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Nikolaus Harnoncourt conducts the Vienna Philharmonic for the
opening concert of the 2009 Salzburg Festival. Honouring the
conductor on his 80th birthday, the concert pays homage to the
Viennese dance and includes pieces by Josef Strauss, Anton Webern
and Franz Schubert.
Nikolaus Harnoncourt leads the Arnold Schoenberg Chor and the
Concentus Musicus Wien in live performances from the 'Ouverture
Spirituelle' concert series, recorded at the Salzburg Festival in
2012. Focusing on religious themes and musical works, the concert
features performances of Mozart's 'Litaniae de Venerabili Altaris
Sacramento K. 243' and 'Missa longa in C major K. 262'. The
featured soloists are Sylvia Schwartz, Elisabeth Von Magnus, Jeremy
Ovenden and Florian Boesch.
This collection of lectures, talks, and essays focuses on three
major composers of the 17th and 18th centuries.
Nikolaus Harnoncourt leads the Concentus Musicus Wien in this
production of Josef Haydn's opera 'Il Mondo Della Luna' recorded at
the Theatre an der Wien in 2009. Performers include Dietrich
Henschel, Bernard Richter and Vivica Genaux.
Nikolaus Harnoncourt conducts the Wiener Philharmoniker in this
performance of Haydn's oratorio, recorded in Salzburg's Great
Festival Hall in July 2013. The concert also features the
Konzertvereinigung Wiener Staatsopernchor and soloists Dorothea
Röschmann, Michael Schade and Florian Boesch.
Filmed in November 1981 at the Musikverein, Vienna, Nikolaus
Harnoncourt conducts his Concentus Musicus Wien and the
Konzertvereinig Wiener Staatsopernchor in a performance of Mozart's
final work. The soloists include Rachel Yakar, Ortrun Wenkel, Kurt
Equiluz and Robert Holl.
Juliane Banse and Shawn Mathey take the lead roles in this
performance of Robert Schumann's only opera, featuring the opera
and chorus of the Zurich Opera House, conducted by Nikolaus
Harnoncourt.
El dialogo musical entre cada una de las voces de la orquesta, asi
como el dialogo imaginario entre la musica y el oyente, conforman
el punto central de las consideraciones de Nikolaus Harnoncourt
sobre la cuestion musical desde que identifico este dialogo -que
abrio nuevos horizontes a sus propios criterios interpretativos-
como medio esencial de expresion para los compositores entre
finales del siglo XVI y del XIX. En un extenso analisis de las
grandes obras de Monteverdi y Bach, nos muestra como ese dialogo
musical puede volver a expresarse hoy en la ejecucion musical.
Harnoncourt rinde cuentas de como en sus audiciones intenta
conseguir, mediante la musica, la transformacion intelectual del
oyente pretendida por el compositor. En la parte correspondiente a
Mozart, el musico y estudioso demuestra con importantes ejemplos
que la musica de este, en esencia siempre dramatica y caracterizada
por fuertes contrastes animicos, adolece de una interpretacion
erronea a causa de versiones carentes de contrastes sonoros y
dominadas por un sentido erroneo del equilibrio.
Nikolaus Harnoncourt conducts the Zurich Opera Orchestra in this
production of Mozart's classic opera, recorded live at the Zurich
Opera House in 2006.
Nikolaus Harnoncourt leads the Royal Concertgebouw Orchestra and
the Netherlands Radio Choir in a performance of Beethoven's Missa
Solemnis. The performers featured include Marlis Petersen,
Elisabeth Kulman, Werner Güra and Gerald Finlay.
Nikolaus Harnoncourt leads the Royal Concertgebouw Orchestra and
the Netherlands Radio Choir in a performance of Beethoven's Missa
Solemnis. The performers featured include Marlis Petersen,
Elisabeth Kulman, Werner Güra and Gerald Finlay.
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