A secret torment for some, a proud responsibility for others, ‘black tax’ is a daily reality for thousands of black South Africans. In this thought-provoking and moving anthology, a provocative range of voices share their deeply personal stories.

With the majority of black South Africans still living in poverty today, many black middle-class households are connected to working-class or jobless homes. Some believe supporting family members is an undeniable part of African culture and question whether it should even be labelled as a kind of tax. Others point to the financial pressure it places on black students and professionals, who, as a consequence, struggle to build their own wealth. Many feel they are taking over what is essentially a government responsibility. The contributions also investigate the historical roots of black tax, the concept of the black family and the black middle class.

In giving voice to so many different perspectives, Black Tax hopes to start a dialogue on this widespread social phenomenon.

Mangi and his fiancée, Aza, have been living together in Linden for the past eight years. One day while cleaning their bedroom, Mangi discovers Aza’s secret. The uncovering of Aza's lie is the catalyst to the unravelling of their already tumultuous relationship. When Aza eventually ends their relationship, Mangi is left destitute.

Mangi searches for meaning as he makes his way through the streets of Joburg in The City Is Mine.

This short story collection is filled with memorable characters, intriguing plots and twist endings.

With his keen observations and insights into human nature, Mhlongo explores the things people do for each other, but also to each other. Injustice, corruption, love and desire are just some of the aspects of human interaction featured here.

A family refuses to leave when the bank repossesses their house; stalking has an unexpected outcome; a desensitised morgue manager is spooked; and more!

A thrilling array of African writers, including Fred Khumalo, Sibongile Fisher, Lucas Ledwaba, Vonani Bila, Lynn Joffe and Christopher Mlalazi, tell surprising and unnerving tales in this collection of commissioned stories from the master of narrative writing, Niq Mhlongo.

These stories give answers to the question: what does being haunted and hauntings mean in our southern African world, in the past, the present and the future?

Joburg Noir is a collection of writings about memories, legends, loss, jokes, stories, myths and experiences by twenty-two gifted and versatile authors in South Africa. It makes the reader experience present-day Johannesburg as if one were in the past. The stories seek to understand, reconstruct, reinvent and recover this city space of loss, joy, deprivation, resistance and possibility by revealing its complex dynamics. They are funny, shocking, violent, absurd, strangely tender and memorable.

Their lasting resonance lies in the fact that they invoke the joys and traumas of the past and present, making the two to co-exist and interlock. After reading this uncompromising and gritty anthology, the reader is bound to feel like a time-traveller who has voyaged into a magical alternate city and a reality that was either misnamed or not named at all. The intention is to help the readers to delve into their own memories in search of pictures of their sweet childhood and fractured identities.

Contributors: Sam Mathe; Fred Khumalo; Lidudumalingani; Keletso Mopai; Sibongile Fisher; Kgomotso Masemola; Styles Lucas Ledwaba; Mapule Mohulatsi; Khanyi Magubane; Sifiso Mzobe; Gloria Bosman; Nedine Moonsamy; Yewande Omotso; Mabel Mnesa; Nthikeng Mohlele; Eusebius McKaiser; Siphiwo Mahala; Nkateko Masinga; Mzuvukile Maqetuka; Sydney Mojoko; Michelle van Heerden.

When Mpisi Mpisani travels to his home village for the burial of his mother and a visit to his first wife, he is anxious to hurry back to Johannesburg. His second wife, waiting in Soweto, will give birth soon. Giyani, his eight year old son, accompanies him.

But when Giyani disappears, Mpisi stays to search for him. He tries to ignore the villagers who blame magic for the boy’s disappearance. Meanwhile Mpisi’s city wife, Ntombazi, bears a boy with a birthmark that seems to be a sign . . .

“This apricot tree has multiple souls that fill me with wonder every morning and enchant me by afternoon. This tree has bitter-sweet memories, just like the fruit it bears.”

If the apricot trees of Soweto could talk, what stories would they tell? This short story collection provides an imaginative answer. Imbued with a vivid sense of place, it captures the vibrancy of the township and surrounds. Told with satirical flair, life and death are intertwined in these tales where funerals and the ancestors feature strongly; where cemeteries are places to show off your new car and catch up on the latest gossip.

Populating these stories is a politician mesmerised by his mistress’s manicure, zama-zamas running businesses underground, a sangoma with a remedy for theft, soccer fans ready to mete out a bloody justice, a private dancer in love and many other intriguing characters.

Take your seat under the apricot tree and be enthralled by tales that are both entertaining and thought-provoking.

Bafana (nicknamed Advo for advocate), is a young man with a weight on his shoulders. After flunking his law studies at UCT, he now has to find a way to either admit the truth to his family, or somehow find a job that will allow him to continue fooling them. Soon after his arrival back home in Soweto he meets up with a Nigerian guy named Yomi who promises to help him solve all his problems. What should Bafana do? Should he bite the bullet and confess the truth to his mother and uncle, or should he rather take up Yomi’s suggestion to buy a law degree and start practicing as an attorney?

"Dog Eat Dog" is a remarkable record of being young in a nation undergoing tremendous turmoil, and provides a glimpse into South Africa's pivotal kwaito (South African hip-hop) generation and life in Soweto. Set in 1994, just as South Africa is making its postapartheid transition, "Dog Eat Dog" captures the hopes -- and crushing disappointments -- that characterize such moments in a nation's history.
Raucous and darkly humorous, "Dog Eat Dog" is narrated by Dingamanzi Makhedama Njomane, a college student in South Africa who spends his days partying, skipping class, and picking up girls. But Dingz, as he is known to his friends, is living in charged times, and his discouraging college life plays out against the backdrop of South Africa's first democratic elections, the spread of AIDS, and financial difficulties that threaten to force him out of school.

Kimathi Tito has it all. As a child of the revolution, born in exile in Tanzania, he has steadily accumulated wealth and influence since arriving in South Africa in 1991. But even though everything appears just peachy from outside the walls of his mansion in Bassonia, things are far from perfect for Comrade Kimathi. After a messy divorce, accelerated by his gambling habit and infidelities, he is in danger of losing everything. And now, to top it all, he's seeing ghosts. Sometimes what happens in exile doesn't stay in exile.A caustic critique of South Africa's political elite from the author of Dog Eat Dog and After Tears (both recently reissued).

Niq Mhlongo returns with a collection of short stories that cover the span of our democracy: Crime, xenophobia, racism and homophobia, the new black elite, land redistribution, the Zuma presidency. The stories have been published to critical acclaim in France, Germany, Spain, Italy and the USA but remain largely unknown in South Africa. A?ffluenza offers us a chance to savour Niq Mhlongo’s take on the madness of the last twenty years.

"Dog Eat Dog" is a remarkable record of being young in a nation undergoing tremendous turmoil, and provides a glimpse into South Africa's pivotal kwaito (South African hip-hop) generation and life in Soweto. Set in 1994, just as South Africa is making its postapartheid transition, "Dog Eat Dog" captures the hopes -- and crushing disappointments -- that characterize such moments in a nation's history.
Raucous and darkly humorous, "Dog Eat Dog" is narrated by Dingamanzi Makhedama Njomane, a college student in South Africa who spends his days partying, skipping class, and picking up girls. But Dingz, as he is known to his friends, is living in charged times, and his discouraging college life plays out against the backdrop of South Africa's first democratic elections, the spread of AIDS, and financial difficulties that threaten to force him out of school.