-scene analysis, structured questions and assignment suggestions for GCSE. In this Russian comedy, a young traveller in a provincial town is mistaken for a government inspector.

It is the night before Christmas and devilry is afoot. The devil steals the moon and hides it in his pocket. He is thus free to run amok and inflicts all sorts of wicked mischief upon the village of Dikanka by unleashing a snowstorm. But the one he d really like to torment is the town blacksmith, Vakula, who creates paintings of the devil being vanquished. Vakula is in love with Oksana, but she will have nothing to do with him. Vakula, however, is determined to win her over, even if it means battling the devil. Taken from Nikolai Gogol s first successful work, the story collection Evenings on a Farm Near Dikanka, The Night Before Christmas is available here for the first time as a stand-alone novella and is a perfect introduction to the great Russian satirist."

Four works by great 19th-century Russian author: "The Nose," a savage satire of Russia's incompetent bureaucrats and its snobbish and complacent upper classes; "Old-Fashioned Farmers," a pleasant depiction of an elderly couple living in rustic seclusion; "The Tale of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich," one of Gogol's most famous comic stories; and "The Overcoat," widely considered a masterpiece of form.

A mysterious stranger named Chichikov arrives in a small provincial Russian town and proceeds to visit a succession of landowners, making each of them an unusual and somewhat macabre proposition. He offers to buy the rights to the dead serfs who are still registered on the landowner's estate, thus reducing their liability for taxes. It is not clear what Chichikov's intentions are with the dead serfs he is purchasing, and despite his attempts to ingratiate himself, his strange behaviour arouses the suspicions of everyone in the town.A biting satire of social pretensions and pomposity, Dead Souls has been revered since its original publication in 1842 as one of the funniest and most brilliant novels of nineteenth-century Russia. Its unflinching and remorseless depiction of venality in Russian society is a lasting tribute to Gogol's comic genius.

Nikolai Gogol's novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol's peculiar genius comes through most powerfully in his short stories. By turns-or at once-funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol's vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol's characteristic obsessions-city crowds, bureaucratic hierarchy and irrationality, the devil in disguise-and a constant undercurrent of the absurd. Susanne Fusso's translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

Volume 2 of "The Complete Tales" includes Gogol's Mirgorod stories--among them that masterpiece of grotesque comedy, "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich," the wonderfully satiric "Old World Landowners," and the Cossak epic "Taras Bulba." Here also is "The Nose," Gogol's final effort in the realm of the fantastic, as well as "The Coach," "The Portrait" (in its final version), and the most influential of his Petersburg stories, "The Overcoat."

Gogol's 1842 novel Dead Souls, a comic masterpiece about a mysterious con man and his grotesque victims, is one of the major works of Russian literature. It was translated into English in 1942 by Bernard Guilbert Guerney; the translation was hailed by Vladimir Nabokov as "an extraordinarily fine piece of work" and is still considered the best translation of Dead Souls ever published. Long out of print, the Guerney translation of Dead Souls is now reissued. The text has been made more faithful to Gogol's original by removing passages that Guerney inserted from earlier drafts of Dead Souls. The text is accompanied by Susanne Fusso's introduction and by appendices that present excerpts from Guerney's translations of other drafts of Gogol's work and letters Gogol wrote around the time of the writing and publication of Deal Souls. "I am delighted that Guerney's translation of Dead Souls [is] available again. It is head and shoulders above all the others, for Guerney understands that to 'translate' Gogol is necessarily to undertake a poetic recreation, and he does so brilliantly."-Robert A. Maguire, Columbia University "The Guerney translation of Dead Souls is the only translation I know of that makes any serious attempt to approximate the qualities of Gogol's style-exuberant, erratic, 'Baroque,' bizarre."-Hugh McLean, University of California, Berkeley "A splendidly revised and edited edition of Bernard Guerney's classic English translation of Gogol's Dead Souls. The distinguished Gogol scholar Susanne Fusso may have brought us as close as the English reader may ever expect to come to Gogol's masterpiece. No student, scholar, or general reader will want to miss this updated, refined version of one of the most delightful and sublime works of Russian literature."-Robert Jackson, Yale University