When we meet someone, one of the things we notice is the colour of their skin. But what can someone's skin colour tell us about them? Despite what some people say, your skin means very little! Inside we're all the same.

Join Njabulo, Aisha, Tim, Chris and Roshni as they discover why humans have different skins, and how people's thinking about skin colour has changed throughout history. Skin We Are In is a celebration of the glorious human rainbow, both in South Africa and beyond.

One of South Africa's best-selling authors, Sindiwe Magona, has teamed up with well-known American anthropologist, Nina G. Jablonski, and award-winning illustrator Lynn Fellman to create a much-needed book about race and skin colour – for children. Magona has written a story of five friends as they explore and discuss the skin they are in. The scientific narrative, written by Jablonski, expands and supports the conversation topics generated by the children's adventure.

When we meet someone, one of the things we notice is the colour of their skin. But what can someone's skin colour tell us about them? Despite what some people say, your skin means very little! Inside we're all the same.

Join Njabulo, Aisha, Tim, Chris and Roshni as they discover why humans have different skins, and how people's thinking about skin colour has changed throughout history. Skin We Are In is a celebration of the glorious human rainbow, both in South Africa and beyond.

One of South Africa's best-selling authors, Sindiwe Magona, has teamed up with well-known American anthropologist, Nina G. Jablonski, and award-winning illustrator Lynn Fellman to create a much-needed book about race and skin colour – for children. Magona has written a story of five friends as they explore and discuss the skin they are in. The scientific narrative, written by Jablonski, expands and supports the conversation topics generated by the children's adventure.

When we meet someone, one of the things we notice is the colour of their skin. But what can someone's skin colour tell us about them? Despite what some people say, your skin means very little! Inside we're all the same.

Join Njabulo, Aisha, Tim, Chris and Roshni as they discover why humans have different skins, and how people's thinking about skin colour has changed throughout history. Skin We Are In is a celebration of the glorious human rainbow, both in South Africa and beyond.

One of South Africa's best-selling authors, Sindiwe Magona, has teamed up with well-known American anthropologist, Nina G. Jablonski, and award-winning illustrator Lynn Fellman to create a much-needed book about race and skin colour – for children. Magona has written a story of five friends as they explore and discuss the skin they are in. The scientific narrative, written by Jablonski, expands and supports the conversation topics generated by the children's adventure.

When we meet someone, one of the things we notice is the colour of their skin. But what can someone's skin colour tell us about them? Despite what some people say, your skin means very little! Inside we're all the same.

Join Njabulo, Aisha, Tim, Chris and Roshni as they discover why humans have different skins, and how people's thinking about skin colour has changed throughout history. Skin We Are In is a celebration of the glorious human rainbow, both in South Africa and beyond.

One of South Africa's best-selling authors, Sindiwe Magona, has teamed up with well-known American anthropologist, Nina G. Jablonski, and award-winning illustrator Lynn Fellman to create a much-needed book about race and skin colour – for children. Magona has written a story of five friends as they explore and discuss the skin they are in. The scientific narrative, written by Jablonski, expands and supports the conversation topics generated by the children's adventure.

When we meet someone, one of the things we notice is the colour of their skin. But what can someone's skin colour tell us about them? Despite what some people say, your skin means very little! Inside we're all the same.

Join Njabulo, Aisha, Tim, Chris and Roshni as they discover why humans have different skins, and how people's thinking about skin colour has changed throughout history. Skin We Are In is a celebration of the glorious human rainbow, both in South Africa and beyond.

One of South Africa's best-selling authors, Sindiwe Magona, has teamed up with well-known American anthropologist, Nina G. Jablonski, and award-winning illustrator Lynn Fellman to create a much-needed book about race and skin colour – for children. Magona has written a story of five friends as they explore and discuss the skin they are in. The scientific narrative, written by Jablonski, expands and supports the conversation topics generated by the children's adventure.

