During the apartheid years in South Africa, hostels and compounds were built to house migrant labourers. One such hostel compound was Lwandle, some 40 kilometres outside Cape Town. Literally translated from isiXhosa as `the sea', Lwandle was built in sight of the Atlantic Ocean. Conceptualised as a temporary labour camp, it was laid out by town planners and engineers in the form of diagonal, parallel blocks of barracks around a central open space. The lives of the labourers who lived there were regulated and policed through apartheid legislation around population influx control, the pass system and the policy of Coloured Labour Preference. In the 1990s, as part of the post-apartheid `Hostels to Homes' scheme, such hostels were reconfigured and refurbished into homes for family accommodation. A steering committee in Lwandle decided to preserve one dormitory, block 6, hostel 33, as a museum. Officially opened in May 2000, the primary purpose of the Lwandle Migrant Labour Museum was to serve as a reminder of the system of migrant labour, single-sex hostels and the control of workers through that infamous identity document - the pass book. This book explores the museum's makings, the creation of histories through the oral and the visual and the rehabilitation of structures for the museum, ending with the celebration - and discomfort - of the museum's tenth birthday in 2010. Richly illustrated throughout, the book includes two full colour visual essays by photographers Paul Grendon and Thulani Nxumalo, taken while working with the museum on projects of restoration and collection.

This ground-breaking new work draws together a cross-section of South African scholars to provide a lively and comprehensive review of the under-researched area of heritage practice following the introduction of the National Heritage Resources Act.
Looking at the daily heritage debates, from naming streets to projects such as the Gateway to Robben Island, "Desire Lines" addresses the innovative strategies that have emerged in the practice of defining, identifying and developing heritage sites.
In a unique multi-disciplinary approach, contributions are featured from a broad spectrum of fields, including the Built Environment, Public Culture and Education, showcasing work from tour operators and museum curators alongside that of university-based scholars, making this book comprehensively and singularly authoritative in charting the development of new and emergent public cultures in post apartheid South Africa through the making and unmaking of its urban spaces.
This pioneering collection of essays and case studies is sure to become an indispensable guide for those working within or studying heritage practice globally, setting the benchmark in this contested field.

This ground-breaking new work draws together a cross-section of South African scholars to provide a lively and comprehensive review of the under-researched area of heritage practice following the introduction of the National Heritage Resources Act.
Looking at the daily heritage debates, from naming streets to projects such as the Gateway to Robben Island, "Desire Lines" addresses the innovative strategies that have emerged in the practice of defining, identifying and developing heritage sites.
In a unique multi-disciplinary approach, contributions are featured from a broad spectrum of fields, including the Built Environment, Public Culture and Education, showcasing work from tour operators and museum curators alongside that of university-based scholars, making this book comprehensively and singularly authoritative in charting the development of new and emergent public cultures in post apartheid South Africa through the making and unmaking of its urban spaces.
This pioneering collection of essays and case studies is sure to become an indispensable guide for those working within or studying heritage practice globally, setting the benchmark in this contested field.