South Africa is ready for a new vocabulary than can form the basis for a national consciousness which recognises racialised identities while affirming that, as human beings, we are much more than our racial, sexual, class, religious or national identities. The Colour of Our Future makes a bold and ambitious contribution to the discourse on race. It addresses the tension between the promise of a post-racial society and the persistence of racialised identities in South Africa, which has historically played itself out in debates between the 'I don't see race' of non-racialism and the 'I'm proud to be black' of black consciousness. The chapters in this volume highlight the need for a race-transcendent vision that moves beyond 'the festival of negatives' embodied in concepts such as non-racialism, non-sexism, anti-colonialism and anti-apartheid. Steve Biko's notion of a 'joint culture' is the scaffold on which this vision rests; it recognises that a race-transcendent society can only be built by acknowledging the constituent elements of South Africa's EuroAfricanAsian heritage. The distinguished authors in this volume have, over the past two decades, used the democratic space to insert into the public domain new conversations around the intersections of race and the economy, race and the state, race and the environment, race and ethnic difference, and race and higher education. Presented here is some of their most trenchant and yet still evolving thinking.

This is the third collection of articles by Nina GarsoA-an on Early Armenian history and civilization. A number of articles included here continue earlier investigations of Iranian and Byzantine political and, especially, doctrinal and social influences on Medieval Armenia, precariously wedged between the two super-powers of the period, Byzantium and Sasanian Persia. A second theme is the development of the autocephalous Armenian Church as it freed itself from foreign pressures and achieved its own dogmatic position. Last, several studies consider some inadequacies in some recent historiography and suggest a more promising redirection in our approach to Armenian history and the formation of its national identity.

This is the third collection of articles by Nina GarsoA-an on Early Armenian history and civilization. A number of articles included here continue earlier investigations of Iranian and Byzantine political and, especially, doctrinal and social influences on Medieval Armenia, precariously wedged between the two super-powers of the period, Byzantium and Sasanian Persia. A second theme is the development of the autocephalous Armenian Church as it freed itself from foreign pressures and achieved its own dogmatic position. Last, several studies consider some inadequacies in some recent historiography and suggest a more promising redirection in our approach to Armenian history and the formation of its national identity.

The articles here aim to develop and expand Professor GarsoA-an's earlier research on the bilateral influences on Early-Christian Armenia, between Byzantium and the Sasanians. On the one hand, they continue her examination of Armenia's essentially Iranian society and institutions in the 4th-7th centuries; on the other, they are directed to an investigation of its autocephalous Church. This maintained relations with the Antiochene Christological school it shared with the Church of Persia longer than has been generally admitted, but simultaneously brought about an ideological transformation through which Christianity came to define the Armenian identity in the national tradition.

Shaping Primate Evolution is an edited collection of papers about how biological form is described in primate biology, and the consequences of form for function and behavior. The contributors are highly regarded internationally recognized scholars in the field of quantitative primate evolutionary morphology. Each chapter elaborates upon the analysis of the form-function-behavior triad in a unique and compelling way. This book is distinctive not only in the diversity of the topics discussed, but also in the range of levels of biological organization that are addressed from cellular morphometrics to the evolution of primate ecology. The book is dedicated to Charles E. Oxnard, whose influential pioneering work on innovative metric and analytic techniques has gone hand-in-hand with meticulous comparative functional analyses of primate anatomy. Through the marriage of theory with analytical applications, this volume will be an important reference work for all those interested in primate functional morphology.

This unique volume provides a comprehensive and up-to-date examination of all aspects of the biology of the Old World monkey genus, Theropithecus, which evolved alongside our human ancestors. The authors explore the fossil history and evolution of the genus, its biogeography, comparative evolutionary biology and anatomy, and the behaviour and socioecology of the living and extinct representatives of the genus. The parallels between the evolution of Theropithecus and early hominids are discussed. There are also two chapters of particular significance which describe how an innovative and exciting approach to the modelling of the causes of species extinction can be used with great success. This highly multidisciplinary approach provides a rare and insightful account of the evolutionary biology of this fascinating and once highly successful group of primates. Theropithecus will be of interest to researchers in the fields of primatology, anthropology, palaeontology, and mammalian behaviour, physiology and anatomy.

Shaping Primate Evolution is an edited collection of state-of-the-art papers about how biological form is described in primate biology, and the consequences of form for function and behavior. The contributors are highly regarded internationally recognized scholars in the field of quantitative primate evolutionary morphology. Each chapter elaborates upon the analysis of the form-function-behavior triad in a unique and compelling way. This book is distinctive not only in the diversity of the topics discussed, but also in the range of levels of biological organization that are addressed from cellular morphometrics to the evolution of primate ecology. The book is dedicated to Charles E. Oxnard, whose influential pioneering work on innovative metric and analytic techniques has gone hand-in-hand with meticulous comparative functional analyses of primate anatomy. Through the marriage of theory with analytical applications, this volume will be an important reference work for all those interested in primate functional morphology.

We expose it, cover it, paint it, tattoo it, scar it, and pierce it. Our intimate connection with the world, skin protects us while advertising our health, our identity, and our individuality. This dazzling synthetic overview is a complete guidebook to the pliable covering that makes us who we are. "Skin: A Natural History" celebrates the evolution of three unique attributes of human skin: its naked sweatiness, its distinctive sepia rainbow of colors, and its remarkable range of decorations. Jablonski places the rich cultural canvas of skin within its broader biological context for the first time, and the result is a tremendously engaging look at us.

The late fifth-century anonymous Epic Histories, formerly known as the History of Armenia attributed to another unknown P'awstos (Faustos) Buzand, form the earliest historical work written in Armenian. They are the main source for our knowledge of social structure, beliefs and customs of early Christian Armenia, and especially of the profound and lasting influence of Zoroastrian Persia on the recently converted country. This influence is evident in the very composition of the work, which owes as much to the lost oral tradition of the Iranian epic as to more familiar Classical and early Christian models. Hence, it is unmatched for the reconstruction of the ambivalent world of the Near East in Late Antiquity at the cross roads between Classical and Iranian civilizations. Since no scholarly translation of this work into any Western language has been attempted for more than a century, much of its contribution has remained beyond the reach of most scholars. The aim of the present publication is to fill this lacuna by complementing the translation of the original Armenian text with a Commentary and Appendices that are intended to serve not only Armenian scholars but Classicists and Iranians alike.

"Living Color" is the first book to investigate the social history of skin color from prehistory to the present, showing how our body's most visible feature influences our social interactions in profound and complex ways. Nina Jablonski begins this fascinating and wide-ranging work with an explanation of the biology and evolution of skin pigmentation, tracing how skin color changed as humans moved around the globe, exploring the relationship between melanin and sunlight, and examining the consequences of mismatches between our skin color and our environment due to rapid migrations, vacations, and other life-style choices.
Aided by plentiful illustrations, this book also explains why skin color has become a biological trait with great social meaning--a product of evolution perceived differently by different cultures. It considers how we form impressions of others, how we create and use stereotypes, and how prejudices about dark skin developed and have played out through history--including as justification for the transatlantic slave trade. Offering examples of how attitudes toward skin color differ in the United States, Brazil, India, and South Africa, Jablonski suggests that a knowledge of the evolution and social importance of skin color can help eliminate color-based discrimination and racism.

Nina G bills herself as "The San Francisco Bay Area's Only Female Stuttering Comedian." On stage, she encounters the occasional heckler, but off stage she is often confronted with people's comments toward her stuttering; listeners completing her sentences, inquiring, "Did you forget your name?" and giving unwanted advice like "slow down and breathe" are common. (As if she never thought about slowing down and breathing in her over thirty years of stuttering!) When Nina started comedy nearly ten years ago, she was the only woman in the world of stand-up who stuttered--not a surprise, since men outnumber women four to one amongst those who stutter and comedy is a male-dominated profession. Nina's brand of comedy reflects the experience of many people with disabilities in that the problem with disability isn't in the person with it but in a society that isn't always accessible or inclusive.

The much anticipated second installment of the Strapped Trilogy, Strapped Down picks up where the first installment concluded. Eric is not going down without a fight, but Shyla and Taylor are willing to go to equally dark lengths to make him pay for his betrayal. In their quest to seek revenge and find happiness, deeply guarded secrets from their pasts begin to surface, revealing they are linked to each other in ways they could never have imagined. For every secret they uncover, another seems to surface as they find themselves raveled in a web that extends much further than the confines of the darkroom. As Shyla and Taylor become more entwined with each other, she learns that Taylor's dark side is far more dangerous than she believed. Will Shyla continue to follow Taylor into the darkness, or is he far too gone for her light to shine through